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Oriģināls

Mixed Barley. Reber Clark. B-Flat Trumpet sheet music. Euphonium sheet music. Horn sheet music. Trombone sheet music. Grade 3.

Tulkojums

Jaukta Mieži. Reber Clark. B-Flat Trumpet notis. Euphonium notis. Horn notis. Trombonu notis. 3 pakāpes.

Oriģināls

Mixed Barley composed by Reber Clark. 1955-. For concert band. Piccolo, Flute, Oboe. optional. , Bassoon. optional. , Clarinet in Bb 1, Clarinet in Bb 2. 3, Bass Clarinet, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2. 3, Horn in F 1. 2, Trombone 1. 2, Trombone 3, Euphonium,. Bar. Band Music. Grade 3. Score and parts. Duration 7. 45. Published by C. Alan Publications. CN.14990. This piece is filled with many emotions that express the sentiment of the Irish. Beginning with the ensemble singing the famous Irish song "Eileen Aroon," Mixed Barley combines the air, "The Wind that Shakes the Barley" with the reel of the same name. The addition of the reel in counterpoint to the air makes the already sad air into a tragic one. Mixed Barley was commissioned by The Mount Saint Charles Academy Music Department, Woonsocket, Rhode Island, Marc Blanchette, Music Director. Mr. Blanchette asked me to write some music for his band's trip to Ireland, the town of Bunclody. County Wexford. specifically, and to produce a piece that his group could play combined with Mr. Geroid Grant's group while in Ireland. Mr. Blanchette suggested a listening of the tunes The Streams of Bunclody and Eileen Aroon. there is the Eileen Aroon Festival in Bunclody in July. I decided to use these tunes but needed something to tie them together. I found the tune, The Wind That Shakes the Barley. It was an Irish air concerning the uprising of 1798 and the Oulart Hollow. Oulart Hill. confrontation. I then found out there is also a reel titled the same thing. Barley was the chief medieval crop of this region. County Wexford. so these tunes seemed appropriate. I didn't dig up much on why there were two of these tunes - apparently so different in nature, but with the same name - but then I noticed that the reel was traditionally in the key of D Major. a common tin whistle key. and that the air was traditionally in B minor - the exact complement of the major key of D. Not to bore the uninitiated, but this means that the notes are the same in both keys - it's just that the note that the melodies 'rest on' or end up on, is different. So I put the tunes together with a little force and what resulted was what is presented in the first part of this work. I think the addition of the reel in counterpoint to the air makes the already sad air into a tragic one. Because I've mixed the two tunes, the reel and the air, the title Mixed Barley, made sense to me.

Tulkojums

Jauktā Mieži sastāvā REBER Clark. 1955 -. Par koncerta joslā. Piccolo, flauta, oboja. fakultatīvs. , Fagots. fakultatīvs. , Klarnete BB 1, klarnetei BB 2. 3, Bass klarnete, alta saksofons 1. 2, Tenor Saxophone, Baritons saksofons, trompete in Bb 1 Trompete BB 2. 3, Horn F 1. 2, trombonu 1. 2, trombonu 3, Euphonium,. Bārs. Band mūzika. 3 pakāpes. Rezultāts un to daļas. Ilgums 7. 45. Publicējusi C. Alan publikāciju. CN.14990. Šis gabals ir piepildīta ar daudz emocijas, kas pauž jūtas no Īrijas. Sākot ar ansambļa dziedāšanas slaveno īru dziesmu "Eileen Aroon," Mixed Mieži apvieno gaisa, "vējš, kas satricina Mieži", ar spoli ar tādu pašu nosaukumu. Turklāt ar spoli kontrapunkts gaisā padara jau tā bēdīgo gaisu traģiskā vienā. Jaukta Mieži pasūtīja The Mount Saint Charles akadēmijas Mūzikas nodaļas, Woonsocket, Rhode Island, Marc Blanchette, Music direktors. Mr Blanchette man lūdza uzrakstīt kādu mūziku viņa Grupas braucienu uz Īriju, pilsētas Bunclody. County Wexford. konkrēti, un, lai ražotu kādu ka viņa grupa varētu spēlēt kopā ar Mr Geroid Granta grupas, bet Īrijā. Mr Blanchette ierosināja klausīšanās melodijas straumes Bunclody un Eileen Aroon. ir Eileen Aroon festivāls Bunclody jūlijā. Es nolēmu izmantot šo mūziku, bet vajadzēja kaut ko, lai tie tos kopā. Es atklāju, ka melodija, vējš, kas satricina Mieži. Tas bija īru gaiss attiecībā uz 1798 sacelšanos un Oulart Hollow. Oulart Hill. konfrontācija. Tad es uzzināju, ka ir arī spole nosaukumu pats. Mieži bija galvenais viduslaiku kultūru šajā reģionā. County Wexford. tāpēc šīs melodijas likās piemēroti. Man nav izrakt daudz par to, kāpēc tur bija divi no šiem melodijas - acīmredzot tik atšķirīgas pēc būtības, bet ar tādu pašu nosaukumu - bet tad es pamanīju, ka spole bija tradicionāli atslēgā D Major. kopēja alvas svilpe atslēga. un ka gaiss bija tradicionāli minorā - precīzs papildinājums no galvenajiem atslēgas D. Nav nesa uninitiated, bet tas nozīmē, ka piezīmes ir vienādi gan taustiņi - tas ir tikai, ka piezīmi, ka melodijas "atpūta uz "vai galu galā, ir atšķirīga. Tāpēc man melodijas kopā ar nelielu spēku un to, kas sekoja, bija tas, kas iesniegts pirmajā šim darbam. Es domāju, papildinot to ar spoli kontrapunkts gaisā padara jau tā bēdīgo gaisu traģiskā vienā. Jo es esmu sajaukt divas dziesmas, spoli un gaisu, nosaukums Mixed Mieži, loģiski man.