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Robbins' Nest. B-Flat Trumpet sheet music. Bass Trombone sheet music. Horn sheet music. Tuba sheet music. Advanced.

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Robbins "Nest. B-Flat Trumpet notis. Bass trombonu notis. Horn notis. Tuba notis. Uzlabots.

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Robbins' Nest by The Claude Thornhill Orchestra. Edited by Jeffrey Sultanof. Arranged by Gil Evans. For big band. 2 Alto Saxophones. both double clarinet. , 2 Tenor Saxophones. tenor saxophone 2 doubles bass clarinet. , 1 Baritone Saxophone, 3 Trumpets, 2 Horns in F. alternate parts included - 4th trumpet and 3rd trombone. , 2 Trombones, 1 Tuba. or bass trombone. , Guita. Swing. Difficult. Full score and set of parts. Published by Jazz Lines Publications. JL.JLP-8097. Background. Some of the most well-known arrangements of modern jazz from the mid-1940s. commonly called bebop, although most of the musicians playing the music disliked the term. were written for the Claude Thornhill Orchestra by its musical director, Gil Evans. Robbins Nest, while not strictly a bebop line, nevertheless remains popular with jazz musicians, and Evans setting of it is one more classic in post-war big band music. For many years, Evans music was at the top of pretty much any band directors wish list as music they wanted their students to play and study. We are delighted to make this music available in the best possible editions. The Music. Robbins Nest was written by tenor saxophonist Illinois Jacquet and pianist Sir Charles Thompson, and they recorded the piece in May of 1947. Lyrics were added by Bob Russell, and this version is known as Just When Were Falling In Love. The piece was subsequently recorded by many artists, including the orchestras of Claude Thornhill and Count Basie. Another version was waxed by the excellent Sam Donahue Orchestra, and this record was as close to a hit as Donahue had. Donahue was still playing it on the road with his orchestra ten years later. Robbins Nest was named after the radio program of the same name hosted by well-known media personality Fred Robbins. 1919-1992. in New York City, heard on various stations over the years. Robbins was all over radio and television as a variety show and quiz show host, actor, and writer. In 1947, he was primarily known as a modern jazz DJ, and the newest records were heard on his program. Please note that this arrangement was recorded for Columbia Records and for radio transcriptions. The Columbia recording has a cut from bars 60-66 because of time. all transcriptions are complete and are easy to find on CD. Notes to the Conductor. If I were asked to name a piece where it seemed like the ensemble was going to explode but never does, I would immediately think of this arrangement. The Thornhill Orchestra was known as an ensemble that featured extreme contrasts in dynamics, from very soft to loud. Thornhill gave interviews about how he admired the Glenn Miller Orchestra for its dynamic control, and how he sought to imitate it. Although there are some sections of Robbins Nest that are moderately loud to very loud, the key to the success of this arrangement is softness. the ability to play very relaxed yet softly at the same time, which is seldom asked for in the music many big bands study and play today. This is the perfect piece to practice such an approach. Additionally, some of the voicings are highly dissonant and demand perfect intonation. Grinds of half-steps against each other. F# against G natural, Db against C, often in the same instruments. are an Evans trademark in all his music, from Thornhill to the classic Miles Davis albums Miles Ahead and Porgy and Bess. he even asks for quarter tones in the trombones in some settings. , and musicians must get used to them, even though they may have encountered them previously in the music of Maria Schneider and Bob Brookmeyer. Here they are used in a popular music vein vs. composition. I have resisted the temptation to put excessive articulation in the parts, as Ive found that in doing so, it can tend to be exaggerated in performance. Evans music must be played many times so that musicians get every last nuance he put into it, and in doing so, you and the band will find your way toward a performance that everyone will be comfortable playing and hearing. Jeffrey Sultanof -February 2010 Note. The sound sample is courtesy of the Manhattan School of Music's Concert Jazz Band, conducted by Justin DiCioccio.

Tulkojums

Robbins "Nest The Claude Thornhill orķestris. Edited by Jeffrey Sultanof. Organizēja Gil Evans. Par bigbenda. 2 Alto saksofoni. gan double klarnete. , 2 Tenor saksofoni. tenora saksofons 2 dubultspēlē basa klarnete. , 1 Baritons saksofons, 3 trompetes, 2 Horns F. aizstājēju daļas iekļauts - 4 trompetes un 3 trombons. , 2 tromboniem, 1 tuba. vai bass trombons. , Guita. Šūpoles. Grūti. Pilna partitūra un komplekts daļām. Publicējusi Jazz Lines publikāciju. JL.JLP-8097. Fons. Daži no pazīstamākajiem pasākumiem mūsdienu džeza no vidū 1940. parasti sauc bebop, lai gan lielākā daļa no mūziķiem spēlē mūziku nepatika termins. Tika rakstīts Claude Thornhill orķestris ar savu mūzikas direktors, Gil Evans. Robbins Nest, bet nav strikti bebop līniju, tomēr joprojām ir populārs ar džeza mūziķiem, un Evans nosakot tā ir vēl viens klasisks pēckara big band mūzika. Daudzus gadus, Evans mūzika bija augšā diezgan daudz jebkurā joslā direktori vēlmju sarakstā, jo mūziku viņi gribēja viņu studentiem spēlēt un studiju. Mēs esam priecīgi, lai šī mūzika pieejama iespējami labākajiem izdevumos. Mūzika. Robbins Nest autors tenora saksofonista Illinois Jacquet un pianists Sir Charles Thompson, un tās reģistrē gabals maijā 1947. Lyrics tika pievienoti ar Bob Russell, un šī versija ir pazīstams kā Just, kad tika Falling In Love. Gabals vēlāk tika reģistrēta ar daudziem māksliniekiem, ieskaitot orķestriem Claude Thornhill un Count Basie. Vēl viens variants ir tapa ar lielisko Sam DONAHUE orķestri, un šis ieraksts bija tuvu hit kā Donahue bija. Donahue joprojām spēlē to uz ceļa ar savu orķestri desmit gadiem. Robbins Nest tika nosaukts pēc radio programmu ar tādu pašu nosaukumu, ko vadīja labi zināms mediju personības Fred Robbins. 1919-1992. in New York City, dzirdējis par dažādām stacijām pa gadiem. Robbins bija visas radio un televīzijā, kā šķirnes šovu un viktorīnu šovs uzņēmējas, aktieris un rakstnieks. 1947, viņš bija galvenokārt pazīstama kā mūsdienu džeza DJ, un jaunākās ieraksti tika uzklausīti viņa programmu. Lūdzu, ņemiet vērā, ka šī vienošanās tika reģistrēts Columbia Records un radio transkripciju. Columbia ieraksts ir izgriezts no stieņiem 60-66, jo laika. visi transkripcijas ir pabeigtas un ir viegli atrast uz CD. Piezīmes diriģents. Ja es tika lūgts nosaukt kādu, ja tas likās ansamblis gatavojas eksplodēt, bet nekad to dara, es uzreiz domāju, ka šīs vienošanās. Thornhill orķestris bija pazīstams kā ansamblis, kas raksturoja ārkārtējas kontrastus dinamikā, no ļoti mīksts skaļi. Thornhill sniedza intervijas par to, kā viņš apbrīnoja Glenn Miller Orchestra tās dinamisko kontroli, un to, kā viņš centās atdarināt to. Lai gan ir dažas Robbins Nest sadaļas, kas ir mēreni skaļa ļoti skaļi, galvenais, lai veiksmīgi īstenotu šo vienošanos ir maigumu. spēja atskaņot ļoti atviegloti vēl klusi, tajā pašā laikā, kas ir reti lūdza mūzikā daudzas lielas joslas mācīties un spēlēt šodien. Tas ir ideāls gabals, lai praksē šādu pieeju. Turklāt daži no voicings ir ļoti disonants un pieprasīt perfektu intonāciju. Grinds nepilno soļiem pret otru. F# against G natural, Db against C, often in the same instruments. Ir Evans preču zīme, kas visu savu mūziku, no Thornhill uz klasiskās Miles Davis albumu jūdzes uz priekšu un Porgijs un Besa. viņš pat prasa ceturkšņa toņus tromboniem dažos uzstādījumos. , Un mūziķi ir pierast pie viņiem, lai gan tie var būt radušās tās iepriekš mūzikas Maria Schneider un Bob Brookmeyer. Šeit tie tiek izmantoti tautas mūzikas vēnā vs. kompozīcija. Esmu pretojās kārdinājums likt pārmērīgu formulējums daļās, kā Ive konstatēja, ka, to darot, tā var mēdz būt pārspīlēta sniegumu. Evans mūzika ir bijusi vairākas reizes, lai mūziķi saņemtu ikvienu niansi viņš laisti to, un, to darot, jūs un grupa atradīs savu ceļu uz kaut kādu darbību, kas visi būs apmierināti spēlē un dzirdes. Jeffrey Sultanof-February 2010 Piezīme. Skaņa paraugs ir pieklājīgi no Manhetenas mūzikas skolā koncerts Jazz Band, Justin DiCioccio veica.