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Oriģināls

Comedy Overture. John Ireland. Grade 5.

Tulkojums

Komēdija Overture. John Ireland. 5 pakāpes.

Oriģināls

Comedy Overture composed by John Ireland. 1879-1962. For concert band. Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe. , 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet. , Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon. , 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone. Band Music. Grade 5. Score and parts. Duration 10. 30. Published by C. Alan Publications. CN.R10004. A slow introduction gives way to the "chirpy" theme which is developed, inverted, and accents displaced across the bar line to give a 3. 2 feel against the written meter. Restlessness leads to a tranquillo presented by the flute and clarinet, weaving a flowing counterpoint around the melody until the original slow introduction returns. A triumphant recapitulation of the main theme brings this wonderful piece to an end. Originally composed for Brass Band in 1934 "Comedy Overture" is, despite its name, a serious piece of writing. The term Overture does not imply that there is anything else to follow. it is used in the 19th century sense of Concert Overture. like Mendelssohn's "Fingal's Cave" - in other words, a miniature Tone Poem. The 1930's was a period of Ireland's mature writing - yielding the Piano Concerto. 1930. , the Legend for piano and orchestra. 1933. , and the choral work "These Things Shall Be". 1936-1937. We are fortunate therefore to have both "Comedy Overture" and "A Downland Suite". 1932. written for band medium at this time. As with "Maritime Overture". written in 1944 for military band. Ireland approaches his material symphonically. The opening three notes state immediately the two seminal intervals of a semitone and a third. These are brooding and dark in Bb minor. It is these intervals which make up much of the thematic content of "Comedy," sometimes appearing in inverted form, and sometimes in major forms as well. The concept that some musical intervals are consonant , some dissonant, and some perfect is perhaps useful in understanding the nature of the tension and resolution of this work. The third is inherently unstable, and by bar 4, the interval is expanded to a fourth - with an ascending sem-quaver triplet - and then expanded to a fifth. The instability of the third pushes it towards a "perfect" resolution in the fourth or the fifth. The slow introduction is built entirely around these intervals in Bb minor and leads through an oboe cadenza, to an Allegro moderato brillante in Bb major. Once again, the semi-tone. inverted. and a third. major. comprise the main, chirpy, theme-inspired by a London bus-conductor's cry of "Piccadilly. Much of the material in "Comedy" was re-conceived by Ireland for orchestra and published two years later under the title "A London Overture. The expansion of the interval of a third through a fourth, fifth, sixth, and seventh now takes place quickly before our very ears at the outset of this quicker section. Immediately the theme is developed, inverted, and accents displaced across the bar line to give a 3. 2 feel against the written meter. But this restlessness leads to a tranquillo built around an arpeggio figure and presented by flute and clarinet. Ireland weaves his flowing counterpoint around this melody until the original slow introduction returns leading to a stretto effect as the rising bass motifs become more urgent, requesting a resolution of the tension of that original semitone and minor third. Yet resolution is withheld at this point as the music becomes almost becalmed in a further, unrelated tranquillo section marked pianissimo. It is almost as if another side of Ireland's nature is briefly allowed to shine through the stern counterpoint and disciplined structure. This leads to virtually a full recapitulation of the chirpy "brilliante," with small additional touches of counterpoint, followed by the first tranquillo section-this time in the tonic of Bb major. But the instability of the third re-asserts itself, this time demanding a resolution. And a triumphant resolution it receives, for it finally becomes fully fledged and reiterates the octave in a closing vivace. The opening tension has at last resolved itself into the most perfect interval of all.

Tulkojums

Komēdija Overture sastāvā John Īrija. 1879-1962. Par koncerta joslā. Piccolo, 1 flauta, 2 flauta, 1 oboja, 2 oboja. , 1 Bb klarnete, 2 Bb klarnete, 3 Bb klarnete, Eb Alto klarnete. , Bb Bass klarnete, 1 Fagots, 2 Fagots. , 1 Eb Alto Saxophone, 2 Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritons Saxophone. Band mūzika. 5 pakāpes. Rezultāts un to daļas. Ilgums 10. 30. Publicējusi C. Alan publikāciju. CN.R10004. Lēna ieviešana paver ceļu uz "dzīvs" tēmu, kas ir izstrādāta, apgriezts, un akcenti pārvietotas pāri bāra līnijas, lai dotu 3. 2 jūtas pret rakstveida skaitītāja. Nemiers izraisa Tranquillo ko flautai un klarnetei iesniegts, aušanas plūstošu kontrapunkts ap melodiju līdz sākotnējiem lēni ievada peļņu. Triumfējošs tos pašus galvenā tēma sniedz šo brīnišķīgo gabals beigām. Sākotnēji veidots uz Brass Band 1934 "Comedy Overture" ir, neskatoties uz tās nosaukumu, nopietnu gabals rakstiski. Termins Overture nenozīmē, ka tur ir kaut kas cits, lai sekotu. tas tiek izmantots 19.gadsimta izpratnē koncertzāles Overture. piemēram, Mendelszona "Fingal ala" - citiem vārdiem sakot, miniatūra Tone Poem. 1930 bija periods Īrijas nobriedušu rakstiski - iegūstot Piano Concerto. 1930. , Legend klavierēm un orķestrim. 1933. , Un kora darbs "Šīs lietas ir". 1936-1937. Mums ir paveicies, tāpēc ir gan "Comedy Overture" un "A Downland Suite". 1932. rakstīts joslā vidēja šajā laikā. Tāpat kā "Jūras Overture". rakstīts 1944 militārām joslā. Īrijā tuvojas savu materiālu symphonically. Atvēršanas trīs piezīmes iedzīvotājs tieši divas sēklas intervāls pustonis un trešā. Tie ir brooding un tumšs Bb minor. Tas ir šie intervāli, kas veido lielu daļu tematiskās saturu "Comedy", dažkārt parādās apgrieztā formā, un dažreiz galvenajiem veidiem, kā arī. Koncepcija, ka daži mūzikas intervāli ir saderīgi, daži disonants, un daži perfekta varbūt noder, lai izprastu būtību spriedzi un atrisināt šo darbu. Trešais būtības ir nestabila, un ar bar 4, intervāls tiek paplašināts, ceturtais - ar augšupejošu sem-trīcēt triplet - un pēc tam paplašināta piektajam. Gada trešais nestabilitāte nospiež to ceļā uz "perfekts" atrisināšanā ceturtā vai piektā. Lēna ieviešana ir veidota tikai ap šiem intervāliem Bb nepilngadīgās un ved caur obojai kadence, lai Allegro Moderato Brillante in Bb major. Vēlreiz, semi-tone. apgriezts. un trešā. lielākais. veido galveno, dzīvs, iezīmes, iedvesmojoties no Londonas autobusu diriģenta saucieniem "Piccadilly. Daudz materiāla "Komēdija" tika atkārtoti iecerēts ar Īrijas orķestrim un publicējusi divus gadus vēlāk ar nosaukumu "London Overture. Ar intervālu trešā izplešanās pa ceturto, piekto, sesto un septīto tagad notiek ātri pirms mūsu ausis sākumā šīs ātrāku sadaļas. Nekavējoties tēma ir izstrādāta, apgriezts, un akcenti pārvietotas pāri bāra līnijas, lai dotu 3. 2 jūtas pret rakstveida skaitītāja. Bet tas nemiers rada Tranquillo uzcelta ap arpeggio skaitli un flautai un klarnetei iesniegto. Īrija vijas savu plūstošs kontrapunkts ap šo melodiju, līdz sākotnējiem lēni ievada atgriežas rezultātā uz stretto efektu, jo pieaugošās bass motīvi kļuvusi steidzama, pieprasot spriegojumu šī sākotnējā pustonis un nelielām trešo rezolūciju. Bet izšķirtspēja ir ieturēts šajā brīdī, jo mūzika kļūst gandrīz nomierinājies vēl vairāk, nav saistīts Tranquillo iedaļā atzīmētas Pianissimo. Tas ir gandrīz kā tad, ja otra puse Īrijas rakstura īsi atļauts spīdēt cauri pakaļgala kontrapunkts un disciplinētu struktūru. Tas noved pie gandrīz pilnībā tos pašus dzīvs "brilliante," ar nelielu papildu pieskaras kontrapunkts, kam seko pirmā Tranquillo nodaļas, šoreiz toniks BB major. Bet nestabilitāte trešo atkārtoti apgalvo pati, šoreiz pieprasot rezolūciju. Un triumfējošs izšķirtspēju tas saņem, lai tas beidzot kļūst par pilntiesīgu un atkārto oktāvu ar noslēguma Vivace. Atvēršana spriedze ir beidzot atrisināt sevi vispiemērotākos intervālu visu.