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Oriģināls

Caprice For Trumpet And Band-Score. John Zdechlik. B-Flat Trumpet sheet music. Trumpet Solo sheet music. Grade 4.

Tulkojums

Caprice trompetei un joslas-Score. John Zdechlik. B-Flat Trumpet notis. Trompete Solo notis. 4 pakāpes.

Oriģināls

Caprice For Trumpet And Band-Score composed by John Zdechlik. Band. For trumpet solo and concert band. Conservatory Editions. Grade 4. Score. Published by Neil A. Kjos Music Company. KJ.WB177F. Caprice for Trumpet and Band was written in 1994. It was commissioned by Robert E Foster, Conductor of the University of Kansas Symphonic Band. The premier performance was presented on March, 9 1995 in Lawrence, Kansas at the 61st annual conference of the American Bandmasters Association. The soloist was William Campbell, Professor of Trumpet at The University of Kansas. It was the intent of Robert Foster and the composer to produce a work which was challenging for a professional trumpet player yet also playable by an outstanding college student. The piece consist of two contrasting themes in the allegro section followed by a lyrical middle section. Then the first two themes return in altered fashion. Special thanks to David Baldwin, Professor of Trumpet at the University of Minnesota for his helpful suggestions regarding articulation in the final version of this work.

Tulkojums

Caprice trompetei Un Band-Score sastāvā John Zdechlik. Grupa. Trompetei solo un koncertu joslā. Ziemas dārzu Editions. 4 pakāpes. Punktu skaits. Publicējusi Neil A. Kjos Music Company. KJ.WB177F. Caprice trompetei un Band bija rakstīts 1994. To pasūtīja Robert E Foster, diriģents Universitātes Kansas pūtēju orķestris. Premier sniegumu tika prezentēts martā, 9 1995 Lawrence, Kansas pie 61 ikgadējā konferencē American Bandmasters asociācija. Solists bija William Campbell, profesors Trompete The University of Kansas. Tas bija nodoms Robert Foster un komponists, lai iegūtu darbu, kas bija izaicinājums profesionāls trompetists vēl arī spēlei ar izcilu koledžas students. Gabals sastāv no diviem kontrastējošas tēmas Allegro sadaļā seko lirisko vidū sadaļā. Tad pirmās divas tēmas atgriezties arī pārveidotā veidā. Īpašs paldies David Baldwin, profesors Trumpet Universitātes Minesotas par viņa noderīgi ieteikumi par artikulācijas galīgajā versijā šo darbu.