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Oriģināls

Concerto for Flute in D major. Johann Christian Bach. Cello sheet music. Flute Solo sheet music. Horn sheet music. Piano and Keyboard sheet music. Viola sheet music. Violin sheet music.

Tulkojums

Koncerts flautai mažorā. Johann Christian Bach. Čells notis. Flauta Solo notis. Horn notis. Klavieres un Keyboard notis. Viola notis. Vijole notis.

Oriģināls

Concerto for Flute in D major composed by Johann Christian Bach. 1735-1782. Edited by Ulrich Leisinger. For solo flute, 2 horn, 2 violin, viola, cello. bass, basso continuo. Complete orchestral parts. Language. all languages. Composed 1768. Warb C 79. Duration 20 minutes. Published by Carus Verlag. CA.3840419. ISBN M-007-14434-0. With Language. all languages. Johann Christian Bach was - as his father before him - only very seldom satisfied with the compositions that he put down on paper. Thus did this concerto too undergo many corrections. revisions by the composer and today consists of three movements of similar length. Although they were initially handed down separately at different locations, the motivic relationship as well as the melodic and figurative references among themselves clearly reveals the common identity of the three movements. Not only the final rondo is characterized by highly virtuoso passages, but both the slow, second movement as well as the introductory movement testify to youngest Bach son's compositional greatness, whose works later generations unjustly let almost fall into desuetude.

Tulkojums

Koncerts flautai in D Major sastāvā Johann Christian Bach. 1735-1782. Rediģējis Ulrich Leisinger. Par solo flautai, 2 raga, 2 vijole, alts, čells. bass, continuo. Complete orķestra daļas. Valoda. visas valodas. Šādā sastāvā: 1768. Warb C 79. Ilgums 20 minūtes. Publicējusi Carus Verlag. CA.3840419. ISBN M-007-14434-0. Ar valodu. visas valodas. Johann Christian Bach bija - kā viņa tēvs pirms viņa - tikai ļoti reti apmierināti ar kompozīcijām, ka viņš likts uz papīra. Līdz ar to izdarīja koncerts pārāk jāveic daudz labojumu. pārskatīšanu, ko komponists un šodien veido trīs kustības līdzīga garuma. Lai gan tie sākotnēji tika pasludināti atsevišķi dažādās vietās, motivic attiecības, kā arī melodisku un grafiskas norādes savā starpā skaidri parāda kopējo identitāti trīs kustību. Ne tikai galīgo rondo raksturo ļoti virtuozs fragmenti, bet gan lēni, otrais kustība kā arī ievada kustība liecināt jaunākais Baha dēla kompozicionālās diženumu, kura darbos jaunākām paaudzēm netaisnīgi ļaut gandrīz nonākt nelietošana.