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Benjamin Britten. Double Concerto. Score and Parts. Sheet Music. Violin, Viola, Piano. VLN. VLA. PF. Benjamin Britten.

Tulkojums

Benjamin Britten. Double Concerto. Rezultāts un daļas. Sheet Music. Vijole, Viola, Piano. VLN. VLA. PF. Benjamin Britten.

Oriģināls

For Violin, Viola and Piano. Reduced from the orchestra version. Britten was so remarkably prolific as a young composer that many of the works from his teens were put aside to await revision or completion as he rushed on to the next piece. This was particularly the case around the time of his Opus 1 Sinfonietta , composed in the summer of 1932, his second year as a student at the Royal College Of Music. The Sinfonietta was written. in less than three weeks. very soon after Britten had completed the first draft of the Double Concerto. but after finishing the Sinfonietta he went back to revise the Concerto's second movement. He started work on his Op.2 Phantasy for Oboe and String Trio a few weeks later. Although the Concerto follows the same three-movement pattern as the Sinfonietta , it is more ambitious in scale. and since the sketch is, unusually for Britten, complete in practically every detail, it is puzzling that he never made a full score of the work after finishing the composition, and seems to have made no attempt to get it performed. It is not clear if he had particular performers in mind. he was, of course, a Viola player, although he is not likely to have intended the part for himself. He showed the work to his composition teacher at the college, John Ireland, who, as Britten recorded in his diary, was 'pretty pleased' with it. but it is distinctly possible that his experience in rehearsing the Sinfonietta with a student orchestra in 1932. 'I have never heard such an appalling row. ' reads another diary entry. discouraged him from going on to complete the Double Concerto in score. He was not to hear any of his orchestral works until the first performance of Our Hunting Fathers in 1936. In the absence of Britten's full score it was necessary for me to prepare the work from the sketch. But the instrumentation is so carefully indicated in the draft that the resulting score is not far from being 100% Britten - only between bars 70 and 74 of the slow movement did there seem to be any need to add anything significant to Britten's texture. The Double Concerto. Britten's manuscript title was 'Concerto In B Minor', but he referred to it in his diary, in characteristic shorthand, as '2ble Concerto'. is the most recent addition to his corpus of works, mostly dating from Britten's youth and early maturity, that, since his death, have been revived after many years, or performed for the first time. Britten himself occasionally returned to his early works, and in his last years revised both the early String Quartet In D of 1931 and the opera Paul Bunyan. The Piano score published separately is not a reduction from the orchestral score, but a transcription of Britten's composition sketch, including his indications of instrumentation. The first performance of the Double Concerto was given at the 50th Aldeburgh Festival by Katherine Hunka and Philip Dukes, with the Britten-Pears Orchestra conducted by Kent Nagano, on June 15th 1997. -Colin Matthews.

Tulkojums

For Violin, Viola and Piano. Reduced from the orchestra version. Britten bija tik ļoti ražīgs kā jauns komponists, ka daudzi no darbiem no viņa pusaudža gados bija atlicis sagaidīt pārskatīšanu vai pabeigšanu, kā viņš steidzās uz nākamo gabalu. Jo īpaši tas gadījums ap to laiku viņa Opus 1 Sinfonietta sastāvā vasarā 1932, viņa otro gadu kā students pie Karaliskajā Mūzikas koledžā. Sinfonietta tika rakstīts. mazāk nekā trīs nedēļas. Ļoti drīz pēc Britten bija pabeiguši pirmo projektu Dubultkoncerts. bet pēc apdares Sinfonietta viņš devās atpakaļ uz pārskatīt Koncertā otro kustību. Viņš sāka darbu pie sava Op.2 Phantasy obojai un stīgu trio dažas nedēļas vēlāk. Kaut Concerto ievēro to pašu trīs kustību modeli kā Sinfonietta, tas ir vērienīgāks mēroga. un tā skice ir neparasti Britena, pilnīga praktiski visos sīkumos, tas ir Mulsina, ka viņš nekad nav veikuši pilnīgu rezultātu darbu pabeidzot sastāvu, un, šķiet, ir neko nedarīja, lai saņemtu to veic. Nav skaidrs, vai viņš bija īpaši izpildītājiem prātā. viņš, protams, ir Viola atskaņotāju, lai gan viņš nav, visticamāk, bija iecerējusi daļu sev. Viņš parādīja darbu viņa kompozīcijas pasniedzējs koledžā, John Īrijā, kurš, kā Britten ierakstīts savā dienasgrāmatā, bija "diezgan apmierināta" ar to. bet tas ir skaidri iespējams, ka viņa pieredze izmēģināšana Sinfonietta ar studentu orķestri 1932. "Es nekad neesmu dzirdējis tik šausmīgi rindu. "Skan vēl dienasgrāmata ierakstu. atrunāja viņu no došanās uz pabeigtu Double Concerto in rezultātu. Viņš nebija dzirdēt kādu no viņa orķestra darbiem līdz pirmatskaņojumu Mūsu medību Fathers 1936. Tā kā nav Britten pilnīgu rezultātu, tas bija nepieciešams, lai es, lai sagatavotu darbu no skices. Bet mērinstrumentu ir tik rūpīgi norādīts projektā, kas rezultātā rezultāts nav tālu no 100% Britten - tikai starp stieņiem 70 un 74 lēnas kustības bija tur, šķiet, ka nav nepieciešams pievienot kaut ko nozīmīgu, lai Britten tekstūru. Double Concerto. Britena manuskripts nosaukums bija "Concerto In minorā", taču viņš atsaucās uz to savā dienasgrāmatā, jo raksturīgā stenogrāfija, kā "2ble Koncerts". ir jaunākais papildinājums viņa krājumā darbu, galvenokārt iepazīšanās no Britena jauniešu un agri briedums, ka, kopš viņa nāves, tika atjaunota pēc daudziem gadiem, vai veic pirmo reizi. Britten pats reizēm atgriezās pie saviem agrīnajos darbos, un viņa pēdējo gadu pārskatīts gan agrīno String Quartet D 1931. un operu Paul Bunyan. Publicēta atsevišķi Piano rezultāts nav samazināšanu no orķestra rezultātu, bet transkripcijas Britten kompozīcijas skice, tostarp viņa norādes par instrumentu. Pirmais sniegumu Dubultkoncerts tika dota 50. Aldeburgh festivālā Katherine Hunka un Philip Dukes ar Britten-bumbieriem orķestris Kents Nagano, kas veikts uz 15 jūnijs 1997. -Colin Matthews.