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Oriģināls

ExitIX Novum. Marimba sheet music. Percussion sheet music. Vibraphone sheet music. Xylophone sheet music.

Tulkojums

ExitIX Novum. Marimba notis. Perkusijas notis. Vibraphone notis. Ksilofons notis.

Oriģināls

ExitIX Novum composed by Peter Saleh. Percussion Ensemble. For percussion quintet. vibraphone, 4 marimba, xylophone, finger cymbals, bass drum, djembe, wood block, triangles, cymbals, tenor drum, chinese tom. Score and set of parts. Published by Innovative Percussion. IP.E-PS-EXI. Composer's Notes. ExitIX Novum is a percussion quintet created from a few distinct sources with its genesis being in one of the counter lines composed for an arrangement for percussion ensemble of Dajeong Choi's "Lift Up My Hands to You-, Another source is the percussion music of Bob Becker, in particular, his invention of the "prepared tenor drum-, as an attempt to approximate the aesthetic of tabla for the snare drummer. A primary source of pitch material is the three chameleon-like octatonic scales. The tertian and other chordal relationships of the scale, specifically using traditional voice leading to slide between major and minor triads are explored. Also, the appreciation for and fascination with the rhythmic processes of South Indian music provided a rhythmic "hook" that helped the composer find real creative purpose with the piece. ExitIX Novum received the second place award in the 2007 PAS "Medium Percussion Ensemble" competition contest. "-ExitIX Novum" is scored for solo percussionist with percussion quartet. The soloist plays a prepared tenor drum, vibraphone, and a pedal-mounted Chinese tomtom. A bass drum may be substituted for the Chinese tom-tom, which is used mostly for occasional rhythmic punctuations. Originally designed by percussionist Bob Becker, the prepared tenor drum is actually a tightly-tuned snare drum fitted with a foam muffling ring under the batter head and devoid of snares. The prepared tenor drum is intended to imitate a tabla. In addition to Indian percussion, the composer also acknowledges Ragtime xylophone, rudimental drumming, and second-line New Orleans jazz rhythms as inspirations for "ExitIX Novum. " Pitch organization is based on a combination of three octatonic scale structures, which renders an effect similar to tonal modulation. There are frequent meter changes and all parts demand considerable technical skills. The percussion quartet includes a part for xylophone and finger cymbals, a multiple percussion part that includes a jembe, bass drum, woodblock, three suspended cymbals, three triangles, and two marimba parts, each written on a single staff line as Marimba I and Marimba II, respectively. Both marimba parts begin in bass clef, and the first part switches between bass and treble clef later in the piece. The marimba parts could conceivably be played using two mallets, but each would be better facilitated using two mallets in each hand. Although frequently played in rhythmic unison, the two parts also demonstrate considerable rhythmic independence. The four-octave xylophone part includes ossia passages for a three and one-half octave instrument. The xylophone and multiple percussion parts also include a few passages played on an "alto marimba" or "auxiliary marimba. " The jembe is the most prominent indefinitely-pitched ensemble part. "ExitIX Novum" begins with a vibraphone solo consisting of both chords and melody. The soloist is accompanied by marimba, finger cymbals, bass drum, and suspended cymbal. A second, similar accompanied vibraphone solo occurs later in the piece. However, the solo part is dominated by the relentless rhythmic drive of the tenor drum, introduced in measure 23. Sticking patterns are indicated in some passages, and the part includes numerous accented and unaccented single strokes, rebound strokes, and flams. For the first half of the piece the tempo increases incrementally and the ensemble accompaniment is texturally dense. The second vibraphone solo brings a brief repose. As the tenor drum returns there is an effect of acceleration through the rhythmic diminution of rapidly alternating duple, triple, quintuple, and sextuple rhythmic subdivisions. The accompaniment remains sparse, consisting of mostly marimba rolls. The sparseness of this section provides an impressive contrast to the increase in tempo and rhythmic activity in all parts as the piece is propelled to its frantic conclusion. " - Daniel Adams Percussive Notes, October 2007.

Tulkojums

ExitIX Novum composed by Peter Saleh. Percussion Ensemble. Sitaminstrumentiem kvintetam. vibraphone, 4 marimba, ksilofons, pirkstu šķīvji, bass bungas, djembe, koka bloku, trijstūri, šķīvji, tenors bungas, ķīniešu tom. Score un noteikt daļu. Publicējusi Innovative Percussion. IP.E-PS-EXI. Komponista piezīmes. ExitIX Novum ir perkusijas kvintets veidotas no dažiem atšķirīgiem avotiem ar savu Genesis ir viens no letei līnijām, kas sastāv mierizlīgums sitaminstrumentiem ansamblis Dajeong Choi 's "Lift Up My Hands Jums-, Cits avots ir perkusijas mūzika Bob Becker , jo īpaši, viņa izgudrojums "gatavi tenors bungas, kā mēģinājums tuvināt estētiku tablas par lamatas bundzinieks. Primārais avots piķa materiāla trīs hameleons līdzīgi octatonic svari. Tertian un citi chordal sakarības skalas, jo īpaši izmantojot tradicionālos balss radot slaidu starp lielajām un mazajām triādes ir jāizpēta. Tāpat atzinību par un aizraušanos ar ritmikas procesiem South indiešu mūziku nodrošināja ritmisku "āķis", kas palīdzēja komponists atrast īsto radošo mērķi ar gabalu. ExitIX Novum saņēma otro vietu balvu 2007 PAS "Medium sitaminstrumentu ansamblis" konkurss konkurss. "-ExitIX Novum" ir guvis solo perkusionists ar perkusijas kvartets. Solists spēlē sagatavota tenors bungas, vibraphone, un pedāļa uzstādīts ķīniešu TomTom. Bass bungas var aizstāt Ķīnas tom-tom, kas tiek izmantots galvenokārt gadījuma ritmikas pieturzīmes. Sākotnēji izstrādāta ar perkusionists Bob Becker, gatava tenors bungas ir faktiski cieši noregulē lamatas bungas aprīkots ar putu muffling gredzenu zem mīklas galvu un nepiemīt cilpām. Sagatavoja tenors bungas ir paredzēts atdarināt tabla. Turklāt Indijas perkusijas, komponists arī atzīst Ragtime ksilofons, rudimental bungošana, un otrās līnijas New Orleans džeza ritmus, kā inspirations "ExitIX Novum. "Piķis organizācija ir balstīta uz apvienojot trīs octatonic mēroga struktūras, kas atveido ietekme ir līdzīga toņa modulācijas. Ir bieži mērītāju izmaiņas, un visas detaļas prasīt ievērojamas tehniskas iemaņas. Perkusijas kvartets ietver daļu par ksilofons un pirkstu šķīvji, vairākas perkusiju daļa, kas ietver jembe, bass bungas, Woodblock, trīs apturēto cimboles, trīs trijstūri, un divas marimbai daļas, kas rakstītas uz vienu darbinieku līnijā marimbai I un marimbai II, attiecīgi. Abas marimbai daļas sākas basa atslēga, un pirmā daļa pārslēdzas starp basu un vijoles atslēga vēlāk gabalos. Ka marimba daļas, iespējams, var spēlēt, izmantojot divas āmuri, bet katrs būtu labāk atvieglota, izmantojot divus āmuri katrā rokā. Kaut arī bieži spēlēja ritmisku unisonā, divas daļas arī pastāv ievērojama ritmisku neatkarību. Četru oktāvu ksilofons daļa ietver ossia eju uz trim un vienu pusi oktāvu instrumenta. Ksilofons un vairākas perkusijas daļas ietver arī dažus fragmentus spēlēja uz "alta marimbai" vai "papildu marimbai. "Jembe ir visredzamāko bezgalīgi toņu ansamblis daļa. "ExitIX Novum" sākas ar vibraphone solo sastāv gan akordus un melodiju. Solists ir pievienots marimbai, pirkstu šķīvji, bass bungas, un apturēta zvārgulis. Otrs līdzīgs pievieno vibraphone solo notiek vēlāk gabalos. Tomēr, solo daļa dominē nerimstošo ritmisku disku no tenora bungas, ko ieviesa 23 pasākumā. Uzlīmēšanu modeļi ir norādītas dažu teksta, un daļā iekļautas vairākas akcentē un neuzsvērtus vienu insultu, atsitiena insultu un flams. Pirmajā pusē gabals tempu palielinās pakāpeniski un ansambļa pavadījumā ir texturally blīvs. Otrais vibraphone solo rada īsu atpūtu. Kā tenors bungas atgriež ir ietekme paātrinājuma ar ritmisku traucējot strauji mainīgu dubults, trīskārši, piecīši, un seškārtīgs ritmikas apakšnodaļu. Pavadījums joprojām ir maz, kas sastāv no galvenokārt marimbai ruļļos. Šīs sadaļas sparseness nodrošina iespaidīgu kontrastu ar tempo un ritmikas aktivitātes visas daļas palielināšanos, jo gabals ir dzen savu izmisīgs noslēgšanu. "- Daniel Adams sitamos norāda, 2007. gada oktobris.