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Oriģināls
Ad hoc. Violin Solo sheet music.
Tulkojums
Speciāls. Violin Solo notis.
Oriģināls
Ad hoc composed by Carles M. Eroles. For Violin & piano. Score & Parts. 29 pages. Duration 9'. Published by Periferia Music. PF.M-69216-307-7. The material introduced by the piano of the beginning "a solo" is the one that serves of vertebral axis of the work, that has nearly the form of a rondo. This introduction is based on isolated, naked notes, with a constant rythm of the eighths that create a big intervalic space between them. Later on, that will be used as a support to an espressive melody of the violin, that will take this material and will expose it in pizzicato. In this way will be used as accompaniment to a very suggestive and lyric fragment of the piano that covers nearly all the registers of the instrument. This will lead to a second section of the work, of a very rythmic and intense character of both instruments. The third section, the most expressive of the work, it's iniciated with some chords of the piano that little by litlle dissapear and remembers the introduction. Here, the violin develops a melody of big lirism, supported by the piano witht he material of the introduction, but this time there are non isolated notes but full chords that disintegrate again at the end, taking up again the idea of a fragment of the first section of the piece by means of the piano. Far from free instrumental effects, the work looks mainly for a direct communication with the listener.
Tulkojums
Ad hoc sastāvā Carles M. Eroles. Vijolei. Punktu skaits. 29 pages. Ilgums 9 ". Publicējusi Periferia Music. PF.M-69216-307-7. Materiāls ieviesa ar klavierēm no sākuma solo ir viens, kas kalpo mugurkaula ass darbu, kas ir gandrīz formā Rondo. Šis ievads ir balstīta uz izolētu, kaili piezīmes, ar konstantu rythm no astotdaļas, kas rada lielu intervalic atstarpi starp tām. Vēlāk, kas tiks izmantots kā atbalsts ar espressive melodiju no vijole, kas veiks šo materiālu un pakļaut to Pizzicato. Tādā veidā tiks izmantota kā pavadījumu ļoti suģestējošā un lirisks fragmenta klavierēm, kas aptver gandrīz visus reģistrus instrumenta. Tas novedīs pie otrajā daļā darbu, no ļoti rythmic un intensīva raksturu abu instrumentu. Trešajā sadaļā, visvairāk ekspresīvā darbu, tas ir aizsākto ar dažiem akordiem no klavierēm, kas maz ko litlle pazūd un atceras ieviešanu. Lūk, vijole attīsta melodiju lielo lirism, ko atbalsta klavierēm witht viņš no ieviešanas materiāla, bet šoreiz ir Neizolēti piezīmes bet pilns akordiem, kas sadalās atkal beigās, uzsākot jauna ideja par fragmenta . Tālu no brīvajiem instrumentālā sekām, darbs izskatās galvenokārt tiešu saziņu ar klausītāja.
