Notis $95.00
Oriģināls
Joy Revisited. Frank Ticheli. Grade 3.
Tulkojums
Joy Revisited. Frank Ticheli. 3 pakāpes.
Oriģināls
Joy Revisited composed by Frank Ticheli. Concert band. Suitable for advanced middle school, high school, community and college bands. Grade 3. Conductor score and set of parts. Duration 3. 30. Published by Manhattan Beach Music. MH.1-59913-004-1. ISBN 1-59913-004-1. Above all, Joy Revisited is an expression of its namesake. simple, unabashed joy. The main melody and overall mood of the work. and its companion piece, Joy. were inspired by a single event. the birth of our first child. The intense feelings that any father would likely feel on such a day were, in my case, accompanied by a simple little tune which grabbed hold of me in the hours preceding her birth, and refused to let go throughout the day and many days thereafter. Indeed, until I jotted it down in my sketchbook, it did not release its grip. Seven years and two children later, I stumbled upon that old sketch and discovered. or rediscovered. that it would serve perfectly as the foundation for a joy-filled concert band overture. Joy Revisited, and its companion piece, Joy, are the results of an experiment I have been wanting to try for many years. the creation of two works using the same general melodic,, and expressive content. In other words, I endeavored to compose un-identical twins, two sides of the same coin - but with one major distinction. Joy was created with young players in mind, while Joy Revisited was aimed at more advanced players. Thus, Joy Revisited is somewhat longer, more technically demanding, and develops ideas further than its companion. Where Joy sounds a dominant chord, Joy Revisited elaborates upon that chord with a flourish of 16th-notes. While Joy moves at a bright tempo and is centered around Bb, Joy Revisited moves even faster, and is centered around Eb, extending the register of the instruments upwards by a perfect fourth. Despite these and many more differences between the two works, both come from the same essential cut of cloth, both were composed more or less simultaneously, and both were born out of the same source of inspiration. In short, Joy and Joy Revisited serve as two expressions of the feelings experienced by one expectant father. who happens also to be a composer. on one wonderfully anxious and exciting day. Ensemble instrumentation. 2 Piccolo, 4 Flute 1, 4 Flute 2, 2 Oboe 1, 2 Oboe 2, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 3 Bb Bass Clarinet, 1 Eb Contrabass Clarinet, 2 Bassoon 1, 2 Bassoon 2, 3 Eb Alto Saxophone 1, 3 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 2 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 3 F Horn 1, 3 F Horn 2, 2 Trombone 1, 3 Trombone 2, 3 Trombone 3, 3 Euphonium B.C., 2 Euphonium T.C., 5 Tuba, 2 Timpani, 3 Percussion 1, 3 Percussion 2, 3 Percussion 3.
Tulkojums
Joy Revisited sastāvā Frank Ticheli. Koncerts joslā. Piemērots uzlabotas vidusskolā, vidusskolas, kopienas un koledžu joslām. 3 pakāpes. Diriģents rādītājs un komplektu daļām. Ilgums 3. 30. Publicējusi Manhattan Beach Music. MH.1-59913-004-1. ISBN 1-59913-004-1. Pirmām kārtām, Joy Revisited ir izpausme tās vārdamāsa. vienkāršs, nekaunīgs prieks. Galvenais melodiju un vispārējo noskaņojumu darbu. un tās biedrs gabals, Joy. iedvesmoja viena notikuma. dzimšanas mūsu pirmais bērns. Intensīvās sajūtas, ka kāds tēvs, visticamāk, jūtas šādā dienā bija, manā gadījumā, kopā ar vienkāršu nedaudz melodija, kas satvēra mani stundu pirms viņas dzimšanas, un neļāva iet visu dienu un vairākas dienas pēc tam. Patiešām, kamēr es jotted to uz leju manu skiču, tā nav atbrīvot savu grip. Septiņi gadi un divi bērni vēlāk, es stumbled uz šo veco skici un atklāja. vai no jauna atklāja. ka tas kalpo perfekti, kā pamatu par prieku piepildīta koncerts band Overture. Prieks Revisited, un tās biedrs gabals, Joy, ir eksperimenta rezultāti man ir bijis vēlas izmēģināt daudzus gadus. izveide diviem darbiem, izmantojot to pašu vispārējo melodisku, un ekspresīva saturu. Citiem vārdiem sakot, es centies izveidot ANO identiski dvīņi, divas puses pašas monētas - bet ar vienu lielu atšķirību. Prieks tika izveidota ar jaunu spēlētāju prātā, bet Joy Revisited mērķis bija vairāk uzlabotas spēlētājiem. Tādējādi, Joy Revisited ir nedaudz garāks, vairāk tehniski sarežģīti, un attīsta idejas tālāk par savu kompanjonu. Kur Joy izklausās dominējošu akordu, Joy Revisited izstrādā, pamatojoties uz šo akords ar plaukt no 16.-piezīmes. Bet Joy pārceļas pie spilgti tempu un ir centrēta ap Bb, Joy Revisited kustas vēl ātrāk, un ir centrēta ap EB, paplašinot reģistru instrumentu augšu ar perfektu ceturtdaļai. Neskatoties uz šiem un daudziem citiem atšķirības starp diviem darbiem, abi nāk no tā paša būtisku samazinājumu auduma, gan veidoja vairāk vai mazāk vienlaikus, un abi dzimuši no paša iedvesmas avots. Īsāk sakot, prieks un prieks Revisited kalpo kā divas izpausmes jūtas saskaras ar vienu topošajai tēvs. , kas notiek arī būt komponists. vienā lieliski noraizējies un aizraujošas dienas. Visu aprīkojumu. 2 Piccolo, 4 flauta 1, 4 flauta 2, 2 Oboe 1, 2 Oboe 2, 4 Bb Klarnete 1, 4 Bb Klarnete 2, 4 Bb Klarnete 3, 3 Bb bass klarnete, 1 Eb kontrabass Klarnete, 2 fagots 1, 2 fagots 2, 3 Eb Alto Saxophone 1, 3 Eb Alto Saxophone 2, 2 Bb Tenor saksofons, 2 Eb Baritone saksofons, 3 Bb Trompete 1, 3 Bb Trompete 2, 3 Bb Trompete 3, 3 F Horn 1, 3 F Horn 2, 2 trombons 1, 3 trombonu 2, 3 trombonu 3, 3 Euphonium BC, 2 Euphonium TC, 5 tuba, 2 Timpāni, 3 Percussion 1, 3 Percussion 2, 3 Sitaminstrumentu 3.
