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Oriģināls

Sleep. Benny Carter. Guitar sheet music. B-Flat Trumpet sheet music. Drums sheet music. Percussion sheet music. Piano sheet music. Trombone sheet music. Advanced.

Tulkojums

Miegs. Benny Carter. Ģitāra notis. B-Flat Trumpet notis. Drums notis. Perkusijas notis. Klavieru notis. Trombonu notis. Uzlabots.

Oriģināls

Sleep by Benny Carter. Edited by Jeffrey Sultanof. Arranged by Benny Carter. For big band. Solo Alto Saxophone, 2 Alto Saxophones, 2 Tenor Saxophones, Baritone Saxophone, 4 Trumpets, 4 Trombones, Guitar, Piano, Bass, Drums. Swing. Advanced. Score and parts. Published by Jazz Lines Publications. JL.JLP-8463. Background. In 1940, Benny Carter was acknowledged by the music press to be one of the leading lights on the American big band scene. Several bandleaders had his music in their books, and Benny led his own big band, touring and making records. Unfortunately, Carters band never really caught on despite the fine music it played, partly because it did not have a hit record, but also because Carter himself was not a flashy soloist such as Harry James and Jimmy Dorsey. Carter played and soloed on alto saxophone and trumpet. That did not mean that he wasn't an excellent soloist. he most certainly was, but he was appreciated more by musicians than the public at large. The Music. Sleep. composed and published in 1923 by Earl Lebieg. was then known as the theme for Fred Waring and his Pennsylvanians. Waring began as a bandleader and eventually formed the top choral organization in the United States, with his own radio. and later television. show. Waring was almost totally responsible for the school choral movement beginning in the late forties. He continued to tour, record and give choral workshops until his death in 1984. Sleep was composed as a waltz, but in Carters hands, it becomes an ensemble tour-de-force. In our opinion, it is not only a masterpiece, but is one of the finest arrangements of a song in the history of the big bands. Carter transforms Sleep into a challenging and exciting presentation that really puts a band through its paces. In 1972, Carter updated and slightly simplified the original arrangement for an all-star ensemble performance at the Newport Jazz Festival in New York. This became the official version of the arrangement, and Carter would play it with students and professionals all over the world. It is the only one authorized by the Carter estate. Notes to the Conductor. During the mid 1940s, Carters band performed this arrangement at such a blisteringly fast tempo that the band could just barely play the figures properly. Carters biographer and close friend Ed Berger asked him about these performances when he was preparing the two-volume bio-discography of Carter. Scarecrow Press. How did the tempo get so fast. Benny was surprised upon hearing airchecks many years after the fact, and gave the comment. Maybe it was the war. This setting makes an equally effective opener or closer or a terrific festival piece. The sound sample is courtesy of the Empire Jazz Orchestra.

Tulkojums

Gulēt ar Benny Carter. Edited by Jeffrey Sultanof. Organizēja Benny Carter. Par bigbenda. Solo alta saksofons, 2 Alto saksofoni, 2 Tenor saksofoni, baritons Saksofonu, 4 trompetes, 4 tromboniem, ģitāra, klavieres, bass, bungas. Šūpoles. Uzlabots. Rezultāts un to daļas. Publicējusi Jazz Lines publikāciju. JL.JLP-8463. Fons. 1940, Benny Carter atzina mūzikas prese ir viens no vadošajiem gaismas uz amerikāņu bigbendu skatuves. Vairāki bandleaders bija viņa mūziku savās grāmatās, un Benny vadīja savu bigbends, touring un padarot ierakstus. Diemžēl, Carters grupa nekad īsti nozvejotas neskatoties uz smalkas mūziku tā spēlēja, daļēji tāpēc, ka tas nebija hit ieraksts, bet arī tāpēc, ka Kārters pats nebija spilgts solists, piemēram, Harijs Džeimss un Jimmy Dorsey. Kārters spēlēja un soloed par alta saksofonam un trompete. Tas nenozīmē, ka viņš nav lielisks solists. viņš pavisam noteikti bija, bet viņš bija novērtējuši vairāk mūziķu, nekā sabiedrībai kopumā. Mūzika. Miegs. izveidota un publicēta 1923 Earl Lebieg. Pēc tam bija pazīstama kā motīvu Fred Waring un viņa Pennsylvanians. Waring sāka kā bandleader un galu galā kļuva par top kora organizāciju, Amerikas Savienotajās Valstīs, ar savu radio. un vēlāk televīzijas. izstāde. Waring bija gandrīz pilnībā atbildīgs par skolu koru kustības sākas vēlu četrdesmitie. Viņš turpināja ceļojumu, ierakstu un sniegt kora seminārus līdz pat savai nāvei 1984. Miega sastāvā bija kā valsis, bet Carters rokās, tas kļūst ansamblis tour-de-force. Mūsuprāt, tas ir ne tikai šedevrs, bet ir viens no vislabākajiem kārtību dziesmu vēsturē lielo joslām. Carter pārveido miega par izaicinājumu un aizraujošu prezentāciju, kas patiešām liek joslā, izmantojot savu tempus. 1972, Carter atjaunināta un nedaudz vienkāršots sākotnējo vienošanos par Visu zvaigžņu ansambļa sniegumu Newport džeza festivālā Ņujorkā. Tas kļuva oficiālā versija vienošanās, un Kārters varētu spēlēt to ar studentiem un profesionāļiem visā pasaulē. Tas ir tikai viens atļāvusi Carter īpašumu. Piezīmes diriģents. Laikā vidū 1940, Carters band veicis šo vienošanos tik ātrdarbība tempu, ka grupa varētu tikko spēlēt skaitļus pareizi. Carters biogrāfs un tuvs draugs Ed Berger viņam jautāja par šīm izrādēm, kad viņš gatavojās divu apjoma bio-diskogrāfija Carter. Scarecrow Press. Kā gan temps saņemt tik ātri. Benny biju pārsteigts, dzirdot airchecks daudzus gadus pēc fakta, un deva komentāru. Varbūt tas bija karš. Šis iestatījums ļauj vienlīdz efektīvu nazis vai tuvāk vai drausmīgs festivāla gabals. Skaņa paraugs ir pieklājīgi Empire Jazz Orchestra.