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Oriģināls

Renaissance Solos for Mandolin. Sheet Music. Mandolin. MAND.

Tulkojums

Renaissance Solos par Mandolin. Sheet Music. Mandolīna. Mand.

Oriģināls

Most of the music in this book comes from editions or manuscripts from England in the late 1500’s. There are also a few French pieces. The cittern was popular in Italy, England and France. Aside from various tunings, there were two main kinds of instruments being played during the 16th and 17th centuries. the 4 course. four sets of doubled strings. , and the 6 course cittern with several editions of music to go along with both. The pieces I have chosen for this book were all written for the 4 course instrument and fall into three main categories. dance music, song arrangements and free pieces. The free pieces are basically preludes that explore the melodic range of the instrument. As the title suggests these pieces can be played very freely and need not have a very strict tempo. The dance pieces are not really meant to be danced to, but rather take their form and rhythm from the popular court dances of the time. These can be played with a wide range of overall tempo, but once a tempo is chosen, should be strictly adhered to. The song arrangements are settings of popular songs of the time as well as more formal vocal settings. Care should be taken in making the melody clear and singing. Since the range of the cittern and mandolin are the same, John Holenko has kept the melodies intact. Because of the difference in tuning however, the voicing of the harmonies have been changed so as to fit on the mandolin.

Tulkojums

Most of the music in this book comes from editions or manuscripts from England in the late 1500’s. Ir arī daži franču gabali. Cittern bija populārs Itālijā, Anglijā un Francijā. Malā no dažādām tunings, tur bija divi galvenie veidi instrumentiem tiek spēlēta 16 un 17 gadsimtiem. 4 kurss. četri komplekti dubultojās stīgas. , Un 6 protams cittern ar vairākiem izdevumos mūziku iet kopā ar abiem. Gabali Es izvēlējos šo grāmatu visi bija rakstīts par 4 kursu instrumentu un iedalīt trijās galvenajās kategorijās. deju mūzika, dziesmu kārtību un bezmaksas gabali. Bezmaksas gabali pamatā Prelūdijas kas pētītu melodisku klāstu instrumenta. Kā liecina nosaukums šos gabalus var spēlēt ļoti brīvi un nav obligāti jābūt ļoti stingri tempu. Deju gabali nav īsti domāts, lai būtu dejoja, bet gan veikt to formu un ritmu no tautas tiesu dejas laikā. Tie var spēlēt ar plašu vispārējo tempu, bet tad, kad tempo ir izvēlēta, būtu stingri jāievēro. Dziesma pasākumi ir iestatījumi tautas dziesmas laikā, kā arī vairāk formālas vokālos iestatījumi. Jāuzmanās, lai padarītu melodiju skaidri un dziedāšana. Tā diapazons cittern un mandolīna, ir tas pats, Džons Holenko ir saglabājusi melodijas neskarts. Sakarā ar atšķirību tuning tomēr, paužot no harmonijas ir mainīti, lai ietilptu uz mandolīna.