Tulkojums: It has been suggested that viol-playing came once more into fashion in the early years of the seventeenth century. un 6.
Tulkojums: In the Sanctus the notes after the number “3” are in “proportio sesquialtera”. Anonīms. Cappella. Sacred, Mass. Valoda. Latin.
Tulkojums: dzirdēt kliegt. William Knapp. Cappella. Sacred, Carol Meter. Valoda.
Tulkojums: Atbalss. or difficult to achieve in many choral settings, especially middle schools and smaller high schools.
Tulkojums: José Torres. Mixed ensemble including basso continuo. Sacred, Responsory. Valoda. Spāņu. SSAT.SATB. 8 Part responsories. atturēties.
Tulkojums: From an anonymous manuscript in the library of Christ Church, Oxford. and possibly the soprano. should be used for accompaniment.
Tulkojums: Composer introduces the score with the following words. Francisco Valls. 2 vijoles un continuo. Sacred, Canon. Valoda. Latin. SS.
Tulkojums: In the mercy of God.. Orgāns. Sacred, Hymn. Valoda. Angļu.
Tulkojums: Nāc, Svētais Gars. It should be sung at an unhurried pace, and in the 46. Cappella. Sacred , Anthem suitable for Pentecost. Valoda.
Tulkojums: although not so designated in the source, which provides no clue other than the repeat sign and the part's brevity. Cappella.
Tulkojums: Matona mans dārgais. even in modern Italian. Cappella. Laicīgā, Madrigal. Valoda.
Tulkojums: In places the texture vanishes to capture the solitude and loneliness. The piece ends with a sad fade on the final word.
Tulkojums: Crescite Vero in gratia. Vēja kvintets vai orgānu. Sacred, Anthem. Valoda. Latin. SSAATTBB.
Tulkojums: , or for a concert on that day, or for any other relevant purpose in connection with St Peter. Crescite Vero in gratia.
Tulkojums: Organ part may have been added by someone other than the composer. The value of the notes in Gloria section has been halved.
Tulkojums: other stanzas are inappropriate because of phrasing of the music. Supply Belcher. Cappella. Sacred, Hymn Meter. 86. 86. C.M. Valoda.
Tulkojums: Citiem vārdiem sakot,.