Notis $65.00

Oriģināls

Happy Hooligan. Guitar sheet music. B-Flat Trumpet sheet music. Bass Trombone sheet music. Drums sheet music. Percussion sheet music. Piano sheet music. Intermediate.

Tulkojums

Laimīgs huligāns. Ģitāra notis. B-Flat Trumpet notis. Bass trombonu notis. Drums notis. Perkusijas notis. Klavieru notis. Intermediate.

Oriģināls

Happy Hooligan by Elliot Lawrence. Edited by Jeffrey Sultanof. Arranged by Gerry Mulligan. For big band. 2 Alto Saxophones, 2 Tenor Saxophones, Baritone Saxophone, 4 Trumpets, 3 Trombones. 3rd is Bass Trombone. , Guitar, Piano, Bass, Drums. Swing. Medium. Score and parts. Published by Jazz Lines Publications. JL.JLP-8203. As a high school student in Philadelphia, Gerry Mulligan approached WCAU house band director John Warrington to write arrangements for the band. Warrington was impressed with Mulligan's music and not only bought some arrangements, but coached him as well. After a stint with the Tommy Tucker band in 1945, Mulligan went back to WCAU, where pianist. arranger Elliot Lawrence had become the new house bandleader. After a year with the Gene Krupa orchestra, Mulligan moved to New York to arrange for the Claude Thornhill orchestra. He also wrote for Lawrence, whose orchestra was now a national attraction with a Columbia Records contract and a full-touring schedule. The Music. Most Mulligan scores are dated, but the score to this piece is unavailable at this time, so the date of this piece is a question-mark. This publication has been engraved from the original parts. The name of the piece is of interest. Happy Hooligan was a comic strip character created by Frederick Burr Opper that ran from 1900 through 1932, when Burr had to retire due to poor eyesight. No doubt Mulligan must have seen it as a child and remembered the character, a penniless hobo who usually had a smile on his face regardless of whatever misfortune and bad luck befell him. The recording made for Fantasy Records may be faster than Mulligan intended this piece to be played. Mulligan was upset with the tempos on this album in general. Certainly your ensemble can play the piece at the speed in which it was recorded, but the slower tempo indicated on the first page of the score is my recommendation based on discussions I had with him during the summer of 1995. The introduction was cut on both the parts and recording. Lawrence plays an eight-bar intro with the rhythm section. Of additional interest are two backgrounds for solos that Mulligan wrote. According to the parts, he cut the background from bars 57-60, but they are present on the recording. The trombone. baritone sax background beginning at bar 65 was not cut on the parts, but was cut for the recording. Ranges.

Tulkojums

Laimīgs huligāns ar Elliot Lawrence. Edited by Jeffrey Sultanof. Organizēja Gerry Mulligan. Par bigbenda. 2 Alto saksofoni, 2 Tenor saksofoni, baritons Saksofonu, 4 trompetes, 3 tromboniem. 3 ir Bass trombonu. , ģitāra, klavieres, bass, bungas. Šūpoles. Vidējs. Rezultāts un to daļas. Publicējusi Jazz Lines publikāciju. JL.JLP-8203. Kā augstskolas students Filadelfijā, Gerry Mulligan tuvojās WCAU house band režisors Džons Warrington rakstīt kārtību joslā. Warrington bija iespaidu ar Mulligan mūziku un ne tikai iegādāties kādu kārtību, bet treneris viņu, kā arī. Pēc skopoties ar Tommy Tucker joslā 1945, Mulligan devās atpakaļ uz WCAU, kur pianiste. aranžētājs Elliot Lawrence bija kļuvis jaunu māju bandleader. Pēc gada ar Gene Krupa orķestri, Mulligan pārcēlās uz Ņujorku, lai organizēt Claude Thornhill orķestris. Viņš arī rakstīja Lawrence, kura orķestra tagad bija pilsonis atrakcija ar Columbia Records līgumu un pilna touring grafiku. Mūzika. Lielākā daļa Mulligan rādītāji ir datēta, bet rezultāts ir šis gabals nav pieejams šajā laikā, tāpēc datums šis gabals ir jautājums zīme. Šī publikācija ir iegravēts no oriģinālajām detaļām. No gabala nosaukums ir interese. Laimīgs huligāns bija komiksu raksturs izveidots ar Frederick Burr Opper, kas ilga no 1900 līdz 1932, kad Burr bija pensijā sakarā ar sliktu redzi. Nav šaubu, ka Mulligan ir redzējuši to kā bērns, un atcerējās raksturu, ir bez naudas klaiņot, kas parasti bija smaids sejā, neatkarīgi no kāda nelaimes un neveiksmes piemeklēja viņu. Ierakstu, kas Fantasy Records var būt ātrāka nekā Mulligan paredzēts šis gabals, lai var atskaņot. Mulligan bija sajukums ar tempos šajā albumā kopumā. Protams, jūsu ansamblis var spēlēt gabals, braucot ar ātrumu, kādā tas tika ierakstīts, taču lēnāks temps norādīts pirmajā lapā rezultātu ir mans ieteikums, pamatojoties uz diskusijām man bija ar viņu vasarā 1995. Ieviešana tika pārtraukta uz abām daļām un ieraksta. Lawrence spēlē astoņu bar intro ar ritma sadaļu. Papildu interese ir divi izcelsmi, solos, ka Mulligan rakstīja. Saskaņā ar daļām, viņš samazināt fona no bāriem 57-60, bet tie ir klāt uz ierakstu. Trombons. baritons sax fona sākas pie bāra 65 nebija samazināt par daļām, bet tika samazināta par ieraksta. Diapazoni.