Notis $150.00
Oriģināls
Zarabanda. Joseph Turrin. B-Flat Trumpet sheet music. Double Bass sheet music. Euphonium sheet music. Horn sheet music. Percussion sheet music. Trombone sheet music. Tuba sheet music. Grade 4.
Tulkojums
Zarabanda. Joseph Turrin. B-Flat Trumpet notis. Double Bass notis. Euphonium notis. Horn notis. Perkusijas notis. Trombonu notis. Tuba notis. 4 pakāpes.
Oriģināls
Zarabanda. Xylophone. Marimba Feature. Composed by Joseph Turrin. 1947-. For Soloist. with Concert Band. Solo Percussion, Piccolo, Flute 1-2, Oboe 1-2, Bassoon 1-2, Clarinet in Eb, Clarinet in Bb 1-3, Bass Clarinet, Alto Saxophone 1-2, Tenor Saxophone, Baritone Saxophone, Horn in F 1-4, Trumpet in Bb 1-5, Trombone 1-3, Euphonium, Tuba, Contrabass, Percussion. Grade 4. Score and parts. Duration 5. 00. Published by C. Alan Publications. CN.16430. The piece is in several sections with a Latin style rhythm that occasionally gets interrupted by accented outbursts from the ensemble. As the piece develops and moves from section to section, new rhythmic and melodic ideas are introduced. The piece culminates with a bravura mallet cadenza and an optional cadenza, which calls for the additional skills of playing the timbales, bongos, tom-toms, and conga drum. I composed Zarabanda for a Latin American recording project with RCA Records and percussionist Evelyn Glennie. Although the recording project was never realized by RCA, I decided that the work would make a wonderful vehicle for Ms. Glennie along with wind ensemble accompaniment. The piece is in several sections with a Latin style rhythm that occasionally gets interrupted by accented outbursts from the ensemble. The soloist alternates between the xylophone, for the more accented staccato passages and scales, and the marimba, for the more melodic material. As the piece develops and moves from section to section, new rhythmic and melodic ideas are introduced. The piece culminates with a bravura cadenza - the soloist performing rapid-fire staccatos and scales on the xylophone. There is also an optional cadenza, which calls for the additional skills of playing the timbales, bongos, tom-toms, and conga drum. The piece concludes with a quick coda as the solo xylophone and ensemble build a fiery rhythmic syncopation. There are more rapidly accented staccatos, a quick scale, and the final bar. The zarabanda is a late 16th and 17th century Spanish dance in a lively alternating 6. 8 and 3. 4 time. Some evidence suggests that the zarabanda originated in the Spanish colonies in America, making it the first popular Latin American dance. Other evidence seems to suggest an African origin. A possible scenario might be that the zarabanda was brought to Spain by the Moors during the 12th Century, but was heavily modified by American influences during the early 16th Century. The zarabanda and its French descendant, the sarabande, were very different dances. While the French dance was a slow dance in 3. 4 time, the Spanish original was very lively, alternating between 6. 8 and 3. 4 time. In the beginning, the zarabanda was considered very indecent. Cervantes writes about the "diabolic zarabanda" in one of his short stories, and in 1583, a law was passed against singing the zarabanda. The penalties for breaking it were banishment for women and 200 whiplashes and 6 years of galley service for men.
Tulkojums
Zarabanda. Ksilofons. Marimba Feature. Sastāvā Joseph Turrin. 1947 -. Solistu. ar Concert Band. Tikai sitaminstrumentu, Piccolo, flauta 1-2, oboja 1-2, 1-2 Fagots, klarnete EB, klarnetei BB 1-3, Bass klarnetei, alta saksofonam 1-2, tenors saksofonam, baritons saksofonam, raga jo F 1 -4, trompete in Bb 1-5, 1-3 trombonu, Euphonium, tuba, Kontrabass, Percussion. 4 pakāpes. Rezultāts un to daļas. Ilgums 5. 00. Publicējusi C. Alan publikāciju. CN.16430. Gabals ir vairākos posmos, kuru Latin stila ritma, ka reizēm tiek pārtraukta ar diakritiskajām uzliesmojumi no ansambļa. Kā gabals attīstās un virzās no sadaļas uz sadaļu, jauni ritmikas un melodisku idejas tiek ieviesti. Gabals noslēdzas ar bravura āmuru kadence un izvēles kadence, kas prasa papildu prasmes spēlējot timbales, bongos, tom-toms, un Conga bungas. Es veido Zarabanda par Latīņamerikas ierakstu projektā ar RCA Records un perkusionists Evelyn Glennie. Kaut arī ieraksts projekts nekad netika realizēts ar RCA, es nolēmu, ka darbs būtu brīnišķīgi mašīnu Ms Glennie kopā ar vēja ansambli pavadījumā. Gabals ir vairākos posmos, kuru Latin stila ritma, ka reizēm tiek pārtraukta ar diakritiskajām uzliesmojumi no ansambļa. Solists aizstājējus starp ksilofons, lai vairāk akcentē Staccato fragmenti un svari, un marimbai, lai vairāk melodisks materiāls. Kā gabals attīstās un virzās no sadaļas uz sadaļu, jauni ritmikas un melodisku idejas tiek ieviesti. Gabals noslēdzas ar bravura kadence - solists veic ātras uguns staccatos un svari uz ksilofons. Ir arī izvēles kadence, kas prasa papildu prasmes spēlējot timbales, bongos, Tom-toms un Conga bungas. Gabals noslēdz ar ātru CODA kā solo ksilofons un ansamblis veidot ugunīgs ritmisku syncopation. Ir daudz ātrāk akcentēts staccatos, ātri skala, un gala bar. Zarabanda ir vēlu 16 un 17 gadsimta spāņu deju rosīgā pārmaiņus 6. 8 un 3. 4 laiks. Daži pierādījumi liecina, ka zarabanda radās Spānijas kolonijām Amerikā, padarot to pirmo populārs Latīņamerikas dejas. Citi pierādījumi, šķiet, liecina par Āfrikas izcelsmes. Iespējams scenārijs varētu būt, ka zarabanda ieveda Spānijā mauru 12 gadsimtā, bet bija stipri grozīts ar amerikāņu ietekmēm agrīnās 16 gadsimtā. Zarabanda un tās franču pēcnācējs, Sarabande, bija ļoti atšķirīgas dejas. Savukārt Francijas deja bija lēna deja 3. 4 laiku, Spānijas oriģināls bija ļoti dzīva, pārmaiņus 6. 8 un 3. 4 laiks. Jo sākumā, zarabanda tika uzskatīts par ļoti nepieklājīgs. Cervantes raksta par "ļaunajām zarabanda", vienā no viņa īso stāstu, un 1583.gadā, tika pieņemts likums pret dziedot zarabanda. Prasības laužot tā bija izsūtījuma sievietēm un 200 whiplashes un 6 gadu galeru dienesta vīriešiem sodi.
