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Oriģināls

Antonín Dvorák. Piano Trio No. 3 In F Minor Op.65. Sheet Music. Violin. Viola. Cello. Piano Accompaniment. VLN. VLA. VLC. PFA. Antonin Dvorak.

Tulkojums

Antonīns Dvoržāks. Piano Trio Nr.3 F Minor Op.65. Sheet Music. Vijole. Violets. Čells. Klavieres pavadīšana. VLN. VLA. VLC. PFA. Antonin Dvorak.

Oriģināls

Not for sale outside of the UK and Commonwealth. Dvořák worked longer and more intensively on this Trio than on just about any other chamber music work. After his first successes with pieces inspired by Czech folk music, namely the popular Slavonic Dances. HN 757 and 918. , he now wanted to prove himself as a composer of the highest order. This is why in the following summer, he thoroughly reworked the Trio that he had written within eight weeks in spring 1883 before giving it to his publisher. Although Brahms’ music was the undeniable model for the new work, it did not hinder the unfolding of a very personal tone that blends expressiveness and passion. As with the “Dumky” Trio op. 90. HN 799. , Andreas Groethuysen is once again responsible for the fingerings of the Piano part.

Tulkojums

Nav paredzēts pārdošanai ārpus Apvienotās Karalistes un Sadraudzības. Dvořák worked longer and more intensively on this Trio than on just about any other chamber music work. After his first successes with pieces inspired by Czech folk music, namely the popular Slavonic Dances. HN 757 and 918. , he now wanted to prove himself as a composer of the highest order. This is why in the following summer, he thoroughly reworked the Trio that he had written within eight weeks in spring 1883 before giving it to his publisher. Although Brahms’ music was the undeniable model for the new work, it did not hinder the unfolding of a very personal tone that blends expressiveness and passion. As with the “Dumky” Trio op. 90. HN 799. , Andreas Groethuysen is once again responsible for the fingerings of the Piano part.