Notis $9.95
Oriģināls
I lie and slumber, still and peaceful. Johann Christoph Friedrich Bach. Choir sheet music. Piano and Keyboard sheet music.
Tulkojums
I lie and slumber, still and peaceful. Johans Kristofs Frīdrihs Bahs. Kora notis. Klavieres un Keyboard notis.
Oriģināls
I lie and slumber, still and peaceful composed by Johann Christoph Friedrich Bach. 1732-1795. Edited by Klaus Hofmann. Arranged by Johann Horn. For SATB choir,. basso continuo. This edition. Paperbound. Stuttgart Urtext Edition. German title. Ich lieg und schlafe. Sacred, Motets, Psalms, German. Stuttgart Urtext editions. Occasions. Morning, Midday, Evening, Mourning, Death. Use during church year. Holy Week. Full score. Language. German. English. BR JCFB H 100. 40 pages. Duration 15 minutes. Published by Carus Verlag. CA.3410100. ISBN M-007-05187-7. With Language. German. English. Sacred, Motets, Psalms, German. Stuttgart Urtext editions. Occasions. Morning, Midday, Evening, Mourning, Death. Use during church year. Holy Week. The autograph contains no reference to accompaniment by instruments, and a purely vocal performance of the work would doubtless be completely appropriate. On the other hand, nothing speaks against instrumental support of the voices, as it is known from the performance practice of Johann Sebastian Bach.
Tulkojums
I lie and slumber, still and peaceful composed by Johann Christoph Friedrich Bach. 1732-1795. Rediģēja Klaus Hofmann. Organizēja Johann Horn. Par SATB korim,. Basso continuo. Šis izdevums. Paperbound. Stuttgart Urtext Edition. Vācu nosaukums. Ich lieg und schlafe. Svēta, motetes, psalmi, vācu. Stuttgart Urtext izdevumi. Gadījumi. No rīta, pusdienās, Vakara, Sēras, Death. Izmantot baznīcas gadā. Klusā nedēļa. Pilna partitūra. Valoda. Vācu. Angļu. BR JCFB H 100. 40 pages. Ilgums 15 minūtes. Publicējusi Carus Verlag. CA.3410100. ISBN M-007-05187-7. Ar valodu. Vācu. Angļu. Svēta, motetes, psalmi, vācu. Stuttgart Urtext izdevumi. Gadījumi. No rīta, pusdienās, Vakara, Sēras, Death. Izmantot baznīcas gadā. Klusā nedēļa. The autograph contains no reference to accompaniment by instruments, and a purely vocal performance of the work would doubtless be completely appropriate. On the other hand, nothing speaks against instrumental support of the voices, as it is known from the performance practice of Johann Sebastian Bach.
