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War Requiem, Op. 66. Benjamin Britten. Choir sheet music.

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Karš Rekviēms, Op. 66. Benjamin Britten. Kora notis.

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War Requiem, Op. 66. 1961-62. Choral Score. Composed by Benjamin Britten. 1913-1976. For Choral, Chorus, Orchestra. CHORAL SCORE. BH Large Choral. 80 pages. Boosey & Hawkes #M060015571. Published by Boosey & Hawkes. HL.48009030. for soprano, tenor and baritone solos, chorus, orchestra, chamber orchestra, boys' choir and organ. Scoring. 3picc. , 2, ca, 3. IIIcl in Eb and bass cl. , 2, dbl bn. 6, 4, 3, 1. timps, 4 perc. 2 sd, td, bd, tamb, trgl, cymb, castanets, whip, Chinese blocks, gong, bells in C and F#, vibr, antique cymbals in C and F#. piano, grand org. ad lib. strings. Chamber orch. fl. picc. , ob. ca. , cl, bn. hn. perc. timp, sd, bd, cymb, gong. harp, string quintet. 2 vl, vla, vc, db. Chamber organ. or harmonium. to accompany boys' choir. Text. Missa pro defunctis and Wilfred Owen. Publisher. Boosey & Hawkes. Difficulty level. In many ways this magnum opus, one of the 20th century's defining works, was also Britten's defining moment. For a long time Britten had felt that the gap in his output was a major choral. orchestral work. When Coventry mounted an Arts Festival to celebrate the dedication of its new cathedral in 1962 Britten was an obvious choice to ask for a major work. This, for Britten, was the opportunity for which he had been waiting. As a lifelong, passionate pacifist it was his opportunity to write a work which reminded its audience of the reason for the building of this new cathedral, but also, and far more importantly, to demonstrate in the most powerful way possible the horror, devastation, futility and utter waste of war. His inspired idea was to mix the words of the Missa pro defunctis. Mass for the Dead. in Latin with the poems of one of the greatest of the First of the spirit War poets, Wilfred Owen. He uses nine of Owen's poems which form a kind of song cycle which weaves in and out of the formal sections of the Latin Mass. When Britten's recording was released the following year it sold 200,000 copies within the first five months which was almost unheard of for a classical work, and possibly unique for a large-scale contemporary one. This was the moment of destiny for which Britten had been preparing all his adult life. The peace movements of the 1960s, the Cuban missile crisis, nuclear testing, anti-nuclear protests, the war-weariness of the seemingly endless conflict in Vietnam, all these things contributed to the public's readiness to hear this message which Britten so powerfully addressed. Duration. 85 minutes. Paul Spicer, Lichfield, 2011.

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Karš Rekviēms, Op. 66. 1961-1962. Koru Score. Veido Benjamin Britten. 1913-1976. Par koru, koris, orķestris. Kora SCORE. BH Liels Koru. 80 pages. Буси. Publicējusi Boosey. HL.48009030. soprānam, tenoram un baritons solo, koris, orķestris, kamerorķestris, zēnu koris un ērģeles. Vērtēšanas. 3picc. , 2, ca, 3. IIIcl EB un bass cl. , 2, dbl miljardi. 6, 4, 3, 1. TIMP, 4 Perc. 2 SD, TD, BD, TAMB, TRGl, cymb, кастаньеты, кнут, китайские блоки, гонг, колокольчики в С и F. klavieres, grand org. ad lib. stīgas. Kamera orch. fl. picc. Vai. ca. , Cl, miljardi. hn. PERC. timp, sd, bd, cymb, gongs. arfa, stīgu kvintets. 2 vl, VLA, VC, db. Kamera orgānu. vai harmonijs. pavadīt zēnu koris. Teksts. Missa pro defunctis un Wilfred Owen. Izdevējs. Boosey. Grūtības pakāpi. Daudzējādā ziņā tas magnum opus, viens no 20.gadsimta definē darbi, bija arī Britena izšķirošais brīdis. Ilgu laiku Britten juta, ka plaisa viņa produkciju bija liela kora. orķestra darbs. Kad Coventry uzstādīts ir mākslas festivāls, lai svinētu centību savu jauno katedrāles 1962.gadā Britten bija acīmredzama izvēle lūgt lielu darbu. Tas, Britena, bija iespēja, par kuru viņš bija gaidījis. Kā mūža, kaislīga pacifists tā bija viņa iespēja uzrakstīt darbu, kas atgādināja savu auditoriju par iemeslu ēkas šīs jaunās katedrāles, bet arī, un daudz svarīgāk, lai pierādītu, visspēcīgākais veids, kā iespējams šausmas, postīšana, veltīgums un izdvest atkritumi kara. Viņa iedvesmoja ideja bija sajauc vārdus Missa pro defunctis. Masa Dead. latīņu ar dzejoļiem par vienu no lielākā no pirmā no alkoholisko kara dzejnieku, Wilfred Owen. Viņš izmanto deviņi no Owen dzejoļi, kas veido sava veida dziesmu ciklu, kas vijas un no formālās sadaļām latīņu mises. Kad Britten ierakstīšanas tika izlaists nākamajā gadā tā pārdeva 200,000 kopijas pirmajos piecos mēnešos, kas bija mazpazīstamas klasisko darbu laikā, un, iespējams, unikāla liela mēroga mūsdienu one. Tas bija brīdis, likteni, par kuru Britten bija gatavo visu savu pieauguša cilvēka mūžu. Miera kustības 1960 Kubas raķešu krīzes, kodolizmēģinājumiem, anti-kodolieroču protestus, kara nogurums šķietami nebeidzamu konfliktu Vjetnamā, tas viss veicināja sabiedrības gatavību dzirdēt šo vēstījumu, kas Britten tik spēcīgi adresēts. Ilgums. 85 minūtes. Paul Spicer, Lichfield, 2011.