Notis $25.00
Oriģināls
Concerto for Timpani & Band. Gordon Jacob. Percussion sheet music. Timpani sheet music. Grade 4.
Tulkojums
Koncerts timpāni. Gordon Jacob. Perkusijas notis. Timpāni notis. 4 pakāpes.
Oriģināls
Concerto for Timpani & Band. Timpani Feature. Composed by Gordon Jacob. 1895-1986. For Soloist. with Concert Band. Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe, Eb Clarinet. , 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet. , Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon. , 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, 1st F Hor. Band Music. Grade 4.5. Score only. Duration 12. 30. Published by C. Alan Publications. CN.S11005. The nature of the timpani means that musical development is rhythmic rather than tonal. In the first movement, a broad theme is announced by the timpani themselves, and immediately echoed and modified by the full wind band. Material is embroidered by woodwinds and developed by the soloist. The second movement. Adagio. is virtually an aria in which we are left with an expressive mood conjured from the timpani themselves. The last movement is a romp - characteristic use of quasi-folk material is well suited to the band and the rhythmic characteristics of the timpani are highlighted. Gordan Jacob wrote his Concerto for Timpani in 1984 and it was to be the last major work that he wrote before he died. It was written for a professional wind group in Konstanz. West Germany. and the first performance was given there in June 1984 with the soloist Klaus Huber. to whom it is dedicated. conducted by Douglas Bostock. In the first movement, a broad theme is announced by the timpani themselves based on a rising succession of thirds, and immediately echoed and modified by the full wind band. After a bridge, when the material is embroidered by woodwinds, the theme is presented in an inverted and varied form by the soloist before being developed. Unlike a Classical development in which tonality provides the tension, the nature of the timpani means that the development is rhythmic rather than tonal. To modulate extensively would obviously present problems even with pedal timpani. A recapitulation follows and a quasi cadenza leads to a strong close. The second movement. Adagio. is virtually an aria. The timpani carry the melody throughout, embellished and them embroidered by small groups of instruments presented in choirs. Jacob, the masterful orchestrator, allows only four bars of full band. By the end of only 47 bars, we are left with an expressive mood conjured from the timpani themselves. The last movement is a romp - displaying Jacob's English roots. his characteristic use of quasi-folk material is well suited to the band and the rhythmic characteristics of the timpani are highlighted.
Tulkojums
Koncerts timpāni. Timpāni Feature. Sastāvā Gordon Jacob. 1895-1986. Solistu. ar Concert Band. Piccolo, 1 flauta, 2 flauta, 1 oboja, 2 oboja, Eb klarnete. , 1 Bb klarnete, 2 Bb klarnete, 3 Bb klarnete, Eb Alto klarnete. , Bb Bass klarnete, 1 Fagots, 2 Fagots. , 1 Eb Alto Saxophone, 2 Eb Alto Saxophone, Bb Tenor Saxophone, 1 F Hor. Band mūzika. 4.5 Novērtējums. Score tikai. Ilgums 12. 30. Publicējusi C. Alan publikāciju. CN.S11005. Ar timpāni būtība nozīmē, ka muzikālā attīstība ir ritmiska, nevis tonālas. Pirmajā kustība, plaša tēma ir paziņojušas timpāni paši, un nekavējoties atbalsojās un grozīts ar pilnu vēju joslā. Materiāls ir izšūti ar woodwinds un soliste izstrādājusi. Otrā kustība. Paruna. ir gandrīz ārija, kurā mēs esam atstāti ar izteiksmīgu noskaņojumu izdomātas no timpāni paši. Pēdējā kustība ir dauzīšanās - raksturīga izmantošana kvazi-folkloras materiāls ir labi piemērota joslā un ritmikas īpašības timpāni ir izcelti. Gordan Jēkabs rakstīja savu Koncerts timpāni 1984.gadā, un tas bija būt pēdējais lielais darbs, ko viņš rakstīja, pirms viņš nomira. Tas bija rakstīts profesionāli vēja grupas Konstances. Rietumvācija. un pirmatskaņojums tika dots tur 1984 jūnijā ar soliste Klaus Huber. , kam tā ir paredzēta. Douglas spriedumu lietā Bostock veica. Pirmajā kustība, plaša tēma tiek paziņots ar timpāni paši, pamatojoties uz pieaugošo pēctecību trešdaļu, un nekavējoties atbalsojas un laboto pilnu vēja joslā. Pēc tilta, kad materiāls tiek izšūti ar woodwinds, tēma tiek pasniegta apgriezts un daudzveidīgs formā soliste, pirms tiek izstrādātas. Atšķirībā no klasiskās attīstības kurā tonalitāte nodrošina spriedzi, raksturs timpāni nozīmē to, ka attīstība ir ritmiskajai nevis tonālas. Modulēt plaši, protams, radīt problēmas pat ar pedāļiem timpāni. Kopsavilkums izriet un gandrīz kadence rada spēcīgu noslēgumam. Otrā kustība. Paruna. ir praktiski ārija. Šā timpāni veikt melodiju visā, izpušķot un tos izšūti ar mazām grupām instrumentu uzrāda koriem. Jēkabs, meistarīgs Orchestrator, ļauj tikai četri bāri pilnu joslu. Gada beigās tikai 47 bāri, mēs pa kreisi ar izteiksmīgu noskaņojumu izdomātas no pašiem timpāni. Pēdējā kustība ir dauzīšanās - parādot Jēkaba angļu valodas saknes. viņa raksturīga izmantošana kvazi-tautas materiāls ir labi piemērota joslā un ritmiskie raksturlielumi Timpāni ir izcelti.
