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The Morning Star. from Spring Symphony, Op. 44. Benjamin Britten. Choir sheet music. Piano Accompaniment sheet music.

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Morning Star. no Pavasara simfonija, op. 44. Benjamin Britten. Kora notis. Klavieru pavadīšana notis.

Oriģināls

The Morning Star. from Spring Symphony, Op. 44. SATB and Piano Reduction. Composed by Benjamin Britten. 1913-1976. For Choral. SATB. BH Secular Choral. 8 pages. Boosey & Hawkes #M051481903. Published by Boosey & Hawkes. HL.48022502. ISBN 1480330442. 6.75x10.5 inches. Publisher. Boosey & Hawkes. Difficulty level. The Spring Symphony was commissioned by the Koussevitzky Music Foundation and is dedicated to Serge Koussevitzky and the Boston Symphony Orchestra. It was actually premiered at the Concertgebouw, Amsterdam in July 1949 before its American premiere the following month at Tanglewood by its dedicatees. This work is a major undertaking from all points of view. It uses a huge orchestra. complete with cow horn which has to be hired specially. , a children's choir which certainly does not have to be composed only of boys, three soloists, and a large SATB chorus which is given very challenging and detailed music to sing. If any work demonstrates the flip side of the Britten coin from Saint Nicolas it must be the Spring Symphony. Here is a seriously intentioned, highly contemporary work for its time which nevertheless shows his predilection for anthologising texts, for creating amazing moments of levity - approaching the humorous episodes in his operas - and producing a score of such colour and vibrancy that the impression left on the mind is indelible. Despite being composed for an American ensemble and conductor this work is quintessentially British. The poems have strong connections with English pastoral imagery and some are forever associated with settings as madrigals. In fact this madrigalian emphasis bubbles gently beneath the surface for much of the work and points up where Britten's roots really lie. This is a challenging work on all fronts and is an extremely complex composition. It is however eminently performable by a choir of sufficient size to balance the large orchestra and who can rise to the level of attainment Britten requires. It also really does need a childrens' choir - and a children's choir which can sing with real confidence and projection. They are given a key role to play in this work. In fact the 'spring' element so vital to the whole concept is underscored by young singers in the 'springtime' of their lives. This, therefore, has to have a completely different kind of tone quality from the main choir - a second group of sopranos won't do. Beyond these practical caveats this is a score which deserves to be better-known and more often performed than it is, and choirs and orchestras should be encouraged to promote it widely. It is one of the most original choral. orchestral works of the first half of the twentieth century. Duration. Spring Symphony, complete. 45 minutes. Paul Spicer, Lichfield, 2011 Full of humour and high spirits - the entry of the cowhorn always raises a smile - it makes a wonderfully upbeat ending to this earthy work. The children's choir is given a starring role throughout this amazing movement, but nowhere more so than at Britten's inspired coup de théâtre where he brings in the well-known Sumer is icumen in at the end which crowns the sweepin.

Tulkojums

Morning Star. no Pavasara simfonija, op. 44. SATB un Piano samazināšana. Veido Benjamin Britten. 1913-1976. Par kora. SATB. BH Laicīgās Koru. 8 lappuses. Boosey & Hawkes #M051481903. Publicējusi Boosey. HL.48022502. ISBN 1480330442. 6.75x10.5 collas. Izdevējs. Boosey. Grūtības pakāpi. Pavasara simfonija pasūtīja Koussevitzky Mūzikas fonda, un ir veltīta Serge Koussevitzky un Bostonas simfonisko orķestri. Tas bija faktiski pirmizrāde Concertgebouw Amsterdamā 1949 jūlija līdz tā amerikāņu pirmizrāde nākamajā mēnesī pēc Tanglewood tās dedicatees. Šis darbs ir nozīmīgs uzņēmums, no visiem aspektiem. Tas izmanto milzīgu orķestri. komplektā ar govs ragu, kas ir jāpieņem darbā speciāli. , Bērnu koris, kas, protams, nav jāsastāv tikai no zēniem, trim solistiem, un lielu SATB koris, kas ir dots ļoti sarežģīts un detalizēts mūziku dziedāt. Ja kāds darbs pierāda Flip pusē Britten monētas no Saint Nicolas ir jābūt Pavasara simfonija. Here is a seriously intentioned, highly contemporary work for its time which nevertheless shows his predilection for anthologising texts, for creating amazing moments of levity - approaching the humorous episodes in his operas - and producing a score of such colour and vibrancy that the impression left on the mind is indelible. Neskatoties uz to sastāvā par amerikāņu ansamblis un diriģents šo darbu ir kvintesenciālu British. Dzejoļi ir spēcīgas saiknes ar angļu pastorālo attēliem, un daži ir uz visiem laikiem saistīta ar iestatījumiem, kā madrigāli. Faktiski tas madrigalian uzsvars burbuļi maigi zem virsmas daudz darba un norāda uz augšu, kur Britens saknes tiešām meli. Tas ir sarežģīts darbs visās jomās un ir ļoti sarežģīts sastāvs. Tomēr ir augstākā mērā Veicamo ko koris pietiekami lielai, lai līdzsvarotu lielo orķestri un kas var pieaugt līdz līmenim sasniegt Britten prasa. Tas arī tiešām ir nepieciešams bērnu koru - un bērnu koris, kas var dziedāt ar reālu pārliecību un projekcijas. Viņiem ir dota svarīga loma šajā darbā. Faktiski "pavasara" elements tik svarīgi, lai visu koncepciju tiek uzsvērta jaunie dziedātāji no "pavasarī" par savu dzīvi. , Tādējādi tas ir ir pilnīgi dažāda veida toņa kvalitāte no galvenās koris - otrās grupas Sopranos nedarīs. Beyond these practical caveats this is a score which deserves to be better-known and more often performed than it is, and choirs and orchestras should be encouraged to promote it widely. Tas ir viens no sākotnējā kora. orķestra darbi pirmajā pusē divdesmitajā gadsimtā. Ilgums. Spring Symphony, complete. 45 minūtes. Paul Spicer, Lichfield, 2011 Full of humour and high spirits - the entry of the cowhorn always raises a smile - it makes a wonderfully upbeat ending to this earthy work. The children's choir is given a starring role throughout this amazing movement, but nowhere more so than at Britten's inspired coup de théâtre where he brings in the well-known Sumer is icumen in at the end which crowns the sweepin.