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Oriģināls

Clair De Lune. Guitar sheet music. B-Flat Trumpet sheet music. Drums sheet music. Percussion sheet music. Piano sheet music. Trombone sheet music. Intermediate.

Tulkojums

Mēness gaisma. Ģitāra notis. B-Flat Trumpet notis. Drums notis. Perkusijas notis. Klavieru notis. Trombonu notis. Intermediate.

Oriģināls

Clair De Lune by The Harry James Orchestra. Edited by Jeffrey Sultanof. Arranged by Jack Matthias. For orchestra. big band with strings. 3 Clarinets, 1 Bass Clarinet, 4 Trumpets, 3 Trombones, 2 Violins, 1 Viola, 1 Cello, Guitar, Piano, Bass, Drums. Waltz. Medium. Full score and set of parts. Published by Jazz Lines Publications. JL.JLP-8760. Background. When Harry James decided to follow the lead of fellow bandleader Artie Shaw and add a string section, he had to build a book quickly. Besides originals, new pop songs and older songs. one of which, You Made Me Love You, would make his ensemble one of the most popular in the country. , his book included arrangements of classical or concert music, three of which were piano pieces that James particularly liked. Arabesque, Golliwogs Cakewalk, and Clair de Lune. The Music. Debussy wrote Clair de Lune as early as 1890, but was published in 1905 as part of Suite Bergamasque. It is possible that the piece was slightly revised by Debussy between its original composition and publication. By 1941, it had become quite a popular piece among piano students and soloists, and James felt it would be recognizable enough to be added to the dance book. The late James Maher often reminded me that big bands during this era played all styles of music for dancing. Even bands led by Fletcher Henderson and Benny Goodman played tangos and waltzes if they were requested. Sy Oliver told me that there were waltzes in the Jimmie Lunceford book, one of the hottest swing bands of the era. So a waltz was hardly a novelty for a big band, particularly one with a string section. It appears that chief arranger Jack Matthias arranged this title, along with Debussy's Arabesque. The original score of Clair de Lune exists, and was used to prepare this edition. unfortunately, there is no name on the score, and no extant parts. The score is filled with note errors, suggesting that the arrangement was prepared in a hurry. perhaps it was one of the first batch of scores created when the string section was added to the James band. Notes to the Conductor. This score was never recorded and there are no airchecks available, so the editor must make a number of decisions so that it can be played. The obvious first step is to find any wrong notes and correct them. The second is to determine the tempo, which is missing. it is not unusual for tempo markings to be missing on music for big bands from any era. Ive examined far too many scores where the tempo must be guessed at, using available information and many years of experience studying and directing this music. Because any score written for a big band was fair game to be recorded. and Arabesque was, but not released until many years later. , I've determined the tempo to be quarter note between 132-148 bpm. There is little more than a verbal sketch for the drum part, so I suggest that the part be played by brushes as subtly as possible. this is hardly a Viennese-style waltz. Dynamics and articulation have been added to all parts. elements all-too-often missing, as such information was communicated during rehearsal. Doubles. The reed section features 3 clarinets and 1 bass clarinet throughout.

Tulkojums

Clair De Lune The Harry James orķestris. Edited by Jeffrey Sultanof. Organizēja Jack Matthias. Orķestrim. big band ar stīgām. 3 klarnetes, 1 bass klarnete, 4 trompetes, 3 tromboniem, 2 Vijoles 1 Viola 1 čells, ģitāra, klavieres, bass, bungas. Valsis. Vidējs. Pilna partitūra un komplekts daļām. Publicējusi Jazz Lines publikāciju. JL.JLP-8760. Fons. Kad Harijs James nolēma sekot puisis bandleader Artie Shaw un pievienot string sadaļu, viņš bija veidot grāmatu ātri. Bez oriģinālus, jaunu popmūzikas dziesmas un vecākiem dziesmas. no kuriem viens, Tu Made Me Love You, padarītu savu ansambli par vienu no populārākajām valstī. , Viņa grāmata ietvēra pasākumus klasiskā vai koncertmūzikā, no kuriem trīs bija klavieru gabali, kas James īpaši patika. Arabeska, Golliwogs keikvoks, un Clair de Lune. Mūzika. Debisī rakstīja Clair de Lune jau 1890, bet tika publicēts 1905 kā daļu no Suite Bergamasque. Ir iespējams, ka gabals tika nedaudz pārskatīta ar Debisī starp savu sākotnējo sastāvu un publicēšanu. Līdz 1941, tas ir kļuvis diezgan populārs gabals klavieru studentiem un solistu vidū, un Džeimss uzskatīja, ka būtu atpazīstams pietiekami, lai varētu pievienot deju grāmatu. Vēlu James Maher bieži man atgādināja, ka bigbendu šīs ēras laikā spēlēja visu stilu mūziku dejām. Pat joslās ar Fletcher Henderson un Benny Goodman noveda spēlēja tango un valši, ja tie tika pieprasīti. Sy Oliver man teica, ka tur bija valši ar Jimmie Lunceford grāmatā, kas ir viens no karstākie šūpoles joslās ēras. Tāpēc valsis bija gandrīz jaunums lielu joslā, jo viens ar stīgu sadaļu. Šķiet, ka galvenais organizators Jack Matthias sakārto šo titulu, kā arī Debisī s Arabeska. Sākotnējais rādītājs Clair de Lune pastāv, un tika izmantota, lai sagatavotu šo izdevumu. diemžēl, nav vārds uz rezultātu, un nav pastāvošie daļas. Rezultāts ir piepildīta ar piezīmju kļūdas, kas liecina, ka vienošanās tika sagatavots steigā. varbūt tas bija viens no pirmās sērijas rādītājus izveidota, string sadaļa tika pievienota James joslā. Piezīmes diriģents. Šis rādītājs nekad netika reģistrēta, un nav pieejami airchecks, tāpēc redaktors ir jāveic vairākus lēmumus, lai to var spēlēt. Acīmredzams Pirmais solis ir atrast jebkādu nepareizas notis un tās labot. Otrkārt, lai noteiktu ritmu, kurā iztrūkst. tas nav nekas neparasts, tempo marķējumus pazudis uz mūzikas bigbendu no jebkurā laikmetā. Ive pārbaudīja pārāk daudz punktus, kur temps ir nojauta, izmantojot pieejamo informāciju un daudzu gadu pieredzi pētot un vadīt šo mūziku. Jo jebkurš rezultāts rakstīts par bigbenda bija godīga spēle jāieraksta. un Arabesque bija, bet ne atbrīvots, līdz daudzus gadus vēlāk. , Es esmu nosaka tempu, lai būtu ceturtā piezīme no 132-148 sitieniem minūtē. Ir nedaudz vairāk nekā verbālās skici par bungu daļu, tāpēc es iesaku daļa spēlēja ar sukām, kā smalki vien iespējams. tas ir gandrīz Vīnes stila valsis. Dinamika un artikulācija ir pievienotas visām daļām. elementi visi pārāk bieži trūkst, jo šī informācija tika paziņota mēģinājuma laikā. Dubultspēlē. The reed section features 3 clarinets and 1 bass clarinet throughout.