Notis $19.95
Oriģināls
Al Valles. Jordi Cervello. Oboe sheet music. Piano Accompaniment sheet music.
Tulkojums
Al Valles. Jordi Cervello. Oboja notis. Klavieru pavadīšana notis.
Oriģināls
Al Valles composed by Jordi Cervello. For oboe and piano. Published by Editorial de Musica Boileau. BO.B.3647. Al Valles, for oboe and piano, is a work that has two distinct characteristics-it is a concert work but was composed as a work for a final examination piece. The work is dedicated to Vicent Montalt, who performed it for his final examination at the Mozarteum in Saltzburg, 2012. Al Valles begins with a Paganini-like cadenza for the oboe which introduces the main feature of the work- the alternation of legato with spiccato which is at times rapid and at other times lento. The cadenza is followed by an Allegro which begins with decisiveness by the piano. The two instruments establish a game of brief and very specific rhythmic figures with rapid chromatic descents, which in the piano are in octaves. A tranquil and mysterious passage ends with a sudden fortissimo. The oboe plays another cadenza, reminiscent of the first one, which is followed by a return of the Allegro. However, this time the music stops on a trill on F # in the high register of the oboe. The work concludes with a rapid coda which begins brilliantly in the piano with chromatic descending octaves.
Tulkojums
Al Valles sastāvā Jordi Cervello. Obojai un klavierēm. Publicējusi Redakcijas de Musica Boileau. BO.B.3647. Al Valles, obojai un klavierēm, ir darbs, kas ir divas atšķirīgas īpašības-tas ir koncerts darbs, bet tika sastādīts darbu par gala pārbaudījumu gabals. Darbs ir veltīts Vicent Montalt, kas veica to savu gala eksāmenu pie Mozarteum in Saltzburg, 2012. Al Valles sākas ar Paganini līdzīgu kadence par obojai, kas ievieš galvenā iezīme darba-pārmaiņus Legato ar spiccato kas reizēm ātra un citreiz Lento. Kadence seko Allegro, kas sākas ar izlēmību ar klavierēm. Abu instrumentu izveidot spēli īsu un ļoti specifiskām ritmikas skaitļus ar straujām hromatisko nogāžu, kas klavieres atrodas oktāvu. Mierīgs un noslēpumains fragments beidzas ar pēkšņu Fortissimo. Oboja spēlē vēl kadence, kas atgādina pirmā, kam seko atgriešanās no Allegro. Однако на этот раз музыка останавливается на трель на F. The work concludes with a rapid coda which begins brilliantly in the piano with chromatic descending octaves.
