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Oriģināls

Edwin Lemare. Andantino In Db For Organ. Sheet Music. Organ. ORG. Edwin Lemare.

Tulkojums

Edwin Lemare. Andantino In Db For Organ. Sheet Music. Orgāns. ORG. Edwin Lemare.

Oriģināls

Lemare’s compositions are uneven in quality, but the best are still active in the repertoire. The Andantino – also known as ‘Moonlight and Roses’ – is the best known of his pieces and was requested by audiences at every concert he performed. The work requires thumbing down, so the performing is playing on three manuals at once. Organ virtuoso and composer Edwin Lemare was the world’s highest-paid Organist at the height of his career in the early 1900’s, drawing bravos from ctritics and the crowds who queued around the block to hear this most famous of Organists. After having served as a church Organist for a relatively short period, he began the life of a travelling recitalist, beginning with a hundred-recital tour of the USA and Canada in 1900, a career that continued until the stock market crash of 1929. Lemare was also virtuosic in his ability to transcribe great Orchestral works for the Organ, allowing audiences in those less urban times to hear works played live that they might have heard no other way.

Tulkojums

Lemare sacerējumi ir nevienmērīga kvalitāte, bet labākais joprojām ir aktīvi repertuārā. The Andantino – also known as ‘Moonlight and Roses’ – is the best known of his pieces and was requested by audiences at every concert he performed. The work requires thumbing down, so the performing is playing on three manuals at once. Orgānu virtuozs un komponists Edwin Lemare bija pasaules augstākā apmaksātu ērģelnieks augstumā savas karjeras sākumā 1900, zīmēšanas Bravos no ctritics un ļaudis, kuri rindā apkārt kvartālam dzirdēt šo slavenākais ērģelnieku. Pēc tam kalpoja kā baznīcas ērģelnieks, lai salīdzinoši īsā laika posmā, viņš sāka dzīvi ceļojošā recitalist, sākot ar ekskursiju simts apsvērumu ASV un Kanādā 1900, karjeru, kas turpinājās līdz brīdim, kad akciju tirgus crash 1929. Lemare bija arī virtuosic viņa spēju pārveidot lielu orķestra darbus orgāna, ļaujot auditoriju tajos mazāk pilsētu laikiem dzirdēt darbus dzīvajā, ka viņi varētu būt dzirdējuši nav citu veidu.