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The Guitar Chord Shapes of Charlie Christian. Charlie Christian. Guitar sheet music.

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Guitar Chord formas Charlie Christian. Charlie Christian. Ģitāra notis.

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The Guitar Chord Shapes of Charlie Christian by Charlie Christian. For Guitar. Guitar. Softcover with CD. 93 pages. Published by Centerstream Publications. HL.388. ISBN 1574241494. 9x12 inches. The concepts and fingerings in this book have been developed by analyzing the licks used by Charlie Christian. Chord shapes are moveable. thus one can play the riffs in virtually any key without difficulty by simply moving the shape, and fingerings used to play them, up or down the fingerboard. The author shows how the chord shapes – F, D and A – are formed, then can easily be modified to major, minor, dominant seventh and diminished seventh chord voicings. Analyzing licks frequently used by Charlie Christian, Joe has identified a series of what he calls tetrafragments, i. , the core element of a lick. The identifiable “sound” of a particular lick is preserved regardless of how many notes are added on either side of it, e. , pickup notes or tag endings. Many examples are shown and played on the CD of how this basic concept was used by Charlie Christian to keep his solo lines moving forward. Weidlich also makes observations on the physical manner Charlie Christian used in playing jazz guitar and how that approach contributed to his smooth, mostly down stroke, pick technique.

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Guitar Chord formas Charlie Christian ar Charlie Christian. Ģitāra. Ģitāra. Paperback ar CD. 93 pages. Publicējusi Centerstream publikāciju. HL.388. ISBN 1574241494. 9x12 collas. Jēdzieni un Fingerings šajā grāmatā ir izstrādātas, analizējot laiza ar Charlie Christian izmanto. Akordu formas ir pārvietojama. Tādējādi var spēlēt riffs praktiski jebkuru taustiņu bez grūtībām, vienkārši pārvietojot formu, un Fingerings izmantoti, lai atskaņotu tos, uz augšu vai uz leju klaviatūra. Autors parāda, kā akordu formas - F, D un A - veidojas, tad var viegli mainīt, lai masīvas, nelielas, dominējošā septītais un samazinās septīto akordu voicings. Analizējot laiza ar Charlie Christian bieži izmanto, Joe ir noteikusi virkni, ko viņš prasa tetrafragments, i. , Pamatelements laizīšana. Identificējama "skaņa" konkrēta laizīt saglabājas neatkarīgi no tā, cik daudz piezīmes tiek pievienots abās pusēs no tā, e. , Pikaps piezīmes vai tag galotnes. Daudzi piemēri norādīti un spēlēja uz CD, kā tas pamatjēdziens izmantoja Charlie Christian, lai saglabātu savu solo līnijas virzās uz priekšu. Weidlich also makes observations on the physical manner Charlie Christian used in playing jazz guitar and how that approach contributed to his smooth, mostly down stroke, pick technique.