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Oriģināls

Colloque No. 7 op. 66. Jean Guillou. Organ sheet music. Piano sheet music.

Tulkojums

Kolokvijs Nr.7 op. 66. Jean Guillou. Orgānu notis. Klavieru notis.

Oriģināls

Colloque No. 7 op. 66 composed by Jean Guillou. 1930-. For piano and organ. This edition. ED 20799. Saddle-stitch. Organ Music. Grade 4-5. Performance score. 52 pages. Duration 14 minutes. Published by Schott Music. SD.49018969. ISBN 9790001171021. The French organist and composer Jean Guillou. 1930. calls his own cycle 'Colloque' in which the grand seigneur among the virtuoso organists wants to present an exchange of ideas, while juxtaposing contrasting instruments such as the organ and percussion, piano or panpipes. 'They represent characteristic personalities who present their ideas with conviction, contradict each other and influence each other all the same. ' With such musical conversations, Guillou wants to release the organ from its liturgical obligation and make it more accessible to the audience. In Colloque No. 7 the organ and the piano 'talk to each other'. be it in pleasant cooperation, be it in concertante opposition - in this three-part work both instruments engage in a spirited conversation. And one can well imagine what happens musically in the concluding 'Tumultuoso' after 'Lento' and 'Misterioso'.

Tulkojums

Kolokvijs Nr.7 op. 66 composed by Jean Guillou. 1930 -. Klavierēm un ērģelēm. Šis izdevums. ED 20799. Seglu dūriens. Ērģeļmūzikas. Pakāpes 4-5. Veiktspējas rādītājs. 52 pages. Ilgums 14 minūtes. Publicējusi Schott Music. SD.49018969. ISBN 9790001171021. The French organist and composer Jean Guillou. 1930. calls his own cycle 'Colloque' in which the grand seigneur among the virtuoso organists wants to present an exchange of ideas, while juxtaposing contrasting instruments such as the organ and percussion, piano or panpipes. 'They represent characteristic personalities who present their ideas with conviction, contradict each other and influence each other all the same. ' With such musical conversations, Guillou wants to release the organ from its liturgical obligation and make it more accessible to the audience. In Colloque No. 7 the organ and the piano 'talk to each other'. be it in pleasant cooperation, be it in concertante opposition - in this three-part work both instruments engage in a spirited conversation. And one can well imagine what happens musically in the concluding 'Tumultuoso' after 'Lento' and 'Misterioso'.