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Face of Honor. Robert W. Rumbelow. B-Flat Trumpet sheet music. Horn sheet music. Trombone sheet music. Grade 4.

Tulkojums

Face of Honor. Robert W. Rumbelow. B-Flat Trumpet notis. Horn notis. Trombonu notis. 4 pakāpes.

Oriģināls

Face of Honor composed by Robert W. Rumbelow. For concert band. Flute 1, Flute 2, Oboe, Bassoon, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Eb Alto Saxophone 1, Eb Alto Saxophone 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, F Horn 1, F Horn 2, Trombone 1,. Grade 4. Score only. Duration 10. 30. Published by C. Alan Publications. CN.16771. Based on the bugle call "Taps," this is a powerful composition honoring a young sergeant who lost his life in Iraq. The opening fanfare is reminiscent of Copland's "Fanfare for the Common Man" with the thunderous interjections by the battery percussion. A lovely lyrical melody emerges as the piece progresses that is filled with warmth and compassion giving the piece even more depth. Face of Honor was composed 'in honor of Sgt. Michael C. Hardegree and all the soldiers that have given the ultimate gift to their thankful nation' and was commissioned by the Harris County High School Band, Miranda Bass, director. Sgt. Hardegree, or Mikey as his family and friends called him, died in Iraq at the age of 21 on September 10, 2007. He was a member of the famed U.S. Army 82nd Airborne Division Paratroopers. In many ways this young man represented all our young soldiers serving in our military, hence the title. There are, however, elements in this work that represent direct ties to Sgt. Hardegree. Michael Hardegree was laid to rest in Arlington National Cemetery very near WW II veterans whom he revered. The composition is based on 'Taps,' the traditional bugle call played at military funerals. Although 'Taps' actually never appears in the work. aside from a short quote near the end. , practically every element of the work from the overall key structure to the actual thematic material is derived from this traditional bugle call. The work consists of five basic sections and includes brief quotes from the U.S. Army's official song. The Army Goes Rolling Along - also know as The Caisson Song. , and a full chorus of the official Army hymn. God of Our Fathers. reharmonized by the composer. The composition also includes two fanfare motives, one representing Sgt. Hardegree. strong and proud. , and the other representing all military men and women. Mikey loved music and was a percussionist in his high school band. The use of drums in the work is both personal and global, and although completely original, was inspired by traditional 'call and response' ceremonial drumming and by Copland's 'Fanfare for the Common Man.' The intent of this work is to touch the listener in a personal and optimistic way, and is balanced with celebration and sadness all the while retaining a single, steady tempo. The composition's tempo indication includes the stylistic directive 'Proud and Steadfast' which summarizes the overall impact of the work.

Tulkojums

Face of Honor sastāvā Robert W. Rumbelow. Par koncerta joslā. Flauta 1, flauta 2, obojai, fagotam, Bb klarnete 1, Bb klarnete 2, Bb klarnete 3, Bb Bass klarnete, Eb Alto Saxophone 1, Eb Alto Saxophone 2, Bb Tenor Saxophone, Eb Baritons saksofons, Bb trompete 1, Bb Trumpet 2, Bb trompete 3, F Horn 1, F Horn 2, trombonu 1,. 4 pakāpes. Score tikai. Ilgums 10. 30. Publicējusi C. Alan publikāciju. CN.16771. Pamatojoties uz taure aicinājumu "Taps", tas ir spēcīgs sastāvs, godinot jaunu seržants, kurš zaudējis savu dzīvību Irākā. Atvēršana fanfara atgādina Koplenda s "pompu kopējās Man" ar apdullinošs interjections akumulatora sitaminstrumentiem. Jauki liriska melodija parādās kā gabals gaitā, kas ir piepildīta ar siltumu un līdzjūtību dodot gabals vēl dziļāk. Face of Honor sastāvā bija "par godu Sgt. Michael C. Hardegree un visi karavīri, kas ir dota gala dāvanu to pateicīgi nācijas "un pasūtīja Harris County High School Band, Miranda Bass, direktors. Sgt. Hardegree vai Mikey jo viņa ģimene un draugi viņu sauca, nomira Irākā vecumā no 21 gada 10 septembris 2007. Viņš bija loceklis, slavens ASV armijas 82. Airborne Division desantēšanai. Daudzējādā ziņā šis jauneklis pārstāv visus mūsu jaunie karavīri dienē mūsu militāro, līdz ar to nosaukumu. Tomēr ir elementi, kas šajā darbā, kas veido tiešu saikni ar Sgt. Hardegree. Michael Hardegree bija noteikts, lai atpūstos Arlington National Cemetery ļoti tuvu WW II veterāni, kuru viņš revered. Sastāvs ir balstīts uz "Taps" tradicionālais taure zvanu spēlēja pie militāro bēru. Lai gan "Taps" patiesībā nekad parādās darbā. malā no īsu citātu pie beigām. , Praktiski katru darba no kopējā galveno struktūru faktisko tematisko materiālu elements ir atvasināts no šīs tradicionālās taure aicinājumu. Darbs sastāv no piecām galvenajām sadaļām un ietver īsus citātus no ASV armijas oficiālā dziesma. Armijas Goes Ritošā Gar - arī zināt, kā kesons dziesma. , Un pilnīgu koris oficiālās armijas himna. Dievs, mūsu tēvu. reharmonized komponista. Sastāvā ietilpst arī divi pompu motīvi viens pārstāv Sgt. Hardegree. spēcīgs un lepns. , Un otra, kas pārstāv visas militārās vīriešiem un sievietēm. Mikey mīlēja mūziku un bija perkusionists viņa vidusskolā joslā. Bungu izmantošana darbā ir gan personīgo un pasaules, un, lai gan pilnīgi oriģināls, iedvesmoja tradicionālo "zvanu un atbildes" svinīgajā bungošana un Koplenda s "pompu kopējo cilvēku." Šī darba nolūks ir pieskarties klausītājam personiskas un optimistisku veidā, un tas ir sabalansēts ar svētkiem un skumjas vienlaikus saglabājot vienotu un vienmērīgu tempu. Kompozīcija ir tempo norāde ietver stilistisko direktīvu Proud un stabilo, kurā apkopotas kopējo ietekmi uz darba.