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Oriģināls

Exit the Foundry. Bass Clarinet sheet music.

Tulkojums

Izietu lietuvju. Bass klarnete notis.

Oriģināls

Exit the Foundry composed by Ben Hase. For Bass Clarinet and CD. Solo music. Published by Potenza Music. P2.30054. Exit the Foundry was originally commissioned for euphonium by Matthew Turek, a University of Wisconsin-Eau Claire student completing a research project that explored the psychological experience of composition. Turek commissioned works from seven student composers, offering them very few guidelines save the inclusion of his instrument, euphonium. Hase's contribution, Exit the Foundry, incorporates three contrasting sonic elements. The first element, recorded and sampled mechanical sounds, includes various metallic hits, blowtorches, saws, fans, and other industrial noises. The second element, synthetic electronic instruments, consists of synth pads, leads, arpeggios, and an electronic drum kit. The third element is a low. mid register acoustic instrument that offers a contrastingly natural tone and lyrical voice. Hase produced the accompaniment track for Exit the Foundry in a computer based digital audio workstation, and included a multiphonic passage in the live instrument line to offer an aural bridge between the smooth timbre of a live instrument and the sometimes rough and piercing wanderings of the synthetic and mechanical sounds. At the start of the piece, each element battles for its place in the foreground, but inevitably a compromise is reached and all three elements meld into one coherent musical voice.

Tulkojums

Izejiet liešanas veido Ben Hase. For Bass Clarinet and CD. Solo music. Publicējusi Potenza Music. P2.30054. Izejiet lietuvju sākotnēji pasūtīja par Euphonium Matthew TUREK, kas University of Wisconsin-Eau Claire students aizpilda pētniecības projektu, kas jāizpēta psiholoģisko pieredzi sastāvu. Turek pasūtīja darbi no septiņām studentu komponisti, piedāvājot viņiem ir ļoti maz pamatnostādņu izglābt iekļaut savu instrumentu, Euphonium. Hase ieguldījums, Iziet liešanas, ietver trīs kontrastējošās skaņas elementus. Pirmais elements, reģistrē un paraugu mehāniskās skaņas, ietver dažādas metāla hits, blowtorches, zāģi, ventilatori un citas rūpniecības trokšņi. Otrs elements, sintētiskās elektroniskie instrumenti, sastāv no synth spilventiņi, pavadas, arpeggios, un elektronisko bungu komplektu. Trešais elements ir zema. mid reģistrēt akustisko instrumentu, kas piedāvā contrastingly dabisko toni un lirisku balsi. Hase ražo pavadījumā trasi Exit lietuve datorizētu digitālo audio darbstacijas, un ietvēra multiphonic fragmentu dzīvu instrumentu līniju, lai piedāvātu fonētisko tiltu starp vienmērīgu tembrs dzīvu instrumentu un dažreiz raupja un pīrsings klejojumos uz sintētisko un mehāniskās skaņas. Sākumā gabalos, katrs elements cīņas tā vietā priekšplānā, bet neizbēgami kompromiss ir sasniegts, un visi trīs elementi meld vienā saskaņotā mūzikas balsī.