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Oriģināls

Danceries. Kenneth Hesketh.

Tulkojums

Danceries. Kenneth Hesketh.

Oriģināls

Danceries composed by Kenneth Hesketh. Concert Band. For Brass Band. Brass Band. Score. Faber Edition. Brass Band Series. Form. Dance. 20th Century. Masterwork. Published by Faber Music. AP.12-0571565115. ISBN 0571565115. 20th Century. Masterwork. The term Danceries can be found in a copy of Playford's Dancing Master, an extensive collection of folk and popular tunes of the seventeenth century. and no doubt earlier. This publication was used by master fiddle players to teach the various dance steps of the day to a nobleman's house or a king's court. Whilst this present set of 'Danceries' cannot be said to be an aid to terpsichorean agility, it will at least set feet tapping. The melodies themselves are a mixture of new and old---well, nearly. Where the old occurs it has been adapted in mood and composition and is often interspersed with completely new material. The harmonies and rhythms bring a breath of the new into these themes and add to the drama of the set. Movement 1. Lull me beyond thee. Gentle and lilting, almost a barcarole, this movement is very much a reverie. The original tune had the name 'Poor Robin's Maggot' - a rather disconcerting title. maggot, however, in seventeenth-century parlance meant whim or fancy. This theme can also be found in The Beggar's Opera by John Gay. first performed in 1728. under the title 'Would you have a young lady'. Air 21. Movement 2. Catching of Quails. A colorful, buoyant scherzo on an original melody. The thematic material is shuttled around the band to contrast with full-bodied tuttis. The last few bars fade away to almost nothing before a final surprise. Movement 3. My Lady's Rest. A tender pavane, also on an original theme, with Moorish leanings. Solos for principal winds and brass contrast with warmer tutti passages. The movement culminates with a final presentation of the theme before evaporating in held flute and trumpet chords. Movement 4. Quodling's delight. The final movement to the set combining one of the melodies from Playford's Dancing Master. 'Goddesses'. with an original contrasting melody. A dramatic and exuberant ending to the set of 'Danceries'.

Tulkojums

Danceries sastāvā Kenneth Hesketh. Koncerts Band. Par Brass Band. Brass Band. Punktu skaits. Faber Edition. Brass Band Series. Veidlapa. Deja. 20th Century. Masterwork. Publicējusi Faber Music. AP.12-0571565115. ISBN 0571565115. 20th Century. Masterwork. Termins Danceries var atrast kopiju Playford ir deju skolotājs, plašu vākšanu tautas un tautas melodijas septiņpadsmitā gadsimta. un nav šaubu, agrāk. Šī publikācija tika izmantots kapteinis vijoli spēlētāji iemācīt dažādus deju soļus dienā, lai augstmanis mājā vai karaļa galma. Lai gan šī pašreizējā kopums "Danceries" nevar teikt, ka atbalsts terpsichorean veiklību, tas vismaz ir pēdas pieskaroties. Melodijas paši maisījums jauno un veco --- labi, gandrīz. Kur vecā notiek tas ir pielāgots noskaņojumu un sastāvu, un bieži vien mijas ar pilnīgi jaunu materiālu. Šā harmonijas un ritmi celt elpu jauno šajās tēmās un pievienot drāma komplekta. Kustība 1. Iemidzināt mani aiz tevis. Maigs un lilting, gandrīz barkarola, šī kustība ir ļoti sapņojums. Oriģinālā melodija bija nosaukumu "Poor Robin kāpurs" - visai satraucošu virsrakstu. kāpurs, tomēr septiņpadsmitā gadsimta leksikā nozīmēja kaprīze vai iedomātā. Šī tēma var arī atrast ubags operas John Gay. Pirmais veikti 1728. ar nosaukumu "Vai jums ir jauna dāma". Gaisa 21. Kustība 2. Ķert paipalu. Krāsains, lielais Scherzo uz sākotnējo melodiju. Tematisko materiālu shuttled ap joslā, lai kontrastētu ar biezs tuttis. Pēdējos bāri pazūd gandrīz neko, pirms galīgā pārsteigums. Kustība 3. Mana Lady Rest. Konkursa pavane, arī uz sākotnējo tēmu, ar mauru tendencēm. Solos par galveno vēju un misiņa kontrastu ar siltāku Tutti fragmenti. Kustība noslēdzas ar galīgo noformējumu tēmu pirms iztvaicēšanas turēto flautas un trompete akordiem. Kustība 4. Quodling prieks. Galīgo pārvietošanu uz kopumu, apvienojot vienu no melodijām no Playford ir deju skolotājs. "dieviešu". ar oriģinālo kontrastējoša melodiju. Dramatisks un pārbagāts galotne kopumam "Danceries".