Notis

Oriģināls

Missa a quattro voci. Choir sheet music. Cornet sheet music. Trombone sheet music. Organ Accompaniment sheet music.

Tulkojums

Missa četras balsis. Kora notis. Cornet notis. Trombonu notis. Orgānu pavadīšana notis.

Oriģināls

Missa a quattro voci composed by Francesco Gasparini. Edited by Peter Wollny. Arranged by Johann Sebastian Bach. For SATB choir, cornetto, 3 trombones, organ. Edition Bach-Archiv Leipzig - Musical Mnuments. Latin Masses. Choral score. Published by Carus Verlag. CA.3550305. ISBN M-007-16522-2. Latin Masses. Particularly during the early 1740s, Johann Sebastian Bach concentrated intensely on studying the compositional technique of strict vocal polyphony. As an inspiration, he studied the works of older masters, copying them and, for the most part, performing them as well. A set of single parts for the "Missa canonica" by Francesco Gasparini in an instrumentation by Bach were recently discovered in the collection of the former "Ephoralbibliothek Weissenfels". some of the parts are in Bach's own handwriting. Gasparini was esteemed in Germany particularly as a master of elaborate counterpoint and audacious harmonic writing. Bach amended the music text with a view to certain aspects of performance practice, clearly following a very specific concept of sound organization. His interest in strict counterpoint was paralleled by a tangible re-orientation in Bach's own compositional technique at the beginning of the 1740s. Francesco Gasparini's "Missa canonica" therefore served as a practical model for the highly developed art of canon writing and the strict polyphony in Bach's late works, as we encounter them, for example, in the B minor Mass.

Tulkojums

Missa četras balsis, ko komponējis Francesco Gasparini. Edited by Peter Wollny. Sakārtoti pēc Johana Sebastiana Baha. Par SATB korim, Cornetto, 3 trombones, orgānu. Izdevums Bach-Archiv Leipzig - Mūzikas Mnuments. Latīņu Masas. Koru rezultāts. Publicējusi Carus Verlag. CA.3550305. ISBN M-007-16522-2. Latīņu Masas. It īpaši laikā agrīnā 1740s, Johann Sebastian Bach koncentrēta intensīvi pēta kompozīcijas tehniku ​​stingras vokālās daudzbalsības. Kā iedvesmas, studējis darbus vecāku meistaru, kopējot tos un, lielākoties, veicot tos kā arī. Kopums atsevišķu daļu no Missa Canonica Francesco Gasparini kādā instrumentu Baha nesen atklāja kolekcijā bijušās Ephoralbibliothek Weissenfels. daži no daļām ir Baha rokrakstā. Gasparini tika esteemed Vācijā jo īpaši meistars izstrādāt kontrapunkts un pārdrošu harmonisko rakstiski. Bach grozīja mūzikas tekstu ar mērķi dažiem aspektiem izpildes prakses, acīmredzami pēc ļoti specifisku jēdzienu skaņas organizācijas. Viņa interese stingrā kontrapunkts tika Līdztekus taustāmā pārorientācijai in Baha paša kompozīcijas tehniku ​​sākumā 1740s. Tāpēc Francesco Gasparini ir Missa Canonica kalpoja kā praktisks modelis augsti attīstīto mākslas kanona rakstīšanas un stingrai daudzbalsības Baha beigās darbiem, kā mēs sastopas viņiem, piemēram, B nelielu Mises.