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Dolly Suite Opus 56. Gabriel Faure. Piano Method sheet music. Intermediate.
Tulkojums
Dolly Suite Opus 56. Gabriel Faure. Klavieru metode notis. Intermediate.
Oriģināls
Dolly Suite Opus 56 composed by Gabriel Faure. 1845-1924. Edited by Nancy Arganbright and Dallas Weekley. For 1 piano, 4-hands. Late Intermediate. Collection. Published by Neil A. Kjos Music Company. KJ.WP609. ISBN 849797624. Born in 1845, Gabriel Faure is considered to be one of the greatest French composers of the nineteenth century. His family was not musical, being butchers , smiths and military officers, but they encouraged young Faure to develop his musical skills. He had excellent training from his teacher, Camille Saint-Saens, who remained his lifelong friend. "Dolly" is a collection of six pieces written over a period of three years. 1894-1897. They were composed in honor of Helene nicknamed "Dolly," who was the daughter of Faure's dear friend, the singer Emma Bardac. Emma later became Debussy's second wife. The opening 'Berceuse'. Lullaby. suggests a moment of childhood peace and tranquility, perhaps Dolly rocking her doll to sleep. The second piece, 'Mi-a-ou' is livelie. its title has been interpreted in two different ways. Emile Vuillermoz sees in it "the capricious bounds of the favorite family cat, its quick turns, its zigzag starts, its sudden cajolery, after which. it at last rests in the lap of its little mistress. " On the other hand, Marguerite Long, on the basis of her friendship with Faure, asserts that the title is the nickname for Dolly's brother, Raoul. The 'Le jardin de Dolly'. Dolly's Garden. represents a quiet stroll through a lovely flower garden. The mood is smimilar to that of Berceuse but the melody is less predictable with sudden turns toward chromaticism. Kitty-Valse is a sort of companion piece to Mi-a-ou, but its rhythm is more straightforward, and we find many unexpected turns in harmony, Its strong accents contrast with delicate, swirling scale patterns. Marguerite Long tells us that "Kitty" is a corruption of "Ketty" the name of the family dog. 'Tendresse'. Tenderness. is the most touching piece of the set. It suggests a conversation between am other and daughter. In the middle section the two melodc voices are shared by the primo and secondo players in a canon form with bass accompaniment. The seconds half of the first theme features whole-tone effects. In total contrast to this gentle piece, the final piece is 'Le pas Espagnol'. Spanish Dance. , which Long says was inspired by a bronze equestrian statue that stood on the mantlepiece in Madame Bardac's house and was admired by young Dolly. Vuillermoz believes it depicts Dolly pretending to be a Spanish dancer, wrapped in her mother's shawl. Berceuse. Lullaby. Mi-a-ou. Le jardin de Dolly. Dolly's Garden. Kitty-Valse. Tendresse. Tenderness. Le pas Espangnol. Spanish Dance.
Tulkojums
Dolly Suite Opus 56 sastāvā Gabriel Faure. 1845-1924. Edited by Nancy Arganbright un Dallas Weekley. 1 klavierēm, 4-roku. Vēlu Intermediate. Kolekcija. Publicējusi Neil A. Kjos Music Company. KJ.WP609. ISBN 849797624. Dzimis 1845, Gabriel Faure tiek uzskatīta par vienu no lielākajiem franču komponistiem deviņpadsmitajā gadsimtā. Viņa ģimene nebija muzikāli, kas ir miesnieki, kalēji un armijas virsnieki, bet viņi mudināja jauno Faure attīstīt savas muzikālās prasmes. Viņš bija lielisks mācību no sava skolotāja, Camille Saint-Saens, kas palika viņa mūža draugs. "Dolly" ir kolekcija sešu gabalu uzrakstījis vairāk nekā trīs gadus. 1894-1897. Viņi veidoja godu Helene iesauku "Dolly", kurš bija meita Faure ir dārgais draugs, dziedātājs Emma Bardac. Emma vēlāk kļuva Debisī otrā sieva. Atvēršana "Berceuse". Šūpuļdziesma. ierosina brīdi bērnības mieru un klusumu, iespējams, Dolly šūpošanas savu lelli gulēt. Otrais gabals, "Mi--ou" ir livelie. tās nosaukums ir ticis interpretēts divos dažādos veidos. Emile Vuillermoz saskata tajā "gražīgs robežas mīļākie ģimenes kaķis, tās ātri pagriezienus, tā zigzaga sākas, tā pēkšņi cajolery, pēc kura. tas beidzot atpūtu klēpī savu maz saimniece. "No otras puses, Marguerite Long, pamatojoties uz viņas draudzību ar Forē, apgalvo, ka nosaukums ir iesauka Dollijas brālis, Raoul. "Le Jardin de Dolly". Dollijas Garden. ir klusa pastaiga pa skaistu puķu dārzs. Garastāvoklis ir smimilar to, ka Berceuse bet melodija ir tik prognozējama ar pēkšņu pagriežas chromaticism. Kitty-Valsis ir sava veida kompanjons gabals Mi-a-ou, bet tās ritms ir daudz vienkāršāka, un mēs atrodam daudz negaidītu pagriezienus harmonijā, tās spēcīgi akcenti kontrastē ar maigu, sajaucot mēroga modeļus. Marguerite Long stāsta mums, ka "Kitty" ir korupcija "KETTY" nosaukums ģimenes suns. "Maigums". Maigums. ir visvairāk pieskaroties gabals komplekta. Tas liecina saruna starp am citu un meitu. Posma vidū abas melodc balsis ir kopīgas primo un secondo dalībniekiem Canon formā ar bass pavadījumā. Sekundes puse no pirmās tēmas piedāvā visa signālu efekti. Kopumā Pretēji šim maigu gabals, gala gabals ir "Le Pas Espagnol". Spāņu dejas. , Kas Long saka iedvesmoja bronzas jāšanas statuja, kas stāvēja uz mantlepiece ar Madame Bardac mājā, un tika apbrīno jauno Dolly. Vuillermoz uzskata Tajā attēlots Dolly izliekoties par spāņu dejotāju, ietin viņas mātes šalle. Šūpuļdziesma. Šūpuļdziesma. Mi--ou. Dārza Dolly. Dollijas Garden. Kitty-Valsis. Maigums. Maigums. Nav Espangnol. Spāņu dejas.
