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Oriģināls

Lieder, Vol. 6. New Edition. D.119-D.180. Urtext. - Medium Voice & Piano. Sheet Music. Medium Voice, Piano Accompaniment. MED VCE. PFA. Franz Schubert.

Tulkojums

Dziesmas, Vol. 6. Jaunais izdevums. D.119-D.180. Urtext. - Medium Voice & Piano. Sheet Music. Medium Voice, Piano Accompaniment. MED VCE. PFA. Francis Šūberts.

Oriģināls

Based on the New Schubert Edition. Newly engraved, clearly presented musical layout. Foreword by Walther Dürr on the history and genesis of the work as well as an explanation of the sources for each individual lied. Eng. Ger. Includes English translations of lieder texts by Richard Wigmore. The lieder in this sixth volume were composed during the period between autumn 1814 and spring 1815. With Nachtgesang. D 119. and Trost in Tränen. D120. Schubert turns to the Strophenlied in its stricter sense for the first time. He develops an interest in this form parallel to his first involvement with Goethe. Schubert , during this period an assistant teacher at his father’s school, orientated himself towards the so-called Berliner Liederschule, particularly the songs of Johann Friedrich Reichardt. By the beginning of the year 1815 he drew his inspiration mainly from the texts of Theodor Körner. however he regularly still produced settings for the poetry of Goethe and Schiller. Also available. High Voice & Piano BA 9106. Low Voice & Piano BA 9146.

Tulkojums

Based on the New Schubert Edition. Tikko iegravēts, skaidri izklāstīts muzikālo izkārtojumu. Priekšvārds Walther DURR par vēsturi un ģenēzes darbu, kā arī skaidrojums par avotu katram indivīdam meloja. Vērīgi. Ger. Ietver angļu tulkojumus Lieder tekstu Richard Wigmore. Šajā sestajā apjoma Lieder veidoja laika periodā no 1814 gada rudens līdz 1815 pavasarī. With Nachtgesang. D 119. and Trost in Tränen. D120. Schubert turns to the Strophenlied in its stricter sense for the first time. He develops an interest in this form parallel to his first involvement with Goethe. Schubert , during this period an assistant teacher at his father’s school, orientated himself towards the so-called Berliner Liederschule, particularly the songs of Johann Friedrich Reichardt. Līdz gada sākumā 1815, viņš izvilka savu iedvesmu galvenokārt no Teodora Körner tekstiem. tomēr viņš regulāri joprojām ražo iestatījumus dzejas Gēte un Šillers. Pieejams arī. High Voice & Piano BA 9106. Low Voice & Piano BA 9146.