Notis $45.00
Oriģināls
Concerto in One Movement for Marimba. piano reduction. Emma Lou Diemer. Marimba sheet music. Percussion sheet music. Piano sheet music. Advanced.
Tulkojums
Koncerts vienā kustības marimbai. klavieres samazināšana. Emma Lou Diemer. Marimba notis. Perkusijas notis. Klavieru notis. Uzlabots.
Oriģināls
Concerto in One Movement for Marimba. piano reduction. composed by Emma Lou Diemer. 1927-. Percussion Ensemble. For Marimba Concerto. marimba. 4.5-octave. piano. Concertos. Medium difficult. Piano reduction. Duration 18. 00. Published by C. Alan Publications. CN.01832. So much music in a single. fast-slow-fast. movement. This concerto should be top priority for the serious marimbist. Perfect for a university concerto competition. perfect for the professional. The marimba part is difficult, but accessible, and the orchestra beautifully complements the soloist. A world-class composer demonstrates the height of her craft with this concerto. Emma Lou Diemer's Concerto in One Movement for Marimba was premiered in its original version March 21, 1991 at Mills College, Oakland, California by the Bay Area Women's Philharmonic with JoAnn Falletta conducting and Deborah Schwartz soloist. It was repeated on March 23 in San Francisco. The concerto was commissioned for the 10th anniversary season of the orchestra. The concerto was also performed April 13 and 14, 1991 by the Santa Barbara Symphony conducted by Varujan Kojian with Deborah Schwartz as soloist. It was recorded in June 2002 by Nathan Daughtrey with the Slovak Radio Symphony conducted by Joel Suben, and this recording is available from the publisher, C. Alan Publications, of Greensboro, North Carolina. In October, 2006, the composer made the wind ensemble version of the concerto, and this version was premiered March 1, 2007 in the Saint Vincent De Paul Church in Albany, New York with Felicity Cashman as soloist and The College of Saint Rose Wind Ensemble conducted by Robert Hansbrough. The instrumentation and general style of the concerto are imbued with the individuality of the tone color and technique of the marimba, reflected in the tremolos and glissandos as well as rhythms and melodic motives that echo or reinforce the ideas expressed by the solo instrument. There are two cadenzas and an extended solo passage for marimba in the slow middle section. In the last cadenza the soloist is joined by the percussion section of the orchestra. The spirit of the work is related somewhat to Vivaldi in its use of floating harmonic rhythms. slow-moving harmonies evolved through figuration. , and bears some harmonic relation to another of the composer's favorite writers of music, Ravel. The dynamic virtuoso, Deborah Schwartz, for whom the work was written, offered excellent editorial suggestions in the writing of the marimba part. The concerto was written to be enjoyed by all concerned, including first and foremost the audience who will hear it for the first time.
Tulkojums
Koncerts vienā kustības marimbai. klavieres samazināšana. veido Emma Lou Diemer. 1927 -. Percussion Ensemble. Marimbai koncerta. marimba. 4,5 oktāvas. plāns. Koncerti. Medium grūti. Klavieres samazināšana. Ilgums 18. 00. Publicējusi C. Alan publikāciju. CN.01832. Tik daudz mūzikas viena. fast-lēni ātri. movement. Šis koncerts ir jābūt galvenajai prioritātei nopietnu marimbist. Ideāls universitātes koncerta konkursa. ideāls profesionālās. Marimba daļa ir grūti, bet pieejama, un orķestris skaisti papildina solists. Pasaules klases komponists parāda augstumu viņas kuģis ar šo koncerta. Emma Lou Diemer Concerto in One kustības marimbai pirmizrādi tā sākotnējā redakcijā 21 Mar 1991 at Mills College, Oakland, California ar Bay Area Sieviešu Filharmonijā ar JoAnn Falletta veikšanu un Deborah Schwartz solists. Tas tika atkārtots 23.martā Sanfrancisko. Koncerts tika uzdots par 10 gadu jubilejas sezonā orķestra. Koncerts tika veikta arī 13 aprīlī un 14, 1991 Santa Barbara simfonija, Varujan Kojian veica ar Deborah Schwartz kā solists. Tā tika reģistrēta 2002.gada jūnijā Nathan Daughtrey ar Slovākijas Radio simfonisko Joel Suben veica, un šis ieraksts ir pieejams no izdevēja, C. Alan publikācijas, no Greensboro, North Carolina. Oktobrī, 2006, komponists, kas vēja ansamblis versiju koncerts, un šī versija tika pirmizrādi 1 marts 2007 in Saint Vincent De Paul baznīca Albany, New York ar Felicity Cashman kā solists un The Saint Rose Wind Ensemble koledža Robert Hansbrough veica. Instrumentu un vispārējo stilu koncerts ir piesātinātas ar individualitāti toņa krāsu un tehniku no marimbai, atspoguļots tremolos un glissandos kā arī ritmu un melodisku motīvi, kas atbalss vai pastiprina paustās idejas par solo instrumentu. Ir divi cadenzas un pagarināts solo pāreja marimbai lēni vidū sadaļā. Pēdējā kadence solists ir pievienojās perkusijas sadaļā orķestris. Darba gars ir saistīts nedaudz ar Vivaldi tās izmantošanas peldošo harmoniku ritmiem. lēni pārvietojas harmonijas attīstījusies cauri ornamentēšana. , Un jāuzņemas zināma Harmoniskas attiecības ar otru no komponista mīļākie rakstnieki mūziku, Ravela. Dinamiskā virtuozs, Deborah Schwartz, kuriem darbs tika rakstīts, piedāvāja lieliskus redakcionālus ierosinājumus rakstiski marimbai daļas. Koncerts bija rakstīts, ko bauda visas iesaistītās personas, tajā skaitā pirmais un galvenais skatītājiem, kas to dzirdēs pirmo reizi.
