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Piano Concerto. Mozartiana. 2007. for piano solo and chamber orchestra. Thomas Oboe Lee. Piano Solo sheet music. Advanced.

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Piano Concerto. Mozartiana. 2007. klavierēm solo un kamerorķestrim. Thomas Oboja Lee. Piano Solo notis. Uzlabots.

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Piano Concerto. Mozartiana. 2007. for piano solo and chamber orchestra composed by Thomas Oboe Lee. For Piano,Orchestra. Baroque Period,Classical Period,Romantic Period,20th Century,21st Century. Advanced Intermediate. Score. 2 Flute. also piccolo. 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French horns 2 Trumpets in Bb 2 Trombones Timpani Piano solo. Published by Thomas Oboe Lee. S0.10957. With 2 Flute. also piccolo. 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French horns 2 Trumpets in Bb 2 Trombones Timpani Piano solo. Baroque Period,Classical Period,Romantic Period,20th Century,21st Century. Instrumentation. 2 Flute. also piccolo. 2 Oboes2 Clarinets in Bb 2 Bassoons2 French horns 2 Trumpets in Bb2 TrombonesTimpaniPiano solo 1st Violin2nd ViolinViolaCelloDouble bass Program note. It is with great pleasure that I have had this opportunity to write my very first piano concerto for my next-door neighbor and friend, Robert Levin. The virtuoso pianist Robert Levin and the music of Mozart are an inseparable pairing. I knew immediately that I had to include some Mozart in this stew. For my “Mozartiana,” I went to the complete Mozart edition and looked for some incomplete melodic or thematic fragments that I could “steal” as themes and motives for my concerto. The concerto is in four sections – slow-fast, slow-fast. Perhaps I should say that the work is in two movements – in each movement the music begins slowly, then shifts gear and becomes fast. Out of the four themes in this work, three of them are based on Mozart fragments. The first movement begins with a slow theme in D-minor. The material is derivative of a Mozart fragment in D-major – a “Kyrie” theme for chorus and orchestra. At 80 measures the orchestra goes into a fast romp. The material for this section has nothing to do with Mozart. Texturally, it sounds like a four-part counterpoint display in the style of Bach. The second movement theme is taken from a Mozart fragment originally intended for an orchestral overture. Its main characteristic is a melodic turn followed by a zig-zagging arpeggio theme. The fast music that follows, a mad scherzo, once again at measure 80, is based on a Mozart fragment in triple meter that he sketched for an unfinished string quintet. When I showed Robert Levin the score recently, he said he was quite surprised that he did not recognize the Mozart fragments. “When I read through the score,” he told me, “it sounded like your characteristic TOL music. ” Well, I have to say I was quite relieved and pleased. It is OK to “steal” from the Salzburg Genius, but it is more important that the stolen material should go through a filtering process resulting in something that is recognizably my music and not Mozart’s. Incidentally, Mr. Levin is well known for his improvised cadenzas in concertos by Mozart and Beethoven. Toward the end of the second movement, I gave him ample room to improvise to his heart’s content. Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play. View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. Use our iPad app to view your digital sheet music on the go. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application.

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Piano Concerto. Mozartiana. 2007. klavierēm solo un kamerorķestrim komponētās Thomas oboja Lee. . Baroka Periods, Klasiskā Periods, Romantic Period, 20th Century, 21st Century. Advanced Intermediate. Punktu skaits. 2 Flute. Arī mazie. 2 obojām 2 klarnetes BB 2 Bassoons 2 franču ragi 2 Tauru Bb 2. Trombones Timpāni Piano solo. Publicējusi Thomas oboja Lee. S0.10957. Ar 2 Flute. Arī mazie. 2 obojām 2 klarnetes BB 2 Bassoons 2 franču ragi 2 Tauru Bb 2. Trombones Timpāni Piano solo. Baroka Periods, Klasiskā Periods, Romantic Period, 20th Century, 21st Century. Instrumentācija. 2 Flute. Arī mazie. 2 Oboes2 klarnetes BB 2 Bassoons2 Francijas ragiem 2 Tauru BB2 TrombonesTimpaniPiano solo 1st Violin2nd ViolinViolaCelloDouble bass Program piezīmi. Tas ir ar lielu prieku, ka man ir bijusi šo iespēju rakstīt savu pašu pirmo klavierkoncertu manu nākamās kaimiņš un draugs, Roberts Levins. Virtuozs pianists Roberts Levins un mūzika Mocarta ir nedalāmas pārī. Es uzreiz zināju, ka man bija iekļaut dažus Mocartu šajā sautējums. Par manu Mozartiana Es devos uz pilnīgu Mocarta izdevumā un meklēja dažiem nepilnīgiem melodisku vai tematisko fragmenti, ka es varētu zagt, kā tēmas un motīvi mana koncerta. Concerto ir četrās daļās - lēni ātri, lēni-strauji. Varbūt man vajadzētu teikt, ka darbs ir divas kustības - katrā kustības mūzikas sākas lēni, tad pārmaiņas rīkus un aizķeras. No četrām tēmām šajā darbā, trīs no tiem balstās uz Mocarta fragmenti. Pirmā kustība sākas ar lēnu tēmu D-minor. Materiāls ir atvasinājums no Mocarta fragmentiem D-major - Kyrie tēma korim un orķestrim. Pie 80 pasākumiem orķestris nonāk ātri dauzīšanās. Saistībā ar šo iedaļu materiāli nav nekāda sakara ar Mocartu. Texturally, tas izklausās četrbalsīgs kontrapunkts displejs stilā Bach. Otrā kustība tēma ir ņemta no Mocarta fragmenta sākotnēji paredzēts orķestra uvertīra. Tās galvenā pazīme ir melodisks pagrieziens seko zig-zagging arpeggio tēmu. Ātra mūzika, kas seko, mad Scherzo, atkal 80 pasākumu, ir balstīta uz Mozart fragments triple metru ka viņš ieskicēto par nepabeigtu stīgu kvintetam. Kad es parādīja Robert Levin neizšķirtu nesen, viņš teica, ka viņš bija diezgan pārsteigts, ka viņš neatzina Mozart fragmentus. Kad es izlasīju cauri rezultātu, viņš man teica, tas izklausījās kā savu raksturīgo TOL mūziku. Nu, man jāsaka, es biju diezgan atvieglots un gandarīts. Tas ir OK, lai nozagt no Zalcburgas Genius, bet tas ir vairāk svarīgi, ka nozagts materiāls iet cauri filtrēšanas procesu, kurā rodas kaut kas ir atpazīstamas mana mūzika un ne Mocarta. Starp citu, Mr Levins ir labi pazīstams ar savu improvizēto cadenzas ar Mocarta un Bēthovena. Uz beigām otrā kustības, es deva viņam pietiekami daudz vietas, lai improvizēt savas sirds patikas. Digital Print ir izdrukājamu nošu pieejami jebkurā laikā, jebkurā vietā. Tikai iegādāties, drukāt un spēlēt. Apskatīt savu tiešsaistes notis mājās, skolā, darbā vai jebkur jums ir dators savienots ar internetu. Izmantojiet mūsu iPad app, lai apskatītu savu digitālo notis, atrodoties ceļā. Ar Digital Print, jūs varat izdrukāt savu digitālo notis uzreiz pēc iegādes, vai gaidīt, līdz tās ērti. Un mūsu programmatūras uzstādīšana ir vienkārša - mēs jums caur soļiem, lai pārliecinātos, ka jums ir Adobe Flash Player, Adobe AIR un nošu Plus AIR pieteikumu.