Notis $7.95

Oriģināls

Svyati. O Holy One. John Tavener. Choir sheet music.

Tulkojums

Svyati. O Svētais. Džons Taveners. Kora notis.

Oriģināls

Svyati. O Holy One. composed by John Tavener. 1944-. For Choral. SATB. Music Sales America. 20th Century, Choral. 14 pages. Chester Music #CH61334. Published by Chester Music. HL.14032821. Quoting Tavener. “I began to write Svyati in early 1995. while sketching it, I learned that John Williams, father of Jane, my dear friend and publisher, was dying. I could not refrain from dedicating it to Jane and to the memory of her father. ” The text is in Church Slavonic, and it is used at almost every Russian Orthodox service, perhaps most poignantly after the congregation have kissed the body in an open coffin at an Orthodox funeral. The choir sings as the coffin is closed and borne out of the church, followed by the mourners with lighted candles. The cello represents the priest or icon of Christ, and should play at a distance from the choir, perhaps at the opposite end of the building. As is Greek drama, choir and priest are in dialogue with each other. Since the cello represents the icon of Christ, it must be played without any sentiment of a Western character, but should derive from the chanting of the Eastern Orthodox Church.

Tulkojums

Svyati. O Svētais. sastāvā Džons Taveners. 1944 -. Par kora. SATB. Mūzika Sales America. 20th Century, Kora. 14 pages. Честер Музыка. Publicējusi Chester Music. HL.14032821. Citējot Tavenera. "Es sāku rakstīt Svyati jau 1995. vienlaikus ieskicējot, es uzzināju, ka John Williams, tēvs Jane, mans dārgais draugs un izdevējs, tika mirst. Es nevarēju atturēties no velta to Jane un atmiņas par savu tēvu. "Teksts ir baznīcas slāvu, un to lieto gandrīz katrā krievu pareizticīgo pakalpojumu, iespējams, visvairāk poignantly pēc draudzes garāžai ķermeni atvērtā zārkā pie pareizticīgo bērēs. Koris dzied kā zārks ir slēgts un apstiprina baznīcas, kam seko sērotāju ar aizdegtas sveces. Čells ir priesteris vai ikonas Kristus, un vajadzētu būt tādā attālumā no kora, iespējams, pretējā galā ēkas. Kā grieķu drāma, koris un priesteris ir dialogā ar otru. Tā čells pārstāv ikonu Kristus, tā ir bijusi bez noskaņojumu Rietumu raksturu, bet izriet no daudzinot Austrumu pareizticīgo baznīca.