Notis $150.00
Oriģināls
Internal Combustion. David Gillingham. B-Flat Trumpet sheet music. Horn sheet music. Grade 5.
Tulkojums
Iekšdedzes. David Gillingham. B-Flat Trumpet notis. Horn notis. 5 pakāpes.
Oriģināls
Internal Combustion composed by David Gillingham. For concert band. Piccolo, Flute 1. 2, Oboe 1. 2, Bassoon 1. 2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Eb Contrabass Clarinet, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, F Horn 1. 2, F Horn 3. 4, Tromb. Grade 5. Score and parts. Duration 11. 30. Published by C. Alan Publications. CN.04440. Gillingham's highly programmatic "Internal Combustion" is a celebration of the birth of the American automobile. Using motives from the song "In My Merry Oldsmobile" and, of course, some original ideas as well, the history of the internal combustion engine comes to life with the turn of a crank, the honk of a horn and a journey through several musical styles, including ragtime, dixieland, 50s ballad and more modern jazz. Although the internal combustion engine was in existence since the early 19th century, its successful use in the United States began around 1900 and thus marked the beginning of one of the most important industrial sagas of the 20th century, that of the American automobile. Adjacent to the invention of this new "horseless carriage" was the advent of early jazz, that of "ragtime" and New Orleans "Dixieland" jazz. Also marking the occasion was General Motors' introduction of the Oldsmobile and the Gus Edwards. Vincent Bryan song, "In My Merry Oldsmobile. " The conglomeration of these events are the basis for the inspiration behind "Internal Combustion. " The work is centered around two main thematic ideas - motives from "In My Merry Oldsmobile" and what the composer calls the "Song of Invention" which is related to "Merry Oldsmobile" by the obvious interval of a major sixth. Added to this thematic material is a multitude of references to the mechanistic nature of the internal combustion engine, the automobile and automobile horns. the old time "oogah" and the American luxury car variety using the interval of the third. The work starts with the anticipation of invention with some obvious allusions to the "Merry Oldsmobile" tune. The introductory material leads to the "Song of Invention," expressively stated by solo alto saxophone. Then, the crank is turned. ratchet. and we're off for a ride. One should easily hear tha "putt-putt" of the engine, the whistle of the wind and the steam from the radiator. The automobile gathers speed and begins to cruise along joyously. hence a dixieland rendition of "Merry Oldsmobile. " The frolic is interrupted by gathering speed and further development and refinement of the automobile and its internal combustion engine. Along the way, one will hear more references to "Merry Oldsmobile," car horns. traffic congestion. and even a "revving" engine. Unfortunately, in America, "speed is the thing," and the music comes to a screeching halt with a crash and jammed car horn segues into a melancholy lament. This section culminates with a simplistic and child-like presentation of "Merry Oldsmobile" in the percussion. bells. vibraphone. An engine "rev". trombone flutter tongue. gives way to new and better things on the horizon and perhaps of the "hay days" of the automobile, the 1950s. Within this section can be heard the triplet rhythm of a stereotypical 50s ballad. The 50s give way to the final decades of the 20th century beginning with a reference to modern jazz. The music begins to develop and becomes more sinister in nature perhaps indicative of the mixed blessing the automobile has bestowed upon us. Finally, however, the music leads to a dramatic presentation of the "Song of Invention. " Despite its mixed blessing, the automobile is an invention to be celebrated. it has undisputedly changed the world. The music changes into a moment of reflection with a reprise of the "Song of Invention" by solo alto saxophone giving way to an intense, fast and spirited finale.
Tulkojums
Iekšdedzes sastāvā David Gillingham. Par koncerta joslā. Piccolo, flauta 1. 2, oboja 1. 2, Fagots 1. 2, Bb klarnete 1, Bb klarnete 2, Bb klarnete 3, Bass Klarnetes EB Kontrabass klarnete, alta saksofons 1. 2, Tenor Saxophone, baritons Saksofonu, Bb trompete 1, Bb trompete 2, Bb trompete 3, F Horn 1. 2, F Horn 3. 4, Tromb. 5 pakāpes. Rezultāts un to daļas. Ilgums 11. 30. Publicējusi C. Alan publikāciju. CN.04440. Gillingham augsti programmatisku "iekšdedzes" ir svētki dzimšanas amerikāņu auto. Izmantojot motīvus no dziesmu "In My Priecīgus Oldsmobile" un, protams, dažas oriģinālas idejas, kā arī, vēsture iekšdedzes dzinējs atdzīvojas ar pagriežot kloķi, taurēt par ragu un brauciens caur vairākiem muzikālā stili, ieskaitot sinkopēta mūzika, Dixieland, 50s balādi un vairāk mūsdienu džeza. Lai gan iekšdedzes dzinējs bija pastāv kopš 19.gadsimta sākumā, tā veiksmīga izmantošana ASV sākās ap 1900, un tādējādi iezīmēja vienu no svarīgākajām rūpniecības sāgas 20.gs., ka amerikāņu auto. Blakus izgudrojums šo jauno "bez zirga pārvadājuma" bija Advent agrīnās džeza, ka "sinkopēta mūzika" un Ņūorleānas "Dixieland" jazz. Arī atzīmējot godu bija General Motors ieviešana Oldsmobile un Gus Edwards. Vincent Bryan dziesma "In My Priecīgus Oldsmobile. "Šo notikumu sarecējums ir pamats iedvesmu aiz" Iekšdedzes. "Darbs ir centrēta ap divām galvenajām tematiskajām idejām - motīvi no" In My Priecīgus Oldsmobile "un to, ko komponists aicina" Dziesma izgudrošanas ", kas ir saistīts ar" Priecīgus Oldsmobile "ar acīmredzamu intervālu lielu sesto. Pievieno šo tematisko materiālu daudziem atsauces uz mehānisku raksturu iekšdedzes dzinēju, automobiļu un automobiļu ragi. veco laiku "oogah" un amerikāņu luksusa auto šķirni, izmantojot intervālu trešais. Darbs sākas ar gaidot izgudrojumu ar dažiem acīmredzamas atsaucēm uz "Priecīgus Oldsmobile" melodija. Ievada materiāls noved pie "Dziesma Izgudrojums," nepārprotami norādījis solo alta saksofonam. Pēc tam, crank ir ieslēgts. sprūdrata. un mēs esam off braukt. Viens ir viegli dzirdēt tha "Putt-Putt" no motora, svilpe vēja un tvaiku no radiatora. Automobiļu apkopo ātrumu un sāk kruīza kopā līksmi. tātad Dixieland pārsūtīšanu "Merry Oldsmobile. "Priecāties pārtrauc vākšanas ātrumu un turpmāku attīstību un uzlabošanu automobiļu un to iekšdedzes dzinēju. Gar ceļu, viens būs dzirdēt vairāk atsauces uz "Priecīgus Oldsmobile," auto ragi. satiksmes sastrēgumi. un pat "apgriezieniem" dzinējs. Diemžēl, Amerikā, "ātrums ir lieta", un mūzika nāk screeching apturētu ar crash un iesprūst auto rags segues uz skumjas žēlošanās. Šī sadaļa noslēdzas ar vienkāršots un bērniem, piemēram, uzrādot "Priecīgus Oldsmobile", kas sitaminstrumentiem. zvani. vibraphone. Motors "rev". trombons nolidot mēle. paver ceļu uz jaunu un labāku lietas, pie horizonta, un, iespējams, par "siena dienas" automobiļu, 1950. Šajā sadaļā var dzirdēt, ka tripleta ritmu stereotipi 50s balādi. 50s dot ceļu gala desmitgadēs 20.gadsimta sākumā ar atsauci uz moderno džezu. Mūzikas sāk attīstīties un kļūst draudīgs raksturs varbūt liecina par jaukto svētību auto ir dāvājis mums. Visbeidzot, tomēr mūzika rada dramatisku prezentāciju "Dziesma Izgudrojums. "Neskatoties uz savu jaukta svētību, auto ir izgudrojums jāsvin. tas ir neapšaubāmi mainījies pasauli. Mūzikas pārvēršas brīdi pārdomu ar reprise no Dziesmu izgudrojums solo alta saksofonam dodot ceļu intensīvs, ātrs un enerģisks finālam.
