Notis $16.00
Oriģināls
Awatovi. Bassoon sheet music. Clarinet Solo sheet music.
Tulkojums
Awatovi. Fagots notis. Klarnete Solo notis.
Oriģināls
Awatovi composed by Daniel Baldwin. For Clarinet, Bassoon & Piano. Level 5. Published by Imagine Music. IG.CMS126. The Awatovi ruins, located in Arizona, were once a thriving Hopi village, in existence for over 450 years before their first visitors arrived in 1540. first by scouts, and then by the conquistador himself, FranciscoVasquez de Coronado. Awatovi, for over 150 years, enjoyed a fairly peaceful coexistence with the Spaniards afterward, but by 1700, finally came to a clash between traditionalist Hopi and the converted Catholics. The result was that the traditionalists massacred the converts and then destroyed the village. Symbolically, the fall of the village marked the end of Spanish interference in Hopi life. The opening line by the bassoon represents the mixed intentions of those first explorers led by Coronado, and is intended to convey both Spanish and Native American voices. It is also a vision of the future to come, a haunting foreshadowing of the beautiful yet barren ruins to come. The next section is a jump back in time, a representation of Coronado's largely peaceful exploration throughout the southwest United States on his way toAwatovi. While Coronado's exploration was not without conflict, I chose to focus on the peaceful nature of his mission. There are two sections here. both are Spanish-flavored, but the first is representative of the exploration, while the second section is intended to suggest a campfire song reflecting what the journey might have been like at nighttime as they rested, chatted, and sang songs. This leads into movement two. Kiva. The Kiva murals were discovered in theAwatovi ruins. They are paintings representing Hopi tribal rituals and ceremonies. I have used the style of NativeAmerican flute music to portray this. Next is the Bugle Call, or El Deguello, represented and played by the bassoon. The bugle call is notable for its use as Spanish battle music, such as its use during the 19th Century storming of theAlamo. Though not historically accurate, its inclusion is symbolic and reflects the spirit of theAwatovi massacre. The music shifts to represent the actual attack, which is portrayed by a very dissonant and dramatic transitional passage. Finally, Kiva circles back to the opening material in a different key, symbolic of the shift in perception from Spanish conquistador, to Hopi descendant. Awatovi was written at the suggestion my good friend Ric Jones, and was supported by Richard Ramey and a consortium of oboe and bassoon players. Thanks to all of you for your vision and support of this project. The version for oboe, bassoon and piano was premiered at the Oklahoma SummerArts Institute by Elizabeth Knott and RodneyAckmann on June 19, 2012. The clarinet, bassoon, and piano version was premiered at the 2012 IDRS conference at Miami University of Ohio by Robert and Mary Nan Jordan on July 9, 2012.
Tulkojums
Awatovi sastāvā Daniel Baldwin. Klarnetei, fagotam. 5 līmenis. Publicējusi Iedomājieties Music. IG.CMS126. Šā Awatovi drupas, kas atrodas Arizona, kādreiz bija plaukstoša Hopi ciems, kas pastāv jau vairāk nekā 450 gadus pirms pirmās apmeklētāji ieradās 1540. first by scouts, and then by the conquistador himself, FranciscoVasquez de Coronado. Awatovi, vairāk nekā 150 gadus, bija diezgan mierīgu līdzāspastāvēšanu ar spāņiem pēc tam, bet 1700.gadā beidzot ieradās sadursmi starp tradicionālā Hopi un konvertētas katoļiem. Rezultāts bija tāds, ka traditionalists nogalināti arī pārveido un pēc tam iznīcina ciemu. Simboliski, kritums ciema iezīmēja beigas Spānijas iejaukšanos Hopi dzīvē. Atvēršanas līniju, ko fagotam pārstāv jauktu nodomus šo pirmo pētnieku ar Coronado vadītajās, un ir paredzēts, lai sniegtu gan spāņu un Native American balsis. Tas ir arī nākotnes redzējums, lai brauc, haunting foreshadowing no skaistākajām vēl neauglīgs drupas nākt. The next section is a jump back in time, a representation of Coronado's largely peaceful exploration throughout the southwest United States on his way toAwatovi. Bet Coronado s izpēte nebija bez konfliktiem, es izvēlējos koncentrēties uz miermīlīgo raksturu savu misiju. Ir divas sekcijas šeit. abi ir spāņu aromātu, bet pirmais ir pārstāvis izpētes, bet otrajā sadaļā ir paredzēts ierosināt ugunskura dziesmu, kas atspoguļo to, ceļojums varētu būt, piemēram, naktī, kā viņi atpūtušies, tērzēja, un dziedāja dziesmas. Tas ved kustību divās. Kiva. The Kiva murals were discovered in theAwatovi ruins. Tās ir gleznas, kas pārstāv Hopi cilts rituāli un ceremonijas. I have used the style of NativeAmerican flute music to portray this. Nākamais ir Bugle Call vai El Deguello, pārstāv un spēlēja ar fagotam. The bugle call is notable for its use as Spanish battle music, such as its use during the 19th Century storming of theAlamo. Though not historically accurate, its inclusion is symbolic and reflects the spirit of theAwatovi massacre. Mūzikas maiņās pārstāvēt faktisko uzbrukumu, kas ir atainojums ar ļoti disonants un dramatiskā pārejas šķērsošanas. Visbeidzot, Kiva apļi atpakaļ uz atklāšanas materiālu citā taustiņu, simboliski no pārmaiņas uztverē no Spānijas Conquistador, lai Hopi pēcnācējs. Awatovi bija rakstīts pēc ierosinājuma mans labs draugs Ric Jones, un atbalstīja Richard Ramey un konsorcija oboja un fagots spēlētājiem. Paldies jums visiem par jūsu redzējumu un atbalstu šim projektam. The version for oboe, bassoon and piano was premiered at the Oklahoma SummerArts Institute by Elizabeth Knott and RodneyAckmann on June 19, 2012. Klarnetei, fagotam un klavierēm versija bija pirmizrāde 2012 IDRS konferencē Maiami universitātē Ohaio Robert un Mary Nan Jordāniju 9 jūlijs 2012.
