Notis $225.00

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Symphony AD 78. Gordon Jacob. Cornet sheet music. Grade 5.

Tulkojums

Simfonija AD 78. Gordon Jacob. Cornet notis. 5 pakāpes.

Oriģināls

Symphony AD 78 composed by Gordon Jacob. 1895-1986. For concert band. Piccolo, 1st Flute, 2nd Flute, Oboe 1. 2, Bassoon 1. 2, Eb Clarinet, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet, Bb Bass Clarinet, Eb Alto Saxophone 1. 2, Bb Tenor Saxophone, Eb Baritone Saxophone, 1st Bb Cornet, 2nd. 3rd Bb Cornet, 1. Band Music. Grade 5. Score and parts. Duration 15. 30. Published by C. Alan Publications. CN.R10158. A powerful work. An opening fanfare leads directly to an Allegro risoluto, which exudes determination and forthrightness. The second movement follows without a break and is a continuous plaint in which the melody seems forever seeking resolution like a troubled soul searching for respite. Only in the closing bars does peace seem to take over. The final movement, marked Allegro non troppo, starts with a cheering fanfare that leads to a bright and breezy romp, with a rustic feel about it. When the fanfare reappears we are suddenly immersed in exaltations of joy that really give a feeling of optimism as we proceed to the end of the piece via a short Coda. With this Symphony, Gordon Jacob proclaims his absolute mastery of idiom and instrumentation with a triumphant rejoicing. Written in 1978 as a commission from Arthur Doyle. hence the "AD" in the title, a typical piece of Jacob wit. , it lay virtually unplayed save for the efforts of his Estate, Troy Peterson and Geoffrey Brand and CBDNA. College Band Directors Association, USA. , who between them ensured that it was professionally recorded in 1994 and published in 1995. There is little point in indulging in semantics as to whether the piece is a Symphony. It is Jacob's approach to his tuneful, folk-based material which is symphonic. weighty in exposition and development, sonorous and expressive in the slow movement, with a scherzo-like last movement and a giocoso coda. After a brilliant opening fanfare, the quick triple-meter first theme. Allegro Risoluto. is introduced on clarinets, punctuated with brass. It is soon followed by a contrasting melody for saxophone. In all this material the interval of a 4th is prominent, and throughout the work the 4th and 7th are important. Perhaps it is the frequent use of the 7th which gives a feeling of restlessness without resolution which pervades this movement as the themes are dissected and developed. The second movement follows directly after a horn bridge. Still the melody outlines the 7th and the ear is not satisfied until the full band. with organ. , comes to rest in Bb major. This point of repose and the magic pianissimo which follows shortly after when the slow theme is re-stated, are the apex of the Symphony's construction. Soon, however, we are transported, via a fanfare, into a helter-skelter 9. 8 romp. rustic, English, and almost vulgar, this theme is thrown around the group before exploding into a boisterous 2. 4 coda.

Tulkojums

Simfonija AD 78 sastāvā Gordon Jacob. 1895-1986. Par koncerta joslā. Piccolo, 1 flauta, 2 flauta, oboja 1. 2, Fagots 1. 2, Eb klarnete, 1 Bb klarnete, 2 Bb klarnete, 3 Bb klarnete, Eb Alto klarnete, Bb Bass klarnete, Eb Alto Saxophone 1. 2, Bb Tenor Saxophone, Eb Baritons Saxophone, 1 Bb Cornet, 2. 3 Bb Cornet, 1. Band mūzika. 5 pakāpes. Rezultāts un to daļas. Ilgums 15. 30. Publicējusi C. Alan publikāciju. CN.R10158. Spēcīgs darbs. Atverot fanfara ved tieši uz Allegro risoluto, kas izstaro noteikšanu un forthrightness. Otrā kustība seko bez pārtraukuma, un ir nepārtraukta sūdzība, kurā melodija šķiet mūžīgi meklē izšķirtspēju kā nemierīgajā dvēsele meklē atelpu. Tikai noslēguma bāros nav miera, šķiet, pārņemt. Galīgais kustība, iezīmēja Allegro non troppo, sākas ar uzmundrinoša pompu, kas noved pie spilgti un vējains dauzīšanās ar zemniecisks justies par to. Kad fanfara uzrodas mēs pēkšņi iegrimis exaltations prieka, kas patiešām dod sajūtu optimismu, jo mēs pārejam pie beigām gabals ar īsu Coda. Ar šo simfoniju, Gordon Jacob sludina savu absolūto meistarības idioma un instrumentu ar triumfējošs līksms. Uzrakstīts 1978 kā komisijas no Arthur Doyle. tāpēc "AD" nosaukumā, tipisks gabals Jacob asprātības. , Tas gulēja praktiski unplayed ietaupīt centieniem viņa Estate Troy Peterson un Geoffrey Brand un CBDNA. College Band direktoru asociācija, ASV. , Kurš starp tām jānodrošina, ka tas bija profesionāli ierakstīts 1994.gadā un publicēti 1995. Nav jēgas indulging semantikā, vai gabals ir simfonija. Tas ir Jēkaba ​​pieeja viņa skanīgs, tautas balstītu materiālu, kas simfoniskā. smags ar ekspozīciju un attīstībā, skanīgs un izteiksmīgas ar lēnas kustības, ar Scherzo līdzīgu pēdējā kustību un giocoso CODA. Pēc elegantas atvēršanas pompu, ātri triple metru pirmā tēma. Jautrs Resolute. ir ieviesta klarnetes, atdalītas ar misiņa. Tas ir ātri seko kontrastējošu melodiju saksofonu. Visu šo materiālu intervālu no 4 ir ievērojama, un visu darbu 4 un 7, ir svarīgi. Varbūt tas ir biežu 7, kas dod sajūtu nemiera bez rezolūcijas, kas caurauž šo kustību, jo tēmas ir sadauzīja un attīstīta. Otrā kustība seko tieši pēc ragu tilta. Joprojām melodiju iezīmē 7th un auss nav apmierināts, kamēr pilnu joslu. ar orgānu. , Nāk atpūsties Bb major. Šis punkts atpūtas un burvju Pianissimo kas seko neilgi pēc tam, kad, kad lēni tēma ir atkārtoti norādīts, ir virsotne simfonijas konstrukciju. Drīz mēs tomēr transportē, izmantojot pompu, uz varza 9. 8 dauzīšanās. zemniecisks, angļu, un gandrīz vulgāra, šī tēma tiek izmesti ap grupā pirms sprāgstoša vērā trakulīgs 2. 4 aste.