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Le nozze di Figaro KV 492. Wolfgang Amadeus Mozart.

Tulkojums

Le nozze di Figaro KV 492. Volfgangs Amadejs Mocarts.

Oriģināls

Le nozze di Figaro KV 492. Die Hochzeit des Figaro. Composed by Wolfgang Amadeus Mozart. 1756-1791. Edited by Kurt Pahlen. This edition. SEM 8007. 6th edition, 2005. Books. Librettos. Operas of the world. Text. libretto. Text language. Italian - German. 345 pages. Duration 180 minutes. Published by Schott Music. SD.49041675. ISBN 9783254080073. With Text language. Italian - German. La folle journee ou La mariage de Figaro' is the title of a stage play by Pierre Augustin Caron, called Beaumarchais, which caused a sensation in Paris at the beginning of the 1780s. In this 'sequel' of 'The Barber of Seville', Beaumarchais zeroed in on numerous deplorable circumstances in absolutist France. Admittedly, Mozart's librettist Lorenzo Da Ponte could not adopt the subject matter for an opera that was to be performed at a house under the control of the Austrian Emperor with all its acerbity, but he managed to write a sparkling libretto which was crested by Mozart's incomparable music. Apart from the libretto, this edition contains introductory commentaries of Kurt Pahlen who also adds information on the compositional structure and context to the musical as well as external and internal dramatic action of the opera. A short synopsis and a brief outline of the genesis bring the work into relation with the composer's entire oeuvre and life, thus offering a comprehensive, richly illustrated introduction.

Tulkojums

Le nozze di Figaro KV 492. Figaro kāzas Laulības. Sastāvā Volfgangs Amadejs Mocarts. 1756-1791. Edited by Kurt Pālenam. Šis izdevums. SEM 8007. 6th edition, 2005. Grāmatas. Librettos. Operas pasaules. Teksts. brošūra. Teksta valoda. Itāļu - vācu. 345 lapas. Ilgums 180 minūtes. Publicējusi Schott Music. SD.49041675. ISBN 9783254080073. Ar tekstu valodā. Itāļu - vācu. La folle journee ou La mariage de Figaro' is the title of a stage play by Pierre Augustin Caron, called Beaumarchais, which caused a sensation in Paris at the beginning of the 1780s. In this 'sequel' of 'The Barber of Seville', Beaumarchais zeroed in on numerous deplorable circumstances in absolutist France. Admittedly, Mozart's librettist Lorenzo Da Ponte could not adopt the subject matter for an opera that was to be performed at a house under the control of the Austrian Emperor with all its acerbity, but he managed to write a sparkling libretto which was crested by Mozart's incomparable music. Neatkarīgi no libreta, šis izdevums ir ievada komentārus par Kurt Pālenam kurš arī piebilst informāciju par sastāvu, struktūru un sakarā ar mūzikas, kā arī ārējo un iekšējo dramatisks rīcības Operas. Īss konspekts un īss izklāsts ģenēzes celt darbu par saistībā ar komponista visu daiļradi un dzīvi, tādējādi piedāvājot plašu, bagātīgi ilustrēts ieviešanu.