Tulkojums: Anonīms. Cappella. Sacred, Mass. Valoda. ATT. Pārraksta no Trent manuskriptu tr87.
Tulkojums: The notes within square brackets are the editorial rendering of illegible notes. Anonīms. Cappella. Sacred, antifona. Valoda. ATT.
Tulkojums: Missa Se TU t'enmaries. Anonīms. Cappella. Sacred, Mass. Valoda.
Tulkojums: The complete absence of the text in the Tenor and Contra may suggest an intrumental performance of these two voices. Anonīms.
Tulkojums: The groups of coloured notes with minimæ are in "proportio sesquialtera". Anonīms. Cappella. Sacred, Votive antifona. Valoda. Latin.
Tulkojums: In the Benedictus the section of the Superius beginning with the number “3” is in “proportio sesquialtera". Cappella. Sacred, Mass.
Tulkojums: John Brassart. Cappella. Valoda. SAT. “Introitus pro Virgine” transcribed from the Trent manuscripts tr93.
Tulkojums: Missa sine Nomine. Johannes Bassere. Cappella. Sacred, Mass. Valodas. Grieķu, latīņu. ATT. Pārraksta no Trent manuskripti tr89.
Tulkojums: The keys, time signatures, notes' values accidentals and colourings are as in the manuscript, the coloured notes are “hemiolæ”. ATT.
Tulkojums: Yet, they perhaps divulge much about the composer's apparently fatalistic view of death and afterlife. Ludwig van Beethoven.
Tulkojums: Ezers Isle of Innisfree. Peter Bird. Plāns. Laicīgā, Partsong. Valoda. Angļu. SATB with SAT solos.
Tulkojums: Time may be long and full length of days giv'n, Eternity promising life without end. Nezināms Writer. Angļu.
Tulkojums: DOGAL. Vijole E String.
Tulkojums: Redzes lasījums Band, Book 2. Baritons Horn TC notis. 2 pakāpes. Redzes lasījums Band, Book 2. Baritons T.C. Band - Band metodes. 2 pakāpes.
Tulkojums: His works range from chamber pieces and Choral compositions to chamber opera and full-length ballet. Mēs Tal Vez Laika. KORIS. SATB.
Tulkojums: Riekstkodis. Overture un Trepak. Peter Ilyich Čaikovska. Riekstkodis. Overture un Trepak. sastāvā Peter Ilyich Čaikovska. 1840-1893.
Tulkojums: The third movement is, unusually, slow and soft, which is again contrasted by the ferocity of the final movement, which ends ffff.