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Traditional Jazz Series. Chicago-Style Jam Session. 2 CD set. Trombone sheet music.

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Traditional Jazz Series. Chicago-Style Jam Session. 2 CD komplekts. Trombonu notis.

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Traditional Jazz Series. Chicago-Style Jam Session. 2 CD set. for trombone. Instrumental Solo Part and 2 CDs. Published by Music Minus One. MO.MMOCD3921. ISBN 1596154799. This exciting MMO volume emphasizes collectively improvised ensembles and the succession of individual solos in the freewheeling "Chicago-Style" offshoot of New Orleans Jazz. The rhythmic texture is rooted in the swing feel of the late 1930s, and the instrumentation is typical of the New York groups of this genre. The songs are popular melodies from the 1900s to 1930s as well as multithematic compositions and blues-on this album you'll find such classics as "'Deed I Do," "Sugar," "The Darktown Strutters' Ball," "That's a Plenty" and more. Sometimes this style is referred to as the New York-Chicago style, sometimes as post-Chicago style. It has also been called "Nicksieland," a play on "Dixieland" that recognizes a Greenwich Village nightclub called "Nick's," where this music was showcased in the 1950s. Chicago-style jazz is named for the city where it first developed. In the 1920s, many New Orleans musicians, including Joe "King" Oliver, Jimmy Noone, Johnny and "Baby" Dodds, Freddie Keppard, "Jelly Roll" Morton, Louis Armstrong, the Original Dixieland Jazz Band, and the New Orleans Rhythm Kings actively performed and recorded in Chicago. There are also many younger musicians around Chicago who were profoundly influenced by their music, including Eddie Condon, Benny Goodman, Gene Krupa, Muggsy Spanier, Bud Freeman and many others. By the 1930s many of these same musicians moved on to New York. Some continued to perform in the New Orleans tradition and others became significant figures of the Swing era. As the Big Band era closed, improvising soloists still found work in New York clubs such as Nick's, Eddie Condon's and the Metropole. The texture was distinctly in the New Orleans tradition but the language was Swing and directly reflected the synthesis that took place in Chicago. The musicians chosen for this session are, in a way, exponents of this tradition. Their personal styles are amalgamations of the greatest stylists who preceded them. You can hear in Hal Smith aural glimpses of Dave Tough and George Wettling. You can hear in Jon-Erik shades of Muggsy Spanier and Wild Bill Davison. Brian Ogilvie's voice of choice is flavored by the sonorities of Bud Freeman and Eddie Miller, and Evan Christopher owes more than a little bit to Edmond Hall's style. The other musicians were chosen for these qualities as well, and as a result, this stylistically accurate recording demonstrates the inner workings of collective improvisation in a traditional jazz context. You'll be blown away by the quality of these jazz combos-and this album includes both printed solo part and a concert lead sheet, to give you a rare glimpse into the workings of the great bands of the past-and present. Also includes a slow-tempo version of the accompaniments to help you get up to speed. Includes a 32-page music book containing a solo chart for each song containing the melody line and chord changes for proper improvisational playing of each song. plus a concert lead sheet giving the overall "roadmap" for each piece, printed on high-quality ivory paper. and two compact discs containing the complete performance of these jazz combos in digitally mastered stereo. a digital stereo version of each piece minus the soloist. and a special -20% slow-tempo version of each accompaniment for practice purposes. For related items see the following item numbers. MMOCD3239, MMOCD3844, MMOCD4218. Rosetta. 'Deed I Do. Blues. My Naughty Sweetie Gives to Me. Sugar. That Sugar Baby o'Mine. The Darktown Strutters' Ball. The Royal Garden Blues. Poor Butterfly. That's A Plenty.

Tulkojums

Traditional Jazz Series. Chicago-Style Jam Session. 2 CD komplekts. uz trombona. Instrumentālā Solo daļa un 2 CD. Publicējusi Mūzika mīnus viens. MO.MMOCD3921. ISBN 1596154799. Šī aizraujošā MMO apjoms uzsver kolektīvi improvizētas ansambļi un pēctecību atsevišķu solo šajā brīvgaita "Chicago-Style" atvase New Orleans Jazz. Ritmiska struktūra tiek balstīta uz swing justies vēlu 1930, un instrumentu, ir tipisks New York grupām šī žanra. Dziesmas ir populāras melodijas no 1900 līdz 1930, kā arī multithematic kompozīcijas un blūza-šajā albumā jūs atradīsiet tādus klasika, kā "'akts I Do", "Cukurs", "Darktown Strutters" bumba "," Tas ir daudz "un vairāk. Dažreiz šis stils tiek minēta kā New York, Chicago stilā, dažreiz kā post-Chicago stilam. Tas ir arī sauc par "Nicksieland" saspēle "Dixieland", kas atzīts par Greenwich Village naktsklubs sauc par "Nika", kur šī mūzika tika izrādīti 1950. Chicago stila džeza tiek nosaukta par pilsētu, kur tas pirmo izstrādāto. 1920, daudzi New Orleans mūziķi, tostarp Joe "King" Oliver, Jimmy noone, Džonijs un "Baby" Dodds, Freddie Keppard, "Jelly Roll" Morton, Louis Armstrong, Original Dixieland Jazz Band, un New Orleans Rhythm Kings aktīvi veic un reģistrē Čikāgā. Ir arī daudzi gados jauni mūziķi ap ​​Čikāgā, kas bija dziļi ietekmēja viņu mūziku, ieskaitot Eddie Condon, Benny Goodman, Gene Krupa Muggsy Spanier, Bud Freeman un daudzi citi. Ar 1930 daudzi no šiem pašiem mūziķiem pārcēlās uz Ņujorku. Daži turpināja pildīt New Orleans tradīcijas un citi kļuva par nozīmīgu skaitļi Swing ēras. Kā Big Band laikmetā slēgta, improvizēt solisti tomēr atrada darbu in New York klubi, piemēram, Nika, Eddie Condon s un Metropole. Tekstūra bija izteikti New Orleans tradīcija, bet valoda bija Šūpoles un tieši atspoguļojas sintēzi, kas notika Čikāgā. Izvēlētie šīs sesijas mūziķi ir, tādā veidā, eksponentiem šīs tradīcijas. Viņu personīgās stili ir apvienošanās no lielākajiem stilistiem, kuri tos, pirms. Jūs varat dzirdēt Hal Smith fonētiskā ieskatu Dave Tough un George Wettling. Jūs varat dzirdēt Jon-Erik toņos Muggsy Spanier un Wild Bill Davison. Brian Ogilvie balss izvēles ir piegaršu ar sonorities par Bud Freeman un Eddie Miller, un Evan Christopher parādā vairāk nekā mazliet uz Edmond Hall stils. Pārējie mūziķi tika izvēlēti šīm īpašībām, kā arī, un kā rezultātā, tas stilistiski precīza ieraksts parāda iekšējo darbību kolektīvās improvizācijas tradicionālā džeza kontekstā. Jums tiks izpūstas prom ar kvalitāti šiem džeza kombo-un šis albums ietver gan drukāto solo daļa un koncertu svina loksnes, lai dotu jums retu ieskatu darbības principiem lielo joslām pagātnes un tagadnes. Ietver arī slow-tempo versiju pavadījumu, lai palīdzētu jums līdz ātrumu. Ietver 32 lappušu mūzikas grāmatu, kurā solo diagrammas par katru dziesmu, kas satur melodiju līniju un akordu izmaiņas pareizai improvizācijas spēlējot katru dziesmu. plus koncerts svina loksnes kas kopumā "ceļvedi" uz katra gabala, uzdrukāts uz augstas kvalitātes ziloņkaula papīra. un divi kompaktdiski, kas satur pilnīgu izpildi šo džeza kombinācijas digitāli apguvis stereo. digitālo stereo versija katra gabala mīnus solists. un īpašu -20% slow-tempo versija katra pavadījumā, praktizējot vajadzībām. Par saistītiem jautājumiem redzēt šādas pozīcijas numurs. MMOCD3239, MMOCD3844, MMOCD4218. Rosetta. "Akts I Do. Blūzs. Mans Naughty Sweetie Dod Man. Cukurs. Ka Sugar Baby o'Mine. Darktown Strutters "Ball. The Royal Garden Blues. Poor Butterfly. Tas ir Plenty.