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Wagner. Wesendonck Lieder. Trois Melodies. Voice sheet music.

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Wagner. Wesendonck dziesmas. Trois Melodies. Balss notis.

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Wagner. Wesendonck Lieder. Trois Melodies by Jon Robert Cart. By Richard Wagner. 1813-1883. For voice. Book and accompaniment CD. Published by Music Minus One. MO.MMOCD6547. In 1857 and 1858, as Richard Wagner had come to the completion of Die Walkure, the second installment in his epic opera cycle, Der Ring des Nibelungen, he took time out to write a series of lieder for. and based on poems by. Mathilde Wesendonck, with whom Wagner was believed to have been, at the very least, extremely infatuated. Whatever the truth might have been behind their relationship, it is known that Wagner had met Mathilde's husband, Otto, in Zurich, and his ensuing friendship with the couple led to this beautiful set of lieder. Wagner himself called two of the set's songs. Im Treibhaus and Traume. "studies" for his magnificent opera Tristan and Isolde, and though originally intended for female voice with piano, all of these songs were eventually orchestrated, either by Wagner. in the case of Traume. or by other composers. When they were first performed in 1862, they were titled Five Songs for a Female Voice. In the 20th century they also became very popular songs for some of the greatest tenors. Much earlier, in 1839, Wagner had composed a three-song cycle called Trois Melodies. The first piece, entitled Dors, mon enfant, was a lullaby that Wagner ascribed to an unnamed young poet of his publisher's acquaintance, and of which he wrote that his wife had called "heavenly for sending one to sleep". He then set Ronsard's song Mignonne and Victor Hugo's L'attente. from that author's Orientales. to round out the set. Wagner offered L'attente to the reigning diva of the time, Pauline Viardot, who is said to have flatly refused it. Wagner wrote in his memoirs My Life "I have no reason to be ashamed of these small pieces". Listen to brilliant tenor Jon Robert Cart perform these lieder. Then he steps aside and you take center stage with your virtuoso accompanist, Narciso Solero, at the piano. Der Engel. Stehe Still. Im Treibhaus. Schmerzen. Traume. Dors, mon enfant. Mignonne. L'attente.

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Wagner. Wesendonck dziesmas. Trois melodijas Jon Robert grozam. Riharda Vāgnera. 1813-1883. Balss. Grāmatu un pavadījums CD. Publicējusi Mūzika mīnus viens. MO.MMOCD6547. 1857 un 1858, kā Rihards Vāgners bija ieradušies pabeigt Die Walkure, otrā daļa viņa episko operu cikla Der Ring des Nibelungen, viņš ņēma laiks, lai rakstītu virkni Lieder par. un pamatojoties uz dzejoļu. Matilde Wesendonck, ar kuru Vāgners tika uzskatīts, ka ir, vismaz, ļoti aizrāvies. Neatkarīgi patiesība varētu būt aiz viņu attiecības, tas ir zināms, ka Vāgners bija saticis Matilde vīrs, Otto, Cīrihē, un viņa sekojošās draudzība ar pāris izraisīja šo skaisto komplektu Lieder. Pats Vāgners sauc divus komplekta dziesmām. Im Treibhaus un Traume. "pētījumi" par viņa lielisko operas Tristans un Isolde, un, lai gan sākotnēji bija paredzēts, lai sievietes balss ar klavierēm, visas šīs dziesmas vēlāk tika organizēti vai nu Wagner. gadījumā Traume. vai citu komponistu. Kad viņi pirmo reizi tika veikts 1862, tie bija ar nosaukumu Songs Pieci par sievietes balss. 20.gs. tie arī kļuva ļoti populāras dziesmas par dažiem no lielākajiem tenoriem. Daudz agrāk, 1839, Vāgners bija veido trīs dziesmu ciklu sauc Trois Melodies. Pirmais gabals, kas saucas Dors, mon enfant bija šūpuļdziesma, kas Wagner attiecināma uz nenosaukts jauno dzejnieku viņa izdevēja paziņa, un ko viņš rakstīja, ka viņa sieva bija sauc par "debesu nosūtīšanai vienam gulēt". Tad viņš noteikti Ronsard dziesmiņu mignonne un Viktora Igo L'attente. No šī autora Orientales. noapaļot kopu. Vāgners piedāvāja L'attente uz valdošo dīva no laika, Pauline Viardot, kas esot kategoriski atteicās to. Vāgners rakstīja savos memuāros My Life "Man nav iemesla kaunēties no šiem gabaliņiem". Klausieties izcili tenora Jon Roberts grozā veikt šos Lieder. Tad viņš soļus malā, un jūs lietojat centrā ar savu virtuozo koncertmeistars, Narciso Solero, pie klavierēm. Der Engel. Stehe Still. Siltumnīcā. Sāpes. Traume. Miegs, mans bērns. Gudrs. Uzmanīgs.