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Oriģināls

Moon Dreams. Guitar sheet music. Alto Saxophone sheet music. B-Flat Trumpet sheet music. Baritone Saxophone sheet music. Drums sheet music. Horn sheet music. Percussion sheet music. Piano sheet music. Tenor Saxophone sheet music. Trombone sheet music. Tuba sheet music. Advanced.

Tulkojums

Mēness Dreams. Ģitāra notis. Alta saksofons notis. B-Flat Trumpet notis. Baritons Saksofonu notis. Drums notis. Horn notis. Perkusijas notis. Klavieru notis. Tenor Saxophone notis. Trombonu notis. Tuba notis. Uzlabots.

Oriģināls

Moon Dreams by The Claude Thornhill Orchestra. Edited by Jeffrey Sultanof. Arranged by Gil Evans. For orchestra. 3 Flutes, 1 Clarinet, 1 Alto sax. dbl. clarinet 2. , 2 Tenor saxes. 1st dbl. clarinet 3, 2nd dbl. bass clarinet 1. , 1 Baritone sax. dbl. bass clarinet 2. , 3 Trumpets, 2 French Horns, 2 Trombones, Tuba, Guitar, Piano, Bass, Drums. Ballad. Advanced. Full score and set of parts. Published by Jazz Lines Publications. JL.JLP-8122. Notes by Jeffrey Sultanof. Background. The Claude Thornhill Orchestra was an ensemble that had a unique approach. a vibrato-less sound mass as support for the leaders piano stylings. Not that Thornhill didnt like adventurous music. hed composed a piece in 1941 called Portrait of a Guinea Farm which was pretty advanced. But by 1947, he wanted a more straight-forward band that played ballads and music for dancing. Thornhill virtually turned over the ensemble to Evans after the war with regard to its musical direction, showing up for work but little else. Evans was going through a period of self-study. going to the New York Public Library and borrowing records and scores of the music of Prokofiev, Stravinsky, Bartok and a particular favorite, Ernest Bloch. composer of the cello concerto Schlomo. Between arranging pop songs and commissioning scores from the top young arrangers of the day, such as Gerry Mulligan, George Russell and John Carisi, he was expanding his musical vision by arranging Charlie Parker and Miles Davis bebop lines and incorporating his expanding musical vocabulary into his scores for the band. This can certainly be seen in part of a ballad medley of Easy Living, Everything Happens to Me and Moon Dreams. The Music. Instrumentation for this setting is. 3 flutes, clarinet, alto sax. dbl. clarinet 2. , 2 tenor saxes. 1st dbl. clarinet 3, 2nd dbl. bass clarinet 1. baritone sax. dbl. bass clarinet 2. , 3 trumpets, 2 French Horns, 2 trombones, tuba, guitar, piano, bass, drums. For a brief period in mid-1947, the Thornhill Orchestra included three flutes, and this medley can be dated based on the inclusion of these instruments. the arrangement can be played without them. Evans makes the most of the flutes in this setting. they add another color and a shimmering, velvety top to the ensemble sound. At the same time, the last part of Moon Dreams has to be one of the most dissonant, complex pieces written for a dance band in the ensembles history. the only other big band composer who wrote such disturbing music during this period was Robert Graettinger for the Stan Kenton Orchestra. One wonders whether the entire medley was played in public, or simply cut at bar 40. It was not recorded. Moon Dreams was clearly an important musical milestone for Evans. There is strong evidence to suggest that Moon Dreams was the first arrangement written for the Miles Davis Nonet. later to be called the Birth of the Cool ensemble. This is the only arrangement with a clarinet part, as Evans originally wanted Danny Polo from the Thornhill band to be included. the alto sax part is an exact transposition of the clarinet part. , and Evans chose an already-written setting to set for the smaller ensemble, partly to show the other arrangers how to approach the instrumentation of the ensemble. the goal being to get the Thornhill sound with a smaller group. That he would have revisited the complex final eighteen bars of Moon Dreams says a lot for Evans continual re-thinking and revising his own work, as he would later on with different versions of Jambangle, Blues for Pablo, and La Nevada. As has been pointed out elsewhere in notes for other Evans. Thornhill arrangements in this series, Evans wrote contrapuntally vs. chordally, considering the line first. Musicians have commented that one of the reasons they love playing his arrangements is because he writes interesting parts that cross at times. look at most trombone parts he wrote for Thornhill. At the same time, he frequently wrote a five-part harmony that was doubled an octave below, creating some striking soft dissonances. The only way to deal with these is to have your students listen carefully as well as maintain accurate tuning. In an age where ensembles have played Brookmeyer and Schneider, this should not be too difficult. The last eighteen bars are pure counterpoint, and should be rehearsed in groups with the same musical lines. marking up the score with different color highlighters might be useful. The groupings of five must be played evenly. This arrangement has been published from the original autograph score and is authorized by the Estate of Gil Evans. This is not a transcription. This is a very complex arrangement full dense, lush voicings and difficult rhythms. Gil later modified this arrangement for the Miles Davis 'Birth of the Cool' session. This arrangement was recently recorded by the Dutch Jazz Orchestra on their 2008 CD titled 'Moon Dreams. Rediscovered Music of Gil Evans and Gerry Mulligan. ' Note. The sound sample is courtesy of the Manhattan School of Music's Concert Jazz Band, conducted by Justin DiCioccio.

Tulkojums

Moon Dreams, ko Claude Thornhill orķestris. Edited by Jeffrey Sultanof. Organizēja Gil Evans. Orķestrim. 3 flautas, 1 klarnete, 1 Alto Sax. dbl. klarnete 2. , 2 Tenor saxes. 1 dbl. klarnete 3, 2 dbl. bass klarnete 1. , 1 Baritons Sax. dbl. bass klarnete 2. , 3 taures 2 French Horns, 2 tromboniem, tuba, ģitāra, klavieres, bass, bungas. Balāde. Uzlabots. Pilna partitūra un komplekts daļām. Publicējusi Jazz Lines publikāciju. JL.JLP-8122. Piezīmes Jeffrey Sultanof. Fons. Claude Thornhill orķestris bija ansamblis, kas bija unikāla pieeja. vibrato mazāk skaņas masu kā atbalsts līderiem klavieru stylings. Ne, ka Thornhill nepatika piedzīvojumu mūzika. HED sastāvā gabals 1941 sauc portrets Gvinejas Farm, kas bija diezgan uzlabotas. Bet 1947.gadā viņš gribēja vairāk taisni uz priekšu joslā, kas spēlēja balādes un mūziku dejām. Thornhill praktiski pārgāja ansambļa uz Evans pēc kara saistībā ar savu muzikālo virzienu, norādot uz darbu, bet nedaudz citur. Evans iet cauri laiku pašmācībai. dodas uz New York Public Library un aizņēmumu uzskaiti un rādītāji mūzikas Prokofjeva, Stravinska, Bartoka un īpašu izlasi, Ernests Blohs. komponists čella koncerta Schlomo. Starp organizējot pop dziesmas un nodošanas rādītāji no augšas jaunajiem organizatori no dienas, piemēram, Gerry Mulligan, George Russell un John Carisi, viņš paplašina savu muzikālo redzējumu, organizējot Charlie Parker un Miles Davis bebop līnijas un ietverot viņa paplašinot muzikālo vārdu krājumu viņa punktu skaits joslā. Tas noteikti var redzēt daļu no balādi nevienveidīgs Easy Living, viss notiek ar mani un Moon Dreams. Mūzika. Instrumentācija šajā vidē ir. 3 flautas, klarnetes, alta saksofons. dbl. klarnete 2. , 2 tenors saxes. 1 dbl. klarnete 3, 2 dbl. bass klarnete 1. baritons sax. dbl. bass klarnete 2. , 3 trompetes, 2 franču Horns, 2 tromboniem, tuba, ģitāra, klavieres, bass, bungas. Uz īsu laiku vidū 1947, Thornhill orķestris ietvēra trīs flautas, un šis maisījums var būt datēta pamatojoties uz iekļaušanu šo instrumentu. vienošanās var spēlēt bez tiem. Evans veido lielāko daļu flautas šajā vidē. viņi pievienot citu krāsu un shimmering, samtaina augšas uz ansamblis skaņu. Tajā pašā laikā, pēdējā daļa Moon Dreams ir viens no visvairāk disonants, kompleksu rakstīts deju joslā, kas ansambļos vēsturē. vienīgais bigbends komponists, kurš rakstīja šo satraucošo mūziku šajā periodā bija Robert Graettinger par Stan Kenton orķestri. Viens jautā, vai viss nevienveidīgs spēlēja publiski, vai vienkārši sagriezti bārā 40. Tas nebija ierakstīts. Moon Dreams nepārprotami bija svarīgs muzikālais pavērsiens Evans. Ir pārliecinoši pierādījumi, kas liecinātu, ka Mēness sapņi bija pirmā vienošanās rakstīts Miles Davis nonets. vēlāk saukt dzimšana Cool ansambļa. Tas ir tikai vienošanās ar klarnetei daļu, kā Evans sākotnēji vēlējās Danny Polo no Thornhill joslā jāiekļauj. alta saksofons daļa ir precīza transponēšana klarnetei daļas. , Un Evans izvēlējās jau rakstisku iestatījumu noregulē uz mazāku ansamblis, daļēji, lai parādītu citiem aranžētāji, kā tuvoties instrumentu ansambļa. Mērķis ir, lai saņemtu Thornhill skaņu ar mazāku grupu. Ka viņš būtu jāpārskata sarežģītās gala astoņpadsmit stieņi Moon Dreams saka daudz par Evans nepārtraukti pārdomāt un pārskatīt savu darbu, kā viņš būtu vēlāk ar dažādām versijām Jambangle, Blues Pablo, un La Nevada. Kā jau tika norādīts citur piezīmes citiem Evans. Thornhill kārtība šajā sērijā, Evans rakstīja contrapuntally vs. chordally, ņemot vērā līniju pirmais. Mūziķi ir komentēja, ka viens no iemesliem, kāpēc viņi mīl spēlēt ar savu kārtību, ir tāpēc, ka viņš raksta, interesantas detaļas, kas šķērso pie reizes. paskatās visvairāk trombons daļām viņš rakstīja par Thornhill. Tajā pašā laikā, viņš bieži uzrakstīja piecu daļa harmoniju, kas bija dubultojies oktāvu zemāk, radot dažas pārsteidzošas mīkstas dissonances. Vienīgais veids, kā tikt galā ar tiem, ir jābūt saviem skolēniem uzmanīgi klausīties, kā arī uzturēt precīzu tuning. In vecuma, kur ansambļi ir bijusi Brookmeyer un Schneider, tas nedrīkst būt pārāk grūti. Pēdējo astoņpadsmit bāri ir tīra kontrapunkts, un ir iestudētas grupās ar tiem pašiem mūzikas līniju. marķējums up rezultāta dažādu krāsu highlighters varētu būt noderīga. Piecu grupas ir bijusi vienmērīgi. Šī vienošanās ir publicēta no sākotnējā autogrāfu score, un ir atļāvusi Estate Gil Evans. Tas nav transkripcijas. Tas ir ļoti sarežģīts veidojums pilnā blīvs, sulīgs voicings un sarežģīti ritmi. Gil tika grozīts šis režīms Miles Davis dzimšanas Cool "sesiju. Šī vienošanās nesen bija vērojams Nīderlandes Jazz Orchestra savā 2008 CD ar nosaukumu "Moon Dreams. Atgūstam mūzika Gil Evans un Gerry Mulligan. "Note. Skaņa paraugs ir pieklājīgi no Manhetenas mūzikas skolā koncerts Jazz Band, Justin DiCioccio veica.