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Trombone Concerto. Derek Bourgeois. Horn sheet music. Trombone sheet music. Grade 5.

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Trombone Concerto. Derek Bourgeois. Horn notis. Trombonu notis. 5 pakāpes.

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Trombone Concerto. Trombone Feature. Composed by Derek Bourgeois. 1941-. For Soloist. with Concert Band. Solo Trombone, Piccolo, 1st Flute, 2nd Flute, Oboes, Eb Clarinet. , 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet. , Bb Bass Clarinet, Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone. , 1st. 2nd F Horn, 3rd. 4th F Horn, 1st B. Band Music. Grade 5. Score only. Duration 20. 00. Published by C. Alan Publications. CN.S11024. Derek Bourgeois' Trombone Concerto is a substantial twenty-minute piece in three movements, "Allegro," "Adagio," and "Presto. " Because trombonists from the worlds of pop and jazz would attend the premiere as well as classical artists, Bourgeois decided to make his new concerto musically ecumenical, and it was deliberately tailored to have an appeal wider than the usual classical audience. The third movement, in particular, was a great hit. The first movement of Derek Bourgeois' Trombone Concerto is constructed Classically. the solo trombone immediately launches into the opening theme in F minor, conceived harmonically in a sequence of descending thirds and it is the solo trombone too that introduces the lyrical second idea, in A flat, presented over chords which are given mobility by dark-toned alto and bass clarinets. These contrasting subjects give the composer ample opportunity to let loose his fertile imagination, whether expanding on the Baroque qualities of the opening material in a fugato section for woodwinds, or boldly stating the romantic second theme on brass leading to cascading sextuplets, or with the soloist presenting the first theme in augmentation against a ripple of semi-quavers. After this development, there is virtually a formal recapitulations in the woodwinds and the soloist repeats the second theme in tonic. major. The movement closes with pianissimo chords - no great bravura here, but leading us in mood to the second movement which opens a tone lower in E-flat. Here, the rich tone of the soloist is matched by three accompanying trombones - with the writing equaling the expressiveness of a cello quartet. Gradually, the rest of the low brass join as the solo trombone weaves a seamless, almost Wagnerian theme, extending phrases sequentially. This movement has two separate thoughts and a solo clarinet answers the trombone with a new theme accompanied only by three horns, euphonium, and pizzicato string bass. Whilst most of the slow movement is contemplative, Bourgeois allows the band to unleash the full fortissimo passion implied in the second, clarinet theme, before the movement closes as it began - but this time only two trombones accompany the soloist, and all three are muted. After the passion of the slow movement, Bourgeois adopts a Classical rondo form as a 6. 8 Scherzo, marked Presto, which gives the release we need. It is fun, to be thrown off lightly as we enjoy the semitone shifts with a wry smile. Towards the end of the movement is a cadenza which alludes to the thematic content of the first movement, but aurally the hard work has been done. For the soloist however, the music requires a virtuoso combination of slide and tongue. Derek Bourgeois' Trombone Concerto was commissioned by the British Trombone Society for the International Trombone Workshop at Eton, England, July 1989 with gratefully acknowledged assistance from Southern Arts. The world premiere was given by Christian Lindberg.

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Trombone Concerto. Trombonu Feature. Sastādījis Derek Buržuā. 1941 -. Solistu. ar Concert Band. Solo trombonu, Piccolo, 1 flauta, 2 flauta, obojām, Eb klarnete. , 1 Bb klarnete, 2 Bb klarnete, 3 Bb klarnete, Eb Alto klarnete. , Bb Bass klarnete, Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritons Saxophone. , 1st. 2 F Horn, 3. 4 F Horn, 1 B. Band mūzika. 5 pakāpes. Score tikai. Ilgums 20. 00. Publicējusi C. Alan publikāciju. CN.S11024. Derek Buržuā "Trombone Concerto ir būtisks divdesmit minūšu gabals trīs kustības," Allegro "," Adagio "un" Presto. "Tā kā trombonists no pasaulēm pop un džeza piedalīsies pirmizrāde, kā arī klasisko mākslinieki, Bourgeois nolēma veikt savu jauno koncerts muzikāli ekumēniskā, un tā tika apzināti pielāgota, lai apelāciju plašāks nekā parasti klasiskā auditorija. Trešais kustību, it īpaši, ir liels hit. Pirmā kustība Derek buržuāziskās "trombons Koncerts ir veidots klasiski. solo trombons nekavējoties uzsāk iekļūšanas atverē tēmu F minor, ieņemts harmoniski kādā secībā dilstošā trešdaļu, un tas ir solo trombons arī, kas ievieš lirisku otro ideja, jo dzīvoklis, uzrāda vairāk nekā akordi, kas tiek dotas mobilitāti, tumši tonēti Alto un bass klarnetes. Šie kontrastējošas tēmas dod komponists plašas iespējas ļaut zaudēt savu auglīgu iztēli, vai paplašinot baroka īpašībām atvēršanas materiāla fugato sadaļā woodwinds, vai droši norādot romantisku otro tēmu par misiņa noved pie kaskādes sextuplets, vai ar solistu Iesniedzot pirmo tēmu palielināšanu pret svārstības un puspiekabju quavers. Pēc šo attīstību, ir faktiski ir formālas recapitulations, kas ir woodwinds un solistu atkārto otro tēmu toniku. lielākais. Kustība noslēdzas ar Pianissimo akordiem - nav lielas Bravura šeit, bet rezultātā mums garastāvokļa uz otro kustību, kas atver toni zemāka E-dzīvoklis. Lūk, bagāts tonis solists ir saskaņota ar trīs pievienotajos tromboniem - ar rakstīšanas vienādo izteiksmīgumu par čellu kvartets. Pamazām, pārējā zema misiņa pievienoties kā solo trombons vijas bezšuvju, gandrīz Wagnerian tēmu, paplašinot frāzes secīgi. Šī kustība ir divas atsevišķas domas un solo klarnetei atbild uz trombonu ar jaunu tēmu pavada tikai trīs ragiem, eifonija spēle, un Pizzicato stīgu bass. Kamēr lielākā daļa no lēnas kustības ir kontemplatīvs, Bourgeois ļauj joslā, lai atbrīvotu pilnu Fortissimo kaislība netiešu otrajā, klarnetei tēmu, pirms kustība aizveras, kā tas sākās - bet šoreiz tikai divas tromboniem pavada solists, un visi trīs ir izslēgts. Pēc kaislību uz lēnas kustības, Bourgeois pieņem Klasiskā rondo formā kā 6. 8 Scherzo, iezīmēja Presto, kas dod atbrīvošanu mums vajag. Tas ir jautri, lai izmet off viegli, kā mēs baudīt pustoni maiņās ar sašķobīts smaidu. Beigās kustības ir kadence kas netieši norāda uz tematisko saturu pirmo kustību, bet akustiski smags darbs ir veikts. Par solists tomēr mūzika prasa virtuozs kombinācija slaidu un mēles. Derek Buržuā "Trombone Concerto pasūtīja Lielbritānijas trombons biedrības Starptautiskajā trombons radošajā darbnīcā Eton, Anglijā, 1989 jūlijā pateicamies palīdzību no Dienvidu Arts. Pasaules pirmatskaņojums tika dots Christian Lindberg.