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Oriģināls

Metheny Dream. Glockenspiel sheet music. Marimba sheet music. Percussion sheet music. Timpani sheet music. Vibraphone sheet music. Advanced.

Tulkojums

Metheny Dream. Glockenspiel notis. Marimba notis. Perkusijas notis. Timpāni notis. Vibraphone notis. Uzlabots.

Oriģināls

Metheny Dream. Themes from Pat Metheny's "Letter from Home" and "First Circle" arranged for percussion ensemble. Composed by Pat Metheny. Lyle Mays. Arranged by James Ancona. Percussion Ensemble. For crotales, glockenspiel, chimes, 3 marimbas. low A. , 2 vibraphones, 5 timpani, sizzle cymbal, 16" and 18" suspended cymbals, ride cymbal, mark tree, bongos, small cabasa. 8 players. Percussion Feature. Marching Band. Advanced. Score and parts on CD-ROM. 16 pages. Duration 3'20". Published by Tapspace Publications. TA.TSPCE-06. This short medley contains themes from "Letter From Home" and "First Circle" by Pat Metheny and Lyle Mays. It contains beautiful harmonies and interplay between all players of the ensemble. While the complex meter changes may supply an initial challenge to performers, the end result is a seamless thread of beautiful music with a subtle underlying groove. This collection was first performed by the Santa Clara Vanguard Percussion Ensemble and was choreographed by George Staib.

Tulkojums

Metheny Dream. Themes from Pat Metheny's "Letter from Home" and "First Circle" arranged for percussion ensemble. Sastādījis Pat Metheny. Lyle Mays. Organizēja James Ancona. Percussion Ensemble. For crotales, glockenspiel, chimes, 3 marimbas. zems. , 2 vibraphones, 5 timpani, sizzle cymbal, 16" and 18" suspended cymbals, ride cymbal, mark tree, bongos, small cabasa. 8 spēlētāji. Perkusijas Feature. Marching Band. Uzlabots. Score un daļas uz CD-ROM. 16 lpp. Ilgums 3'20 ". Publicējusi Tapspace publikāciju. TA.TSPCE-06. This short medley contains themes from "Letter From Home" and "First Circle" by Pat Metheny and Lyle Mays. It contains beautiful harmonies and interplay between all players of the ensemble. While the complex meter changes may supply an initial challenge to performers, the end result is a seamless thread of beautiful music with a subtle underlying groove. This collection was first performed by the Santa Clara Vanguard Percussion Ensemble and was choreographed by George Staib.