Notis $12.00

Oriģināls

Cape Breton Postcard. Catherine McMichael. B-Flat Trumpet sheet music. Euphonium sheet music. Horn sheet music. Percussion sheet music. Timpani sheet music. Trombone sheet music. Tuba sheet music. Grade 3.

Tulkojums

Cape Breton Pastkarte. Catherine McMichael. B-Flat Trumpet notis. Euphonium notis. Horn notis. Perkusijas notis. Timpāni notis. Trombonu notis. Tuba notis. 3 pakāpes.

Oriģināls

Cape Breton Postcard composed by Catherine McMichael. For concert band. Piccolo, Flute 1. 2, Oboe, Bassoon, Clarinet in Bb 1. 3, Bass Clarinet, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Horn in F 1. 2, Trombone 1. 2, Euphonium,. Baritone T.C. , Tuba, Timpani, Per. Band Music. Grade 3. Score only. Duration 7. 00. Published by C. Alan Publications. CN.10091. The three movements. Dawn, Mist and Thunder are all intrinsic to the Cape Breton environment. The Mist is derived from a melody for solo fiddle called "Arisaig Mist" by Wilfred Gillis, a Canadian composer. That haunting melody was the starting point for the concept of the entire piece. All other melodies are original to this work but inspired by much listening to music from Cape Breton. What is it about Cape Breton. What makes the people so strong and their music so keen. In 1497 the first Europeans led by the famed explorer John Cabot arrived on Cape Breton, which is now part of Nova Scotia, Canada. Cabot's discovery of the island led to its gradual settlement by Scots, Irish, French and English. The mid 1700s brought major changes to Scotland with the end of the Highland Clan System. Contemplating a grim future in their homeland, many Scots left for new opportunity in Cape Breton. Cape Breton has since become a stronghold of Gaelic culture, some say more deeply Scottish than Scotland. This fierce blend of daring, edgy courage, pathos and energy has become distilled to a fine, strong spirit in the music played by Bretonians from then until now. Music from Cape Breton is Celtic times twenty. The three movements of Cape Breton Postcard are meant to portray the integral bond between the land and the soul. Dawn, Mist and Thunder are all intrinsic to the Cape Breton environment. The Mist is derived from a melody for solo fiddle called "Arisaig Mist" by Wilfred Gillis, a Canadian composer, and used by permission of Cranford Publications of Cape Breton Island. That haunting melody was the starting point for the concept of the entire piece. All other melodies are original to this work but inspired by much listening to music from Cape Breton. Cape Breton Postcard was commissioned by the Hill Country Middle School Bands in Austin, Texas, Cheryl Floyd and Chuck Fisher, directors. The commission was funded by the Baylor University School of Music, Dr. Kevin Sedatole, conductor, and the Stevenson family. The piece was premiered by the Hill Country Middle School Band on May 24, 2005 at the Westlake High School Auditorium with the composer present. The orchestra adaptation was premiered by the Midland. MI. Community Orchestra, Robert Ralston, conductor on February 19, 2006.

Tulkojums

Cape Breton Pastkarte sastāvā Catherine McMichael. Par koncerta joslā. Piccolo, flauta 1. 2, obojai, fagotam, klarnete BB 1. 3, Bass klarnete, alta saksofons 1. 2, Tenor Saxophone, Baritons saksofons, trompete in Bb 1 Trompete BB 2, Trompete BB 3, raga F 1. 2, trombonu 1. 2, Euphonium,. Baritons T.C. , Tuba, Timpani, Per. Band mūzika. 3 pakāpes. Score tikai. Ilgums 7. 00. Publicējusi C. Alan publikāciju. CN.10091. Trīs kustības. Dawn, migla un Pērkons visi raksturīga Raga Bretaņas vidē. Migla ir atvasināts no melodiju solo vijole sauc par "Arisaig Mist" ar Wilfred Gillis, Kanādas komponists. Ka haunting melodiju bija sākuma punkts jēdziena visu gabalu. Visi pārējie melodijas ir oriģinālas, lai šo darbu, bet iedvesmoja daudz klausoties mūziku no Cape Breton. Kas tas ir par Cape Breton. Kas padara cilvēkus tik spēcīgas un viņu mūziku tik dedzīgi. 1497 pirmie eiropieši, ko slavens pētnieks John Cabot noveda ieradās Cape Breton, kas tagad ir daļa no Jaunskotijā, Kanādā. Cabot atklājums salas noveda pie tā pakāpenisku norēķinu ar skotu, īru, franču un angļu valodā. Vidus 1700S cēla būtiskas izmaiņas Skotiju beigām Highland Clan sistēmas. Lūkojoties drūma nākotne dzimtenē, daudzi skoti aizbrauca uz jaunu iespēju Cape Breton. Kopš Cape Breton ir kļuvusi cietoksnis gēlu kultūru, daži saka dziļāk Scottish nekā Skotijā. Šis sīva maisījums uzdrīkstēšanos, nervozs drosmi, patosa un enerģijas ir kļuvis destilēts smalkā, spēcīgu garu mūziku spēlē Bretonians no tā laika līdz šim. Mūziku no Cape Breton ir Celtic reizes divdesmit. Trīs kustības Cape Breton Pastkarte ir domāti, lai attēlotu neatņemama saikni starp zemi un dvēseli. Dawn, migla un Pērkons visi raksturīga Raga Bretaņas vidē. Migla ir atvasināts no melodiju solo vijole sauc par "Arisaig Mist" ar Wilfred Gillis, Kanādas komponists, un ar atļauju Cranford publikāciju Cape Breton salā izmanto. Ka haunting melodiju bija sākuma punkts jēdziena visu gabalu. Visi pārējie melodijas ir oriģinālas, lai šo darbu, bet iedvesmoja daudz klausoties mūziku no Cape Breton. Cape Breton Pastkarte pasūtīja Hill Country SCHOOL Bands Austin, Texas, Cheryl Floyd un Chuck Fisher, direktoru. Komisija finansēja Baylor University School of Music, Dr Kevin Sedatole, diriģents, un Stevenson ģimenei. Gabals pirmizrādi ar Hill Country vidusskolā Band, Maijs 24, 2005 at ar Westlake High School Auditorium ar komponista klāt. Orķestris adaptācijas pirmizrādi ar Midland. MI. Kopienas orķestris, Robert Ralston, diriģents no 19 februāris 2006.