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Oriģināls

Stabat Mater. Franz Lachner. Voice sheet music. Double Bass sheet music. Organ Accompaniment sheet music.

Tulkojums

Stabat Mater. Franz Lachner. Balss notis. Double Bass notis. Orgānu pavadīšana notis.

Oriģināls

Stabat Mater. composed by Franz Lachner. 1803-1890. Edited by Georg Gunther. For SS vocal soli, 2 violas, 2 cellos, contrabaSS. or SS vocal soli, organ. Score available separately - see item CA.4077300. Holy Week. Viola 1 part. Language. Latin. Composed 1870. Op. 168. 8 pages. Duration 20 minutes. Published by Carus Verlag. CA.4077311. With Language. Latin. Holy Week. 2nd version. Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb. Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble. CV 70.037. the second, op. 168, from 1870 included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Liszt and Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts.

Tulkojums

Stabat Mater. sastāvā Franz Lachner. 1803-1890. Rediģēja Georg Gunther. SS vokāls soli, 2 violas, 2 cellos, kontrabass. vai SS vokāls soli, organ. Punktu pieejami atsevišķi - skat objektu CA.4077300. Klusā nedēļa. Viola daļa 1. Valoda. Latīņu. Šādā sastāvā: 1870. Op. 168. 8 lappuses. Ilgums 20 minūtes. Publicējusi Carus Verlag. CA.4077311. Ar valodu. Latīņu. Klusā nedēļa. 2 versija. Vienošanās par Soli SS un augšējo stīgas 2 VL, Va, VC, CB. Starp viņa kompozīcijām, Franz Lachner, ilgi kalpo Music direktors Minhenes un direktors Royal kora tiesā, atstājis ievērojamu skaitu sakrālo darbu, tostarp divas iestatījumiem Stabat Mater. Pirmais Stabat Mater, op. 154, no 1856 bija tikai tīri vokālo ansambli. CV 70,037. otrkārt, OP. 168, no 1870 iekļauti virknes un orgānu, kuros tumšāks tembrs tika panākta prombūtnē vijoles. Savā harmonisko izteiksmes otrais sastāvs ir īpaši orientēts uz, tajā laikā, moderns stils Ziemeļu Vācijas augstskolas centrēta ap Listu un Vāgneram, bet nekad nepārsniedzot mērenus tehniskās grūtības balss daļās.