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Oriģināls

Salve Regina in B. Michael Haydn. Bass Voice sheet music. Choir sheet music. Piano and Keyboard sheet music. Voice Solo sheet music.

Tulkojums

Salve Regina B. Michael Haydn. Bass Balss notis. Kora notis. Klavieres un Keyboard notis. Balss Solo notis.

Oriģināls

Salve Regina in B composed by Michael Haydn. 1737-1806. For bass voice solo, SATB choir, 2 violins, basso continuo. B-Dur. B-flat major. Score available separately - see item CA.5409000. Hymns, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Organ part. Language. Latin. Composed 1768. MH 90. 4 pages. Duration 5 minutes. Published by Carus Verlag. CA.5409049. ISBN M-007-09358-7. With Language. Latin. Hymns, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Some forty settings of the four Marian antiphons by Johann Michael Haydn are extant, among them 17 settings of the Salve Regina. The Salve Regina in B flat MH 90, here published for the first time, dates from about 1765, and it survives in a contemporary manuscript copy at Gottweig in Lower Austria. This early composition by Haydn already bears witness to this talent for setting a liturgical text to music. The dialogue between the bass soloist and the choir gives this work a radiance of its own.

Tulkojums

Salve Regina B sastāvā Michael Haidna. 1737-1806. Bass balss solo, SATB korim, 2 vijolēm, basso continuo. B-Dur. B-flat galvenais. Punktu pieejami atsevišķi - skat objektu CA.5409000. Himnas, Svētki Vissvētākās Jaunavas Marijas, Hymns slavinošā Jaunavas Marijas. Orgānu daļu. Valoda. Latīņu. Šādā sastāvā: 1768. MH 90. 4 pages. Ilgums 5 minūtes. Publicējusi Carus Verlag. CA.5409049. ISBN M-007-09358-7. Ar valodu. Latīņu. Himnas, Svētki Vissvētākās Jaunavas Marijas, Hymns slavinošā Jaunavas Marijas. Daži četrdesmit iestatījumus četru Marian antiphons Johana Mihaela Haidna ir saglabājies, starp tiem 17 iestatījumi Salve Regina. Salve Regina B dzīvoklis MH 90, šeit publicēti pirmo reizi, datējama aptuveni 1765, un tas izdzīvo mūsdienīgā manuskriptu kopiju pie Gottweig Lejasaustrijā. Tas agri sastāvu ar Haidna jau liecina par šo talantu nosakot liturģisko tekstu mūzikai. Dialogs starp bass solistu un kora dod šis darbs starojumu pati.