Notis $10.00

Oriģināls

Waltzes, opus 101. 2002. flute part. Thomas Oboe Lee. Flute sheet music. Advanced.

Tulkojums

Valši, opus 101. 2002. flauta daļa. Thomas Oboja Lee. Flauta notis. Uzlabots.

Oriģināls

Waltzes, opus 101. 2002. flute part composed by Thomas Oboe Lee. For Flute. Baroque Period, Classical Period, Romantic Period, 20th Century, 21st Century. Advanced Intermediate. Individual Part. Published by Thomas Oboe Lee. S0.11489. Program note When Bart Feller asked me to write a work for flute and harp, I immediately came up with the idea of doing a piece made up of waltzes. Why waltzes. Why not. I have been an enthusiastic adult ballet student since the summer of 1988. Dancing to live music, especially the waltz, has been a joy. This hobby of mine has inevitably drawn me to the history of ballet. Some years ago, I wrote a duo, âœDark Angels,â for viola and cello. Apropos of my interest in dance and music, I matched each movement with a danseur of international renown. Nijinsky, Nureyev & Baryshnikov. For this flute and harp work---more delicate and lyrical in its instrumentation---I have decided to bring back from history the four Romantic ballerinas featured in the infamous âœPas de quatreâ divertissement choreographed by Jules Perrot in 1845 and presented at Her Majestyâs Theater in London. Marie Taglioni, Fanny Cerrito, Carlotta Grisi and Lucile Grahn. According to ballet lore, Queen Victoria and Prince Albert were in attendance at the premiere. In Waltzes, opus 101, each ballerina is paired with a movement, or âœwaltz. â The quotation marks indicate that some of these waltzes are pseudo-types---distant relations to the genre. Nevertheless, the triple meter is a dominant feature. The first waltz, âœDream Landscape,â is Marie Taglioni---the original La Sylphide---who was known for her ethereality. The second movement, âœWaltzin,ââ is Fanny Cerrito, who danced with flair, bravura and abandon. The third waltz, âœLullaby,â is Carlotta Grisi, the original Giselle, who âœdanced with a perfection, a lightness, a boldness, a chaste and refined seductiveness â â The last waltz is Lucile Grahn, a proponent of the Bournonville school, who was admired for her âœnatural grace, elevation, suppleness, energy, technical virtuosity and strong mime. Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play. View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. Use our iPad app to view your digital sheet music on the go. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application.

Tulkojums

Valši, opus 101. 2002. flauta daļa sastāv no Thomas oboja Lee. . Baroka periods, klasiskais periods, Romantiska Periods, 20th Century, 21st Century. Advanced Intermediate. Individuālā daļa. Publicējusi Thomas oboja Lee. S0.11489. Programma piezīme Kad Bart Zaru man lūdza uzrakstīt darbu flautai un arfa, es nekavējoties nāca klajā ar ideju, kā to gabalu, kas sastāv no valšus. Kāpēc valši. Kāpēc ne. Esmu bijis entuziasmu pieaugušo baleta studentu kopš vasaras 1988. Dejas ar dzīvo mūziku, jo īpaši valsi, ir prieks. Šis mans hobijs ir neizbēgami vērsta mani vēsturē baleta. Dažus gadus atpakaļ, es uzrakstīju duets, âœDark Angels, A altam un čellam. Apropos manu interesi par deju un mūziku, es jāsaskaņo katru kustību ar danseur starptautisko atpazīstamību. Nijinsky, Nureyev. Šim flautai un Grenlandes darba --- maigāka un liriska tās instrumentiem --- esmu nolēmis atvest no vēstures četras Romantiska ballerinas redzamas kauna âœPas de quatreâ divertissement choreographed Jules Perrot 1845 un uzrāda viņas Majestyâs teātris Londonā. Marie Taglioni, Fanny Cerrito, Carlotta Grisi un Lucile Grahn. Saskaņā ar baleta mācība, Karalienes Viktorijas un prinča Alberta bija apmeklē pirmizrāde. In valši, opuss 101, katra balerīna ir pārī ar kustību vai âœwaltz. â pēdiņas norāda, ka daži no šiem valšus ir pseido-veidi --- tālu attiecības ar žanra. Tomēr triple skaitītājs ir dominējošais elements. Pirmais valsis, âœDream Ainava, a ir Marie Taglioni --- sākotnējā La Sylphide --- kas bija zināms par viņas ethereality. Otrā kustība, âœWaltzin, AA ir Fanny Cerrito, kas dejoja ar nojauta, Bravura un atteikties. Trešais valsis, âœLullaby, a ir Carlotta Grisi, oriģināls Žizele, kas âœdanced ar pilnību, ir vieglums, ar drosmi, par nevainīgu un rafinēts seductiveness A A The pēdējā valsis ir Lucile Grahn, ierosmes no Bournonville skolas, kas bija apbrīnoja viņas âœnatural žēlastību, pacēlums, elastību, enerģētikas, tehniskās virtuozitātes un spēcīgu mīmu. Digital Print ir izdrukājamu nošu pieejami jebkurā laikā, jebkurā vietā. Tikai iegādāties, drukāt un spēlēt. Apskatīt savu tiešsaistes notis mājās, skolā, darbā vai jebkur jums ir dators savienots ar internetu. Izmantojiet mūsu iPad app, lai apskatītu savu digitālo notis, atrodoties ceļā. Ar Digital Print, jūs varat izdrukāt savu digitālo notis uzreiz pēc iegādes, vai gaidīt, līdz tās ērti. Un mūsu programmatūras uzstādīšana ir vienkārša - mēs jums caur soļiem, lai pārliecinātos, ka jums ir Adobe Flash Player, Adobe AIR un nošu Plus AIR pieteikumu.