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Eurydice. a tone poem for cello and orchestra. 1995. Thomas Oboe Lee. Cello Solo sheet music. Advanced.

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Eurydice. tonis dzejolis čellam ar orķestri. 1995. Thomas Oboja Lee. Čells Solo notis. Uzlabots.

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Eurydice. a tone poem for cello and orchestra. 1995. composed by Thomas Oboe Lee. For Cello,Full Orchestra. 21st Century,20th Century,Romantic Period,Classical Period,Baroque Period. Advanced Intermediate. Score. Published by Thomas Oboe Lee. S0.48399. Instrumentation. solo cello and orchestra, 3222-4231-timp-2perc-hp-strings. When I presented to Max Hobart the idea of composing a new work for Andrés Díaz and the Civic Symphony Orchestra, he suggested that I, instead of writing a conventional "concerto," consider writing a tone poem for cello and orchestra. I thought, why not. I always enjoy a good challenge. So, I looked into all that wonderful stuff Hector Berlioz and Richard Strauss came up with in that genre - "Harold in Italy," "Romeo and Juliet," "Don Quixote," "Ein Heldenleben," "Tod und Verklärung," etc. I had a blast re-living the joy of all that out-pouring of emotion, orchestral colors, and uninhibited romantic excess in musical expression. In choosing my subject, I went straight to the reason why I wanted to write a piece for Andrés in the first place - the wonderful tone and singing quality of his cello and that soulful voice only he can project - a voice that charms and enchants. Orpheus seemed the perfect subject. According to Greek myth, Orpheus' singing lyre put everyone who listened into a spell. Edith Hamilton writes in her book, Mythology, "There was no limit to his power when he played and sang. No one and nothing could resist him. Everything animate and inanimate followed Orpheus. He could move trees, mountains, and change the courses of rivers. " My tone-poem is about Orpheus and Eurydice, a love story in which Orpheus loses Eurydice soon after their wedding. He laments her death, and then resolves to rescue her from the Underworld. Because his singing is so beautiful and irresistible, the Furies cannot refuse his request to return Eurydice. With Eurydice in his arms, finally, they dance. But the denizens of the Underworld change their minds and take her away again. In the aftermath, Orpheus laments his loss once more. It is true, the myth has been a favorite subject among composers since the advent of opera in the 1600's. A few of the better-known examples. Jacopo Peri's "Euridice," Claudio Monteverdi's "Orfeo," Christoph Willibald von Gluck's "Orfeo ed Euridice," Jacques Offenbach's operetta, "Orpheus in the Underworld," and Igor Stravinsky's ballet, "Orpheus. " It seems like a tremendous responsibility and burden for a composer to try to come up with something "new" after all these precedents. But, what the heck, there really isn't anything "new" or "shocking" anymore these days. A composer does not always consciously try for the "new. " It is just as important to make music that speaks to the heart. Music with dramatic narrative. Music that moves. In that sense, my "Eurydice" is music theater. And in the process, should a "masterpiece" reveal itself, so much the better. The work is in four movements, played without pause -I. Orpheus weepsII. Orpheus' resolveIII. Orpheus and EurydiceIV. Orpheus' apotheosisFirst performances -1. Cello and piano version on February 27, 1995, in Gasson 100, Boston College, Chestnut Hill, MAAndrés Díaz and Judith Gordon2. Cello and orchestra version on April 30, 1995, in the Fine Arts Center, Regis College, Weston, MAAndrés Díaz and the Civic Symphony Orchestra of BostonMax Hobart, music director and conductor. Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play. View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. Use our iPad app to view your digital sheet music on the go. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application.

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Eurydice. tonis dzejolis čellam ar orķestri. 1995. sastāvā Thomas oboja Lee. . 21st Century, 20th Century, Romantic Period, Klasiskā Periods, baroka periods. Advanced Intermediate. Punktu skaits. Publicējusi Thomas oboja Lee. S0.48399. Instrumentācija. solo čellam un orķestrim, 3222-4231-timp-2perc-HP-strings. Kad es iepazīstināja Max Hobārta ideju rakstīt jaunu darbu Andrés Díaz un Civic simfonisko orķestri, viņš norādīja, ka es, tā vietā, rakstot parasto koncertu, uzskata rakstot toņu dzejoli čellam un orķestrim. Es domāju, kāpēc ne. Man vienmēr patīk labs izaicinājums. Tātad, es paskatījos pa visu šo brīnišķīgo sīkumi Hector Berlioz un Richard Strauss nāca klajā ar šajā žanrā - Harolds Itālijā, Romeo un Džuljeta, Dons Kihots, Ein Heldenleben, Tod und Verklärung, utt. Man bija blastu atkārtoti dzīvo prieku visiem, kas ārpus ielejot emocijas, orķestra krāsu un uninhibited romantisks nekā ar mūzikas izteiksmes. Izvēloties manu tēmu, es devos taisni uz iemesliem, kāpēc es gribēju rakstīt gabalu Andrés, pirmajā vietā - brīnišķīgi toni un dziedāšanas kvalitāti viņa čellam un ka soulful balss tikai viņš var projicēt - balss, kas apbur un Apbur. Orpheus šķita perfektu tēmu. Saskaņā ar grieķu mītu, Orfejs "singing lira likt ikvienam, kurš klausījās uz burvestību. Edith Hamilton raksta savā grāmatā, mitoloģija, Nebija nekādu ierobežojumu, lai viņa spēkos, kad viņš spēlēja un dziedāja. Neviens un nekas nevarēja pretoties viņam. Viss dzīvo un nedzīvo pēc Orfejs. Viņš varēja pārvietoties koki, kalni, un mainīt kursu upju. Mans tonis-dzejolis ir par Orfejs un Eurydice, mīlas stāsts, kurā Orfejs zaudē Eurydice drīz pēc viņu kāzas. Viņš žēlojas viņas nāvi, un tad nolemj glābt viņu no Underworld. Jo viņa dziedāšana ir tik skaista un neatvairāma, ka furies nevar atteikties viņa lūgumu atgriezties Eurydice. Ar Eurydice viņa rokās, visbeidzot, viņi dejo. Bet iemītnieki Underworld mainīt savas domas un veikt viņu prom atkal. , Kas seko, Orpheus kritiski savus zaudējumus vēlreiz. Tā ir taisnība, mīts kopš Advent operā 1600 gados ir bijis mīļākais priekšmets starp komponistiem. Daži no labāk zināmajiem piemēriem. Jacopo PERI Euridice, Claudio Monteverdi Orfeo, Christoph Willibald von Glück s Orfeo ed Euridice, Žaka Ofenbaha operetes Orfejs pazemē, un Igora Stravinska baleta, Orpheus. Šķiet, tāpat kā milzīgu atbildību un sloga komponists mēģināt nākt klajā ar kaut ko jaunu pēc visiem šiem precedentiem. Bet, ko heck, tur tiešām nav nekas jauns vai šokējoši vairs šajās dienās. Komponists ne vienmēr apzināti cenšas par jauno. Tas ir tikpat svarīgi, lai padarītu mūziku, kas runā uz sirdi. Mūzika ar dramatisko stāstījuma. Mūzika, kas kustas. Šajā ziņā, mans Eurydice ir mūzika teātris. Un šajā procesā, ir šedevrs atklāt sevi, tik daudz labāk. Darbs ir četras kustības, spēlēja bez pauzes -I. . Čellam un klavierēm versija 27.februārī 1995. in Gasson 100, Bostonas koledžā, Chestnut Hill, MAAndrés Díaz un Judith Gordon2. Čells un orķestra versija 30.aprīlī, 1995, ar Fine Arts Center, Regis koledža, Weston, MAAndrés Díaz un Pilsonisko simfoniskā orķestra BostonMax Hobart, mūzikas direktors un diriģents. Digital Print ir izdrukājamu nošu pieejami jebkurā laikā, jebkurā vietā. Tikai iegādāties, drukāt un spēlēt. Apskatīt savu tiešsaistes notis mājās, skolā, darbā vai jebkur jums ir dators savienots ar internetu. Izmantojiet mūsu iPad app, lai apskatītu savu digitālo notis, atrodoties ceļā. Ar Digital Print, jūs varat izdrukāt savu digitālo notis uzreiz pēc iegādes, vai gaidīt, līdz tās ērti. Un mūsu programmatūras uzstādīšana ir vienkārša - mēs jums caur soļiem, lai pārliecinātos, ka jums ir Adobe Flash Player, Adobe AIR un nošu Plus AIR pieteikumu.