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Oriģināls
The First Shoot. William Walton. Advanced.
Tulkojums
Pirmais Shoot. William Walton. Uzlabots.
Oriģināls
The First Shoot composed by William Walton. 1902-1983. Edited by Elgar Howarth. For Brass Band. A five-movement suite for brass band. Light Concert. Advanced. Full Score. Standard Notation. Duration 10. 00. Published by Winwood Music. WO.0295SC. With Standard Notation. Light Concert. The First Shoot begins with a spirited movement which sets the tone immediately in 1930s vaudeville, cabaret style. The melody lines are fragmented to provide answering phrases, particularly in the cornet section. The second movement takes the form of a sauntering, soft-shoe shuffle. The third and fourth movements run continuously, curiously in three sections. a 'hesitation' waltz and an anglicized 'can-can', followed by a close relation of 'Popular Song' from Facade. The waltz is one of the most attractive sections of the work, lightly scored and of real charm. The 'can-can' which follows is the most technically difficult of the five movements. neat triple-tonguing is required and neater fingers. It leads without a break to the 'popular song' - Walton at his most droll. The final movement is a hurly-burly, boisterous circus-style march. As originally published in 1986 the score lies rather high in tessitura for the cornets. keys, too, are awkward. A downward transposition of a tone may reduce the brilliance of the sound, but is much more practical for most bands. This performing edition has been duly transposed with adjustments. chiefly octave displacements. made by Elgar Howarth where necessary. It was first performed in this new version by the Fairey Band conducted by Philip Chalk at the Royal Northern Festival of Brass on 1 February 2009.
Tulkojums
First Shoot sastāvā William Walton. 1902-1983. Rediģēja Elgar Howarth. Par Brass Band. Piecu kustība komplekts pūtēju orķestris. Gaismas koncerts. Uzlabots. Full Score. Standarta Apzīmējumi. Ilgums 10. 00. Publicējusi WINWOOD Music. WO.0295SC. Ar standarta nošu rakstu. Gaismas koncerts. Pirmais Shoot sākas ar enerģisks kustību, kas uzreiz nosaka toni 1930 vaudeville, kabarē stilā. Melodija līnijas ir sadrumstalots, lai nodrošinātu atbildot frāzes, it īpaši satin sadaļā. Otrais kustība izpaužas kā sauntering, soft-apavu shuffle. Trešais un ceturtais kustības darbojas nepārtraukti, savādi trīs sekcijās. "vilcināšanās" valsis un Anglicized "Can-Can", kam seko tuvinieka no "Tautas dziesmu 'no fasādes. Valsis ir viens no atraktīvākajiem posmiem darba, viegli guva vārtus un nekustamā šarmu. "Can-Can", kas seko ir visvairāk tehniski sarežģīti no pieciem kustību. veikls triple-tonguing ir vajadzīga, un īsāks izklāsts pirksti. Tas noved bez pārtraukuma uz "tautas dziesma" - Walton viņa visvairāk jokupēteris. Galīgais kustība ir varza, trakulīgs cirka stila march. Kā sākotnēji publicēta 1986.gadā rezultāts atrodas diezgan augstu TESSITURA attiecībā uz vafeles. atslēgas, arī ir neērts. Leju transponēšana toni var samazināt spīduma skaņu, bet ir daudz vairāk praktiska vairumam joslām. Šis veicot izdevums ir pienācīgi transponēta ar korekcijām. galvenokārt oktāvas pārvietojums. veic Elgar Howarth vajadzības. Tas pirmo reizi tika veikta šo jauno versiju, ko Fairey Band Philip Chalk veikto Karaliskajā Ziemeļu festivāla Brass gada 1. februāris 2009.
