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Oriģināls

Central City Blues. Hello. Central City Sketches #1 & 2. B-Flat Trumpet sheet music. Drums sheet music. Electric Guitar sheet music. Percussion sheet music. Piano sheet music. Trombone sheet music. Intermediate.

Tulkojums

Central City Blues. Sveiki. Центральные Городские зарисовки. B-Flat Trumpet notis. Drums notis. Elektriskā ģitāra notis. Perkusijas notis. Klavieru notis. Trombonu notis. Intermediate.

Oriģināls

Central City Blues. Hello. Central City Sketches #1 & 2. by The American Jazz Orchestra. Edited by Jeffrey Sultanof and Rob Duboff. Arranged by Benny Carter. For big band. 2 Alto Saxophones, 2 Tenor Saxophones, Baritone Saxophone, 4 Trumpets, 4 Trombones, Guitar, Piano, Bass, Drums. Swing. Medium. Score and parts. Published by Jazz Lines Publications. JL.JLP-8286-87. In 1987, Benny Carter was invited to give a concert of his music with the American Jazz Orchestra. The concert would be a career retrospective. classic music he wrote in the 1930s and '40s, compositions from the '60s, including themes he'd written for motion pictures, and a suite composed specifically for the concert. This suite, Central City Sketches, and the resulting studio-recorded CD released by Musicmasters, were praised by critics who were thrilled that Carter was still creating beautiful, swinging music at the age of eighty. Jeffrey Sultanof was present at that concert, and can attest that the audience went wild when they heard this new music that often recalled Kansas City and the swing era. The sources for these publications are the original parts, which were heavily marked up with changes and corrections that were made prior to the premiere. In one case. People Time. a score that was engraved by Phil Woods was consulted. Movements 1 and 2 - Central City Blues segue to Hello. The suite opens with Central City Blues which segues into a Basie-styled Hello. Because the blues cannot be played as a separate composition, it is combined with Hello. Central City Blues has been marked as "low-down and dirty" by the editor, and that's exactly how it ought to be played. A piano solo and a change of tempo brings us to Hello, which is Carter's homage to his friend Count Basie. Carter is quite specific about dynamics here, and they should be observed.

Tulkojums

Central City Blues. Sveiki. Центральные Городские зарисовки. The American Jazz Orchestra. Edited by Jeffrey Sultanof un Rob Duboff. Organizēja Benny Carter. Par bigbenda. 2 Alto saksofoni, 2 Tenor saksofoni, baritons Saksofonu, 4 trompetes, 4 tromboniem, ģitāra, klavieres, bass, bungas. Šūpoles. Vidējs. Rezultāts un to daļas. Publicējusi Jazz Lines publikāciju. JL.JLP-8286-87. 1987, Benny Carter tika aicinātas sniegt koncertu viņa mūziku ar amerikāņu džeza orķestris. Koncerts būs karjeras retrospekcija. klasiskās mūzikas viņš rakstīja 1930 un '40s, kompozīcijas no '60s, tostarp tēmām viņš gribētu rakstīts kinofilmu un apartamenti sastāv īpaši šim koncertam. Šis komplekts, Central City skices, un rezultātā studija ierakstītas CD atlaiž Musicmasters tika kritiķu, kuri bija saviļņots, ka Kārters bija joprojām radot skaistu, šūpošanos mūziku vecumā astoņdesmit. Jeffrey Sultanof bija klāt šajā koncertā, un varu apliecināt, ka auditorija devās savvaļā, kad viņi dzirdēja šo jauno mūziku, kas bieži vien atgādināja Kansas City un swing ēra. Par šīm publikācijām avoti ir oriģinālās detaļas, kas bija stipri atzīmētas ar izmaiņām un korekcijām, kas tika veikti pirms pirmizrāde. Vienā gadījumā. Cilvēki laiks. Notika apspriešanās rezultāts, kas bija iegravēts Phil Woods. Kustības 1 un 2 - Central City Blues segue uz Hello. Suite sākas ar pilsētas Blues kas segues uz Basie stila Sveiki. Jo blues nevar atskaņot kā atsevišķs sastāvu, tā ir apvienota ar Sveiki. Central City Blues tika atzīmēts kā "zemas leju un netīrs" ar redaktoru, un tas ir tieši tā, kā tai vajadzētu spēlēt. Klavieru solo, un izmaiņas tempo mūs noved Sveiki, kas ir Carter veltījums savam draugam Count Basie. Carter ir diezgan īpašs par dinamiku šeit, un tie ir jāievēro.